Doctoral Recital: 2008-06-10 - Hsing-Fang Liu, clarinet

Doctoral Recital: 2008-06-10 - Hsing-Fang Liu, clarinet

Access: Use of this item is restricted to the UNT Community.
Date: June 10, 2008
Creator: Liu, Hsing-Fang
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library
Doctoral Recital: 2009-04-07 - Hsing-Fang Liu, clarinet

Doctoral Recital: 2009-04-07 - Hsing-Fang Liu, clarinet

Access: Use of this item is restricted to the UNT Community.
Date: April 7, 2009
Creator: Liu, Hsing-Fang
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library
Doctoral Recital: 2007-11-27 - Hsing-Fang Liu, clarinet

Doctoral Recital: 2007-11-27 - Hsing-Fang Liu, clarinet

Access: Use of this item is restricted to the UNT Community.
Date: November 27, 2007
Creator: Liu, Hsing-Fang
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library
The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza

The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza

Date: December 2015
Creator: Liu, Hsing-Fang
Description: Eugène Bozza is a three-time winner of the Premier Prix from the Paris Conservatory, in violin, conducting, and composition divisions. He earned his reputation as a master composer of wind music, and contributed a great amount of repertoire to the woodwind family. This document contains a short biography of Eugène Bozza’s life, including his student years and his career as a composer. The purpose of this study is to provide information of how Bozza transferred, adopted and remade his own music among his wind compositions. This document shows that Bozza’s methods of musical adoption warrant a close examination in order to offer greater insight into the mind of a masterful composer. Discussion of Bozza’s compositions includes Aria (1936), Fantasie Italienne (1939), Pulcinella (1944), Concerto (1952), Idylle (1959), Caprice-Improvisation (1963), Épithalame (1971), Suite (1974), Trois Mouvements for Flute and Clarinet (1974), Graphismes for Clarinet Solo (1975), 14 Études de Mécanisme (1948), 12 Études (1953), 11 Études sur des Modes Karnatiques (1972), and Contrastes III for Clarinet and Bassoon (1977).
Contributing Partner: UNT Libraries