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Primary view of The "Gypsy" style as extramusical reference: A historical and stylistic reassessment of Liszt's Book I "Swiss" of Années de pèlerinage.
Tan, Sok-Hoon
May 2008
Primary view of A Quantitative Approach to the History of Music Binder's Volumes (1820–1900)
Anderson, Brian K
December 2022
Primary view of American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies
Clark, R. Andrew
May 2001
Primary view of Mus. Ms. 1511b: A Historical Review of a Lute Manuscript in the Herwarth Collection at the Bavarian Library, Munich
Beasley, Douglas William
August 2007
Primary view of Allusions and Borrowings in Selected Works by Christopher Rouse: Interpreting Manner, Meaning, and Motive through a Narratological Lens
Morey, Michael J.
May 2019
Primary view of Virtuosa di Musica di Camera: A Performance Edition of Sonata in F Major, Op. 1, No. 2 by Anna Bon di Venezia
Alvarado Piña, Maria Gabriela
May 2022
Primary view of The Essercizii musici: A Study of the Late Baroque Sonata
Volcansek, Frederick Wallace
May 2001
Primary view of Don Gillis's Symphony No 5½: Music for the People
Morrison, Sean
May 2013
Primary view of Looking through a Different Lens, Beyond Censorship: The American Reception of Lady Macbeth of the Mtsensk District
Cassell, Holly
August 2017
Primary view of Accessibility and Authenticity in Julia Smith's Cynthia Parker
Buehner, Katie R.
December 2007
Primary view of A Performer's Analysis of Maurice Ravel's Chansons madécasses: A Lecture Recital, Together with Three Recitals of Selected Works of B. Britten, R. Schumann, S. Barber, T. Pasatieri, F. Poulenc, G. Verdi, T. Arne, and Others
Ellis, Diana Lea
May 2004
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy."
Lamb, Earnest
August 2005
Primary view of Michael Nyman: The Man Who Mistook His Wife for a Hat
Avant-Rossi, Joan
May 2008
Primary view of A 'Bohemian' Premiere? Smetana's "The Bartered Bride" and National Identity in 1909 New York
Fehr, Laura
May 2020
Primary view of Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications
Chaplin-Kyzer, Abigail
May 2018
Primary view of Repetition and Difference: Parodic Narration in Kander and Ebb's "The Scottsboro Boys"
Wolski, Kristin Anne
August 2013
Primary view of Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet
Dunn, John T.
August 2002
Primary view of The Intimacy of Death: Mahler’s Dramatic Narration in Kindertotenlieder
Strange, AnnaGrace
May 2014
Primary view of A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor
Leong, Jeremy
August 1997
Primary view of The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976
McGinney, William Lawrence
May 2009
Primary view of Theobald Boehm and the History of the Alto Flute, Including the Facsimile Edition of His Arrangement of Beethoven's Largo From the Concerto for Piano, Op. 15, No. 1 for Alto Flute and Piano (C. 1858), With Three Recitals of Selected Works by Griffes, Telemann, Bartok, Jolivet, Gaubert and Others
Redcay, Andrea
May 1997
Primary view of Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics
Cooper, Amy Nicole
December 2011
Primary view of Psalms, Hymns, and Commercial Songs: Tradition and Innovation in James Lyon's "Urania"
La Spata, Adam
August 2020
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