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open access

Framing Femininity as Insanity: Representations of Mental Illness in Women in Post-Classical Hollywood

Description: From the socially conservative 1950s to the permissive 1970s, this project explores the ways in which insanity in women has been linked to their femininity and the expression or repression of their sexuality. An analysis of films from Hollywood's post-classical period (The Three Faces of Eve (1957), Lizzie (1957), Lilith (1964), Repulsion (1965), Images (1972) and 3 Women (1977)) demonstrates the societal tendency to label a woman's behavior as mad when it does not fit within the patriarchal m… more
Date: May 2007
Creator: Kretschmar, Kelly
Partner: UNT Libraries
open access

24, Lost, and Six Feet Under: Post-traumatic television in the post-9/11 era.

Description: This study sought to determine if and how television texts produced since September 11, 2001, reflect and address cultural concerns by analyzing patterns in their theme and narrative style. Three American television serials were examined as case studies. Each text addressed a common cluster of contemporary issues such as trauma, death, and loss.
Date: May 2008
Creator: Anderson, Tonya
Partner: UNT Libraries
open access

Lowest of the Low: Scenes of Shame and Self-Deprecation in Contemporary Scottish Cinema

Description: This thesis explores the factors leading to the images of self-deprecation and shame in contemporary Scottish film. It would seem that the causes of these reoccurring motifs may be because the Scottish people are unable to escape from their past and are uneasy about the future of the nation. There is an internal struggle for both Scottish men and women, who try to adhere to their predetermined roles in Scottish culture, but this role leads to violence, alcoholism, and shame. In addition, there … more
Date: May 2008
Creator: McCracken, Michael
Partner: UNT Libraries

Texas Cowboy as Myth: Visual Representations from the Late Twentieth Century

Description: The working cowboy remains part of the contemporary culture of Texas. A visual record of him appeared early in the state's history, in daguerreotypes, followed by representations in contemporary black and white as well as color photographs, film and video. Although the way of life for the Texas cowboy has changed, it remains a thriving part of the Texas economy, society, and culture. Moreover, the image of the cowboy has permeated popular culture and fine art. This paper explores what late twen… more
Access: Restricted to the UNT Community Members at a UNT Libraries Location.
Date: August 2006
Creator: Seaton, Melynda
Partner: UNT Libraries
open access

Dangerous, Desperate, and Homosexual: Cinematic Representations of the Male Prostitute as Fallen Angels

Description: The purpose of this study is to frame the cinematic male prostitute as a "fallen angel" to demonstrate that the evolution of the cinematic hustler has paralleled historicized ideological definitions of male homosexuality. Because cultural understandings of male homosexuality frequently reflect Judeo-Christian ideological significations of sin and corruption, the term "fallen angel" is utilized to describe the hustler as a figure who has also succumbed to sin due to his sexual involvement with … more
Date: May 2008
Creator: Lay, John Phillip
Partner: UNT Libraries
open access

"According to Their Wills and Pleasures": The Sexual Stereotyping of Mormon Men in American Film and Television

Description: This thesis examines the representation of Mormon men in American film and television, with particular regard for sexual identity and the cultural association of Mormonism with sexuality. The history of Mormonism's unique marital practices and doctrinal approaches to gender and sexuality have developed three common stereotypes for Mormon male characters: the purposeful heterosexual, the monstrous polygamist, and the self-destructive homosexual. Depending upon the sexual stereotype in the narr… more
Date: May 2009
Creator: Sutton, Travis
Partner: UNT Libraries
open access

Transforming the Predator: Representations of the Child Sexual Abuser in 21st Century American Visual Media

Description: This thesis examines the ways American visual media -television and mainstream/independent cinema- has presented the narrative of child sexual abuse since the beginning of the 21st century. Due to the rise of the counterculture movement and the sexual revolution of the 1960s, a discourse for talking about child sexuality was created. By providing an opportunity to discuss children and sex, for the first time cultural products could deal overtly with child sexual abuse, rather than connotativel… more
Date: August 2009
Creator: Jay, Samuel M.
Partner: UNT Libraries
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