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Hâfez and Betinis: a Conductor’s Approach to Ancient Persian Poetry As Voiced by a Twenty-first Century, Western Composer

Description: The choral music of Abbie Betinis is being widely performed and commissioned by prominent high school, university, and civic choruses. This study examines From Behind the Caravan: Songs of Hâfez, a five-movement work by Betinis for women’s chorus, vielle, oud, and Persian percussion. Four ghazals by Hâfez of Shiraz, a fourteenth century Sufi poet, are used as the text for Betinis’s Caravan. When considering a performance of this work, a conductor must understand proper treatment of the text,… more
Date: December 2015
Creator: Steenblik, Peter C.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Musical Borrowing in the Choral Music of Andrew Rindfleisch

Description: American composer Andrew Rindfleisch (b. 1963) has contributed twenty-one pieces to the repertoire of contemporary choral literature to date. His works have been commissioned, premiered, and recorded by notable choral ensembles and performed in significant venues around the country. Influenced by his own early choral singing experience in his native Wisconsin, much of Rindfleisch’s choral music is infused with influences of the music of earlier composers and choral idioms. With these works, … more
Date: December 2015
Creator: Glann, Kerry
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Cross-culture Choral Music Education: Issues for Western Choral Conductors Related to the Performance of Arabic Choral Music

Description: The concept of choral music as defined by the Western world was foreign to Arab cultures until the colonization of the Arab world began in the seventeenth century when we began to see the Western choral style emerging in the churches of the Arab world. Group singing of traditional music was done in unison or heterophonic textures. Notated part-singing is a product of colonization, Westernization, Christianization, and now globalization. In recent years, singing music in mixed or multiple voi… more
Date: August 2015
Creator: Earnhart, Cari L.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries

Ensemble: 2015-04-29 – University of North Texas Symphony Orchestra and Grand Chorus

Description: The Symphony Orchestra and Grand Chorus, along with faculty, performed at the UNT College of Music Winspear Hall.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: April 29, 2015
Duration: 1 hour 27 minutes 13 seconds
Creator: University of North Texas. Symphony Orchestra.
Item Type: Refine your search to only Sound
Location: 33.206333 -97.155065
Partner: UNT Music Library

Ensemble: 2015-04-29 – University of North Texas Symphony Orchestra and Grand Chorus [Stage Perspective]

Description: Orchestra and choir concert performed at the UNT College of Music Winspear Hall. This video is shot from the ensemble's perspective, showing the conductor.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: April 29, 2015
Duration: 1 hour 28 minutes 49 seconds
Creator: University of North Texas. Symphony Orchestra.
Item Type: Refine your search to only Video
Location: 33.206333 -97.155065
Partner: UNT Music Library
open access

Sitting Next to Bach: the Influence of Js Bach on Sven-david Sandström’s Bach Motet Project with a Focus on the Motets “Der Geist Hilft” and “Singet Dem Herrn”

Description: In many of his choral works, Swedish composer Sven-David Sandström has sought a connection with the musical masters of the past. The number of Sandström works that bear a strong connection to Bach’s music is quite extensive and includes High Mass (1994), Magnificat (2005), the six motets (2003-2008) which constitute the Bach Motet Project under current discussion, and St. Matthew Passion, which recently premiered in Germany and Sweden in 2014. This study explores the extent to which Sven-David… more
Date: August 2014
Creator: Franklin, James Christopher
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

James Macmillan’s St John Passion: the Role of Celtic Folk Idioms and the Reproaches

Description: In 1829, Passion settings entered the secular concert hall with Felix Mendelssohn’s revival of Bach’s St. Matthew Passion in Berlin. The genre has fallen in and out of favor with composers because of the subject matter and Bach’s prominence in the setting. James MacMillan’s St. John Passion has established itself as one of the preeminent modern passion settings by manipulating past idioms such as chant, chorales, and other popular passion conventions in concert with his use of Celtic folk idiom… more
Date: May 2014
Creator: Frank, Nathan
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries

Ensemble: 2014-04-23 – Symphony Orchestra and Grand Chorus

Description: A UNT Symphony Orchestra and Grand Chorus concert performed at the UNT College of Music Winspear Hall at the Murchison Performing Arts Center.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: April 23, 2014
Duration: 1 hour 7 minutes 15 seconds
Creator: University of North Texas. Symphony Orchestra.
Item Type: Refine your search to only Sound
Location: 33.206333 -97.155065
Partner: UNT Music Library
open access

Britten’s Op 47, Five Flower Songs: Breaking Trends in Analysis

Description: Benjamin Britten’s life and music have been the subject of study from early in his musical career. Current trends in psychological analysis of Britten’s music tend to focus on common themes, such as homosexuality, pacifism, the sense of the outsider, and the loss of innocence. Similarly, theoretical analyses tend either to provide general categorizations of the technical elements in Britten’s music or to apply a singular preconceived concept as a tool for understanding his compositions. Thes… more
Date: August 2013
Creator: Jackson, Christopher Michael
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

From Germany to Palestine: a Comparison of Two Choral Works by Paul Ben-haim – “Joram” and “Kabbalat Shabbat”

Description: The choral music of Israeli composer Paul Ben-Haim (1897-1984) falls clearly into two distinct compositional periods. Born in Munich, Germany as Paul Frankenburger, the composer received formal, classical training at the Munich Academy of Music. His compositions from this period are an amalgamation of many styles, and they include influences of Bach, Handel, Mahler, Debussy, and Strauss. In 1933, Ben-Haim, along with other trained artists and composers, immigrated to Palestine as part of the… more
Date: August 2013
Creator: Dalrymple, Holly
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Revisioning a Masterpiece: Jon Magnussen’s “Psalm”

Description: In 2001, composer Jon Magnussen met the unusual challenge of unifying his new score for Psalm, an already-existing dance work from 1967, with the original artistic conceit of the choreographer, José Limón, who died in 1972. Limón was inspired directly by his reading of André Schwartz-Bart’s Holocaust novel, The Last of the Just, and had initially desired to use Stravinsky’s Symphony of Psalms as the score for the dance. Faced with cost-preclusive licensing fees for the Stravinksy, Limón engag… more
Date: August 2013
Creator: Burnett, Jason
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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