Cloche

Cloche

Date: 1920
Creator: unknown
Description: Cloche hat of black silk velvet. The rigid crown has a flattened top, and sides formed of gathers of the velvet forming horizontal ridges. The brim is a soft, gathered and padded "ruffle" of the same velvet. The hat is lined in a black satin. Sewn inside crown is retailer's label: "Neiman-Marcus Co. / Dallas New York".
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1935/1939
Creator: Carnegie, Hattie
Description: Hat of brown felt. Hat has a high, cylindrical crown, slightly "crumpled", with an asymmetrical brown felt brim that extends out and curls upwards. Highest point of brim is at front of the hat. Round crown, above mid-point, is hatband of dark brown grosgrain ribbon embellished with branching forms of beading, sequins, and metal leaves. This band meets at back and has extending segments cut at angles hanging from the back of the hat. Dark brown grosgrain ribbon hatband inside crown, with thin elastic cord fastened on either side to act as chinstrap to secure hat to wearer's head. The crown of the hat is composed of two sections of felt with the band of grosgrain ribbon between them. From inside of hat the back of the ribbon and the stitching of the beading is visible. Sewn into the inner ribbon band is designer's label: "Hattie Carnegie / Inc / Original / Expressly for / Neiman-Marcus"
Contributing Partner: UNT College of Visual Arts + Design
Calotte

Calotte

Date: 1955
Creator: Carnegie, Hattie
Description: Hat of green felt. Styled as a calotte (also spelled "calot"), the hat has a domed green felt crown, and a brim that folds up around the crown, extending almost as high as the crown in front. At the base of the crown, within the area of the brim, is a gather of brown veiling/netting that runs about 3/4 of the circumference of the crown. The hat is unlined, with an inner black grosgrain ribbon hatband at the inside base of the crown. A stitched mark on the hatband indicates the front of the hat. Designer's / Retailer's combined label: "Hattie Carnegie / Inc / Original / Expressly for / Neiman-Marcus" Stamped inside crown: "Made in Italy"
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Bodystocking, Mini-Skirt and Belt

Ensemble - Bodystocking, Mini-Skirt and Belt

Date: 1969/1970
Creator: Cardin, Pierre
Description: Ensemble consisting of three pieces. Full-length bodystocking is of heavy ivory wool knit, in a ribbed pattern running vertically throughout body and legs, and horizontally around arms. The garment has a turtle-neck and wide flaring cuffs at legs. Center back zipper opening from top of turtle-neck to mid-back. The black double knit wool micro-mini-skirt has four over-sized belt loops with pointed ends, and center back zipper closure. The ensemble includes a wide black patent-leather belt which secures with concealed snaps. Bodystocking has two labels. Designer's label inside at back near zipper: "Pierre Cardin / Paris New York"; Material/size label on opposite side: "100% / Wool / L" The skirt has no labels. The belt is stamped on reverse: "12 1851" From the Fall 1969/1970 season. Records indicate that the ensemble was originally offered in the Maisonette Room of Neiman-Marcus.
Contributing Partner: UNT College of Visual Arts + Design
Evening Gown

Evening Gown

Date: 1950
Creator: unknown
Description: Evening gown of heavily beaded beige silk satin. The bodice of the full-length gown has an empire waist, a wide scoop neckline, and is sleeveless. It has princess seaming, and internal boning at center front of the neckline. The skirt has fullness from the widening of the panels. The skirt and lower part of the bodice are beaded with floral/foliate forms in pinks, browns, yellows, clear and iridescent beads. The upper part of the bodice, in a deep band around neckline, back, and straps, is totally covered in iridescent sequins, beaded flower heads in bronze/brown and clear beads. The bodice is lined and has internal structures to help support and give form to the gown. The skirt is lined with stiff netting, and has an internal attached net crinoline. The gown has a center back zipper closure with hook-and-eye at top. There are no labels in the garment.
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Jacket and Skirt

Ensemble - Jacket and Skirt

Date: 1945/1949
Creator: Adrian, Gilbert, 1903-1959
Description: Ensemble consisting of jacket and skirt. The fitted black velvet jacket is encrusted with gold braid/ribbon in a lattice/trellis pattern over the entire surface, with added buttons, cabochons, beads, etc. lavishly sewn over the surface. The jacket has a no collar, and short capped sleeves. From the natural waist flares a peplum. The jacket has a center front closure of hooks-and-eyes. Unlined, it has built-in shoulder pads. No label in jacket. The accompanying straight skirt is full-length, of heavy black crepe. Center back zipper closure with hook-and-eye at waistband. Designer's label inside skirt at side seam: "Adrian / custom", along with a second label, typed on white grosgrain ribbon, sewn in: "Neiman Marcus 417 / Size 12". This garment reflects Adrian's celebration of the lifting of wartime restrictions on types and quantities of materials and trimmings that could be used in making clothes.
Contributing Partner: UNT College of Visual Arts + Design
Coat

Coat

Date: 1973
Creator: Norell, Norman
Description: Coat of brown and white felted wool. The garment is knee-length or longer, with long sleeves and a center front opening with 5 large circular plastic buttons. The main body of the coat is of pale brown and white check design, with cuffs, collar, and lower band of coat (about hips to hem) of solid light brown. The coat is lined in pale brown fabric, and has an accompanying light brown and white check belt. Designer's label at inside at center back of neckline: "Norell". A second sew-in handwritten label just above reads "Deborah 929" A hand-written note with the garment states that it is from "the last collection" The coat is part of an ensemble which includes an off-white wool jersey blouse, a brown wool skirt, and a brown leather belt.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1907
Creator: unknown
Description: Pair of white kid ladies' shoes. Styled with pointed-toes, the white kid leather upper has a vamp decorated with tiny gunmetal beads edging oval cut-outs, and with massed beading at center of each vamp. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Back and sides of heel covered in matching leather. Lined in white leather. Natural brown leather sole. Retailer's stamp inside: "Neiman-Marcus Co. / Dallas Maker's code stamped inside: "150 / B19003"
Contributing Partner: UNT College of Visual Arts + Design
Pumps

Pumps

Date: 196u
Creator: Levine, Herbert
Description: Pair of pumps of cream crepe faille silk. Designed with a rounded toe, the shoes have a large applied bow/rosette of same fabric at center of instep. Low heels taper to base. Maker's mark stamped inside: "Herbert Levine" Retailer's mark stamped inside: "Neiman-Marcus" Handwritten inside: "7aa / 6327C"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: [1907..1930]
Creator: unknown
Description: Pair of shoes of off-white leather. Designed with pointed toes, the shoes have uppers cut to create a large tongue with upper edged cut to a point. Applied to vamp is medium sized bow of same leather. Modified Louis heel covered with same leather. Retailer's label stamped inside: "Neiman Marcus"
Contributing Partner: UNT College of Visual Arts + Design
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