James Wintle's Northwest Miniatures for Flute, Trumpet and Piano (1998): a Performance Guide

James Wintle's Northwest Miniatures for Flute, Trumpet and Piano (1998): a Performance Guide

Date: May 2013
Creator: Walker, Julee Kim
Description: James Wintle's, Northwest Miniatures for flute, trumpet and piano is a unique work in the chamber music repertoire. In addition, the use of auxiliary instruments makes this piece a rarity in the flute and trumpet chamber music repertoire. There are a limited number of resources presently available to performers regarding Northwest Miniatures.This dissertation provides a pedagogical performance guide addressing the inherent challenges for the flutist and this instrumentation and serves as a new resource for performers and scholars of this work. It provides a performance analysis of the piece along with pertinent pedagogical information and exercises to assist the flutist. Insight from the composer on how to address these challenges is also included. Because there are a limited number of scholarly resources available on the subject of flute and trumpet chamber music, this dissertation is a significant contribution to this genre of repertoire.
Contributing Partner: UNT Libraries
The Role Of The Piccolo In Beethoven's Orchestration

The Role Of The Piccolo In Beethoven's Orchestration

Date: December 2011
Creator: Teng, Kuo-Jen
Description: This dissertation discusses the role of the piccolo in Beethoven’s orchestration in his symphonic works. These include the Fifth Symphony, the Sixth Symphony, the Egmont Overture and the Ninth Symphony. The document includes the history of piccolo’s development since the ninth century B.C. until the modern Boehm piccolo. The author provides comparative observation through Beethoven’s orchestration techniques such as the range covered, instrumental pairing, balance, and melodic organization of each symphony works. In addition to discussing development of the piccolo in orchestration, this study compares the piccolo’s usage through motives (e.g. the “Ode to Joy” theme), harmonic analysis; range; balance; and melodic organization. Appendix A provides of tables that summarize piccolo’s harmonic function of works discussed to help the reader comprehend the piccolo function at a glance. This dissertation includes observations of performers, theorists and musicians; and these guides provide the reader with better understanding of the piccolo’s place in Beethoven’s orchestration. By following the observations, piccolo players will bring a deeper musical and technical understanding to individual performances.
Contributing Partner: UNT Libraries
The Poetic and Musical Dialogue of Ambrosini and Cavalcanti: a Study of Claudio Ambrosini’s a Guisa Di Un Arcier Presto Soriano for Solo Flute

The Poetic and Musical Dialogue of Ambrosini and Cavalcanti: a Study of Claudio Ambrosini’s a Guisa Di Un Arcier Presto Soriano for Solo Flute

Date: August 2013
Creator: Choi, Su-hyun
Description: Claudio Ambrosini’s (b. 1948) unpublished work for unaccompanied flute, A guisa di un arcier presto soriano (1981), although virtually unknown to the musical public and to connoisseurs alike, represents one of the most dazzling and impressive displays of extended techniques in the repertoire of solo flute music. The title, A guisa di un arcier presto soriano, comes from the seventh line of a sonnet by the Italian medieval poet Guido Cavalcanti (ca. 1250-1300) and translates as “just like a fast Syrian archer.” The archer in question is Eros, the Greek god of love. By the composer’s own admission, the form and expression of this piece is closely linked with the form and expression of Cavalcanti’s sonnet. In particular, Ambrosini intimates three elements specifically drawn from the poem: 1) moments of tension and suspense, as Eros silently approaches his target with bow and arrow in hand; 2) moments of love, even to the point of suggesting a love song; and 3) moments that suggest the fast passage of arrows. The purpose of this dissertation is to explore these three elements in Ambrosini’s work and to trace the correlations of the same elements in Cavalcanti’s sonnet. The expression of such concrete poetic ...
Contributing Partner: UNT Libraries
Historical and Analytical Aspects of William Flackton's Sonatas for Viola and Keyboard (OPUS 2. Nos. 2, 4. 6. 8) with Particular Attention to the Sonata in D Maior (OPUS 2. No. 4)

