Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man

Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man

Date: August 2000
Creator: Murphree, Hyon Joo Yoo
Description: This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50's through 90's coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes' "intero-alterity" is further problematized by antiheroes in Tim Burton's films.
Contributing Partner: UNT Libraries
"According to Their Wills and Pleasures": The Sexual Stereotyping of Mormon Men in American Film and Television

"According to Their Wills and Pleasures": The Sexual Stereotyping of Mormon Men in American Film and Television

Date: May 2009
Creator: Sutton, Travis
Description: This thesis examines the representation of Mormon men in American film and television, with particular regard for sexual identity and the cultural association of Mormonism with sexuality. The history of Mormonism's unique marital practices and doctrinal approaches to gender and sexuality have developed three common stereotypes for Mormon male characters: the purposeful heterosexual, the monstrous polygamist, and the self-destructive homosexual. Depending upon the sexual stereotype in the narrative, the Mormon Church can function as a proponent for nineteenth-century views of sexuality, a symbol for society's repressed sexuality, or a metaphor for the oppressive effects of performing gender and sexuality according to ideological constraints. These ideas are presented in Mormon films such as Saturday's Warrior (1989) as well as mainstream films such as A Mormon Maid (1917) and Advise and Consent (1962).
Contributing Partner: UNT Libraries