3 Matching Results

Search Results

Results: 1 - 3
open access

The Virtuoso Clarinet: Arrangements from Nineteenth-Century Italian Opera, A Lecture Recital, Together with Three Recitals of Selected Works of B. Bartók, J. Brahms, E. Carter, B. Crusell, M. Clyne, C. Debussy, P. Hindemith, R. Schumann, G. Tartini, R. Vaughan Williams, and C. Whittenberg

Description: The lecture recital was given on July 25, 1977. Transcriptions and arrangements for clarinet and piano of nineteenth-century Italian opera were popular during the virtuoso wind era and are representative of an important phase in the history of clarinet playing. Arias of Rossini and Verdi and a fantasia based on Rigoletto were performed during the lecture recital. In addition to the lecture recital, three other public recitals were performed, including solo compositions for clarinet and chamber … more
Date: December 1977
Creator: Petersen, John William
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Johann Friedrich Reichardt and His Liederspiel "Liebe und Treue"

Description: The purpose of this investigation is to examine Reichardt's reasons for his development of the genre Liederspiel. A brief biographical sketch of Reichardt reveals an innovative character who was responsible for several developments within the history of music. The Liederspiel was particularly affected by the French vaudeville. However, an investigation into the character of each shows that they are really quite different. A translation of an article by Reichardt from the Allgemeine Musikalische… more
Date: May 1979
Creator: Peacock, Daniel F.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

The Stage Works of Franz Schubert with an Analysis of Fierrabras

Description: Performances of Fitrabras and the other Schubert operas have been very rare. Parts of Fierrabras were given in concert form in Vienna in 1853 and again in 1858. The first stage production was in Karlsruhe, February 9, 1897, but the music was revised for that performance by 0. Neitzel and the text by F. Mottl. The text was translated into French for a production in Brussels in 1926. A concert version was also heard in London in 1938. None of these performances, with the possible exception of the… more
Date: August 1968
Creator: Corse, Sandra
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
Back to Top of Screen