El Arquetipo Del Narco Mexicano En La Novela, El Cine, Y La Música

El Arquetipo Del Narco Mexicano En La Novela, El Cine, Y La Música

Date: May 2014
Creator: González, Jesús Ángel
Description: Various groups of Mexican culture have assigned to el narco archetypical characteristics of a heroic figure in the literary, visual, and auditory arts. As a result, today’s narcocultura has expanded its tentacles to a vast array of prominent industries, such as publishing companies, the silver screen, and recording studios. El narco is no longer seen by some sectors as the outlaw that stalks our society but, instead, as a hero who fights against a hegemonic faction to reclaim his sovereignty. This thesis unites interdisciplinary observations of the narco phenomena that Mexican culture has assigned to the iconic figure of el narco. The purpose of this work is to recreate the evolutionary development through a theoretical-literary analysis of this prototype in order to better understand Mexican society’s stance on this phenomenon. Octavio Paz’s theory of the Mexican psyche, Joseph Campbell’s theory of the hero’s journey, and an interdisciplinary focus will be employed to analyze this iconic figure. In this thesis, my aim is to investigate how an ultra-conservative Mexican society evolved into a consortium that upholds the narco’s indistinct behaviors and actions. What roles do first world governments and the Mexican state play to fortify, eradicate, or control the narco phenomenon? ...
Contributing Partner: UNT Libraries
Remembering and Narrating in Borges’ “Funes the Memorious” and Camus’ the Stranger

Remembering and Narrating in Borges’ “Funes the Memorious” and Camus’ the Stranger

Date: August 2013
Creator: Stroud, Carl Eugene
Description: In The Stranger, a novel by Albert Camus, and in “Funes the Memorious,” a short story by Jorge Luis Borges, the homodiegetic narrators have a significant effect on the referential aspect of their personal experiences. Chronologically these remembered experiences are positioned before the moment when they are narrated. The act of remembering is thus a form of subsequent narration. In both texts, memory is a project rather than an object because it is recounted and not found. In the sense that it is told, memory is necessarily a creative act and thus not faultless because the story of an experience is not the experience itself. The memories in The Stranger and in “Funes the Memorious” are not reconstituted but narrated. The peculiarity of the two texts lies in the fact that the narrators take an external position when describing their own past, emphasizing the imperfect aspect of the narrators’ memory. With a narratological approach to the texts and a Sartrean interpretation of memory, I study the effects of focalization on the act of remembering. By explaining the relationship between focalization, memory and the narratee, I show that the act of remembering is not a repetition of past events or experiences ...
Contributing Partner: UNT Libraries
Antón Arrufat’s “Los Siete Contra Tebas”: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict

Antón Arrufat’s “Los Siete Contra Tebas”: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict

Date: August 2014
Creator: Gosch, Elizabeth Anna
Description: This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.
Contributing Partner: UNT Libraries
La Búsqueda De La Identidad Femenina En Las Novelas De Dos Autoras Mexicanas

La Búsqueda De La Identidad Femenina En Las Novelas De Dos Autoras Mexicanas

Date: May 2015
Creator: Shrefler, Carmen Lara
Description: The novel is one means by which writers can provide examples of the possibilities for women in patriarchal societies to seek greater independence. Sabina Berman (1955- ) and Silvia Molina (1946- ) are modern day Mexican novelists whose writings support the betterment of the female condition in this Latin American society. This study focuses on these two authors and describes and analyzes several of their female protagonists who can be characterized as being in search of their self-identity and self-realization. The novels of interest are La Bobe (2006) and La Mujer que Buceó Dentro del Corazón del Mundo (2010) by Sabina Berman and La Mañana Debe Seguir Gris (1977) and El Amor Que Me Juraste (1998) by Silvia Molina. The theoretical framework used to analyze these novels is based on The Second Sex by Simone de Beauvoir and on the writings of the Mexican author Rosario Castellanos. These novels provide examples of how women can challenge patriarchal social norms in order to seek their identity as an individual and their self-realization. However, to do this, women must be willing to accept the risks and costs that may accompany this self-searching. By seeking identity women can satisfy their longings and desires, ...
Contributing Partner: UNT Libraries
El teatro dominicano: instrumento político y voz de una identidad

El teatro dominicano: instrumento político y voz de una identidad

Date: May 2016
Creator: Curiel, Sandra Y
Description: Throughout the history of the Dominican Republic, theater has played an instrumental role in the cultural life its people, one which transcends purely artistic and cultural dimensions extending its influence into the political and social fabric of the nation. In spite of Spanish colonization and later Haitian occupation, a nascent national identity began forming early on. The staging of certain plays exposed latent conflicts and revealed sectorial, class interests. Theater provided a means of expression for popular sentiments, thus revealing an urge by the people to manifest their concerns, usually under the heavy weight of censorship. This thesis focuses on key moments of the first 140 years of Dominican Republic theater. It is organized into three chapters: "Historical Antecedents", "Theater of the Dictatorship" and "Theater of the Post-Dictatorship." The first chapter deals with the struggle for independence through 1844; the next focuses on the theatrical plays and political climate of bloody Rafael Leonidas Trujillo dictatorship which spanned from 1930 to his assassination in 1961, and the third presents the theater that appeared in the subsequent years of the equally repressive Joaquin Balaguer presidency (1966-1978). The analysis of these key historical moments, in conjunction with the dramaturgy of playwrights such as ...
Contributing Partner: UNT Libraries
El Espejo, Volume 1, 2011

El Espejo, Volume 1, 2011

Date: 2011
Creator: University of North Texas. Department of World Languages, Literatures and Cultures.
Description: El Espejo literary journal contains writing by Spanish students at the University of North Texas including essays in Spanish literature and linguistics and creative pieces such as poetry and short stories.
Contributing Partner: UNT College of Arts and Sciences
El Espejo, Volume 3, 2013

El Espejo, Volume 3, 2013

Date: January 2013
Creator: University of North Texas
Description: El Espejo literary journal contains writing by Spanish students at the University of North Texas including essays in Spanish literature and linguistics and creative pieces such as poetry and short stories.
Contributing Partner: UNT College of Arts and Sciences
El Espejo, Volume 2, 2012

El Espejo, Volume 2, 2012

Date: Spring 2012
Creator: University of North Texas. Department of World Languages, Literatures and Cultures.
Description: El Espejo literary journal contains writing by Spanish students at the University of North Texas including essays in Spanish literature and linguistics and creative pieces such as poetry and short stories.
Contributing Partner: UNT College of Arts and Sciences