Historical and Analytical Aspects of William Flackton's Sonatas for Viola and Keyboard (OPUS 2. Nos. 2, 4. 6. 8) with Particular Attention to the Sonata in D Maior (OPUS 2. No. 4)

Date: December 1991
Creator: Rosenbaum, George G. (George Gene)
Description: These four sonatas of William Flackton (1709-1798) are probably the earliest collection of sonata literature written for the viola. They exist with a few other string sonatas from the Baroque period in England. It is essential to establish their place in English baroque music and to develop a performance milieu or stylistic preference that leads up to and lasts through the time span of Flackton's sonatas. The final tool to establish an interpretive plan will be to present a general analysis of the four sonatas with special emphasis on the D major sonata (opus 2, no. 4).
Contributing Partner: UNT Libraries
Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide

Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide

Date: May 2014
Creator: Sturman, Esra
Description: Penderecki made a tremendous variety of contributions to the cello repertoire. His profound respect for tradition and for his past is deeply appreciated by both performers and audiences. In each individual composition, he explored the cello’s sonorous possibilities and created a new technical and musical palette for the instrument. He worked with legendary, world-renowned cellists who not only gave the premieres of his works but also established deep friendships with him. The Divertimento/Suite for Cello Solo (1994-2013), a compilation of miniature movements, each with its sophisticated structure, demonstrates Penderecki’s three compositional style periods. Baroque and Romantic elements in each movement are achieved within their style characteristics. Penderecki’s Divertimento/Suite for Violoncello Solo is composed of eight contrasting movements that were written during a nineteen-year period. The work is characterized by a Neo-Romantic aesthetic and utilizes the cello’s dark lyrical tones with a variety of timbre and tonal contrasts. The purpose of the present study is to create a practical performance guide to this important musical work with a detailed stylistic, textural, and motivic analysis of all eight movements. Although there are many published documents and analyses of Penderecki’s orchestral, choral, chamber and other solo pieces, the Divertimento/Suite for Cello Solo has ...
Contributing Partner: UNT Libraries
Ensemble: 2002-10-07 - Faculty Chamber Music

Ensemble: 2002-10-07 - Faculty Chamber Music

Access: Use of this item is restricted to the UNT Community.
Date: October 7, 2002
Creator: Brahms, Johannes, 1833-1897 & Brahms, Johannes, 1833-1897
Description: Concert presented at the UNT College of Music Recital Hall.
Contributing Partner: UNT Music Library
Faculty Recital: 1990-03-06 - Faculty Chamber Music

Faculty Recital: 1990-03-06 - Faculty Chamber Music

Access: Use of this item is restricted to the UNT Community.
Date: March 6, 1990
Creator: Faculty Chamber Music
Description: Faculty recital performed at the UNT College of Music Recital Hall.
Contributing Partner: UNT Music Library
Faculty Recital: 1992-04-15 - Vladimir Viardo, piano

Faculty Recital: 1992-04-15 - Vladimir Viardo, piano

Access: Use of this item is restricted to the UNT Community.
Date: April 15, 1992
Creator: Viardo, Vladimir
Description: Faculty recital performed at the UNT College of Music Concert Hall.
Contributing Partner: UNT Music Library
Faculty Recital: 1991-10-15 - James Gillespie, clarinet

Faculty Recital: 1991-10-15 - James Gillespie, clarinet

Access: Use of this item is restricted to the UNT Community.
Date: October 15, 1991
Creator: Gillespie, James
Description: Faculty recital performed at the UNT College of Music Recital Hall.
Contributing Partner: UNT Music Library
Ensemble: 2008-04-20 Center for Chamber Music Studies

Ensemble: 2008-04-20 Center for Chamber Music Studies

Access: Use of this item is restricted to the UNT Community.
Date: April 20, 2008
Creator: The Center Woodwind Quintet
Description: Concert presented at the UNT Winspear Hall.
Contributing Partner: UNT Music Library
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