Acis and Galatea

Acis and Galatea

Date: 1743
Creator: Handel, George Frideric, 1685-1759.
Description: This is a ca. 1743 score of Acis and Galatea, a musical masque (also considered an English pastoral opera) by Handel to a libretto by John Gay. The performance forces include: oboes (2), flauto [recorder], violins, basso continuo, and chorus of mixed voices (mostly soprano, three tenors and bass) and vocal soloists. On the front cover the name Morgan appears imprinted on a red stamp with golden ornaments and letters. The names Anna Maria [Lawes] and Mary Anne Morgan were written at the top of the title page and the inscription, "the gift [of] her uncle T. Morgan, 1808." Underneath the dedication: WH London, 1890.
Contributing Partner: UNT Music Library
Judas Maccabaeus

Judas Maccabaeus

Date: 1740
Creator: Handel, George Frideric, 1685-1759.
Description: This is a [ca. 1740] score of Judas Maccabaeus, a sacred oratorio by Handel. It contains a table of songs for each of the three acts of the oratorio and a descriptive catalog of music composed by Handel, which includes: Italian operas, English oratorios as well as concertos, chamber music and transcription of vocal music for instruments. The performance forces include: vocal soloists (SATB or SATB), strings (violins, viola, violoncello and contra bass), oboes, traverse flute, and bassoon. It also includes figured bass for continuo playing. The names of singers (Gambarini, Galli, Reinhold, and Beard) appear at the heading of each aria. Page [73], incorrectly numbered 48, contains a keyboard march identified as: No.484 Marche.
Contributing Partner: UNT Music Library
Songs in the new opera call'd Arsinoe, queen of Cyprus

Songs in the new opera call'd Arsinoe, queen of Cyprus

Date: 1705
Creator: Clayton, Thomas, 1673-1725
Description: Thomas Clayton’s first opera, Arsinoe, Queen of Cyprus, premiered at Drury Lane in London on 16 January 1705. The opera initially enjoyed success, but two years later, Clayton’s second opera was not well-received. Part of Arsinoe’s popularity may have been due to Catherine Tofts' portrayal of the title character; Toft would later become a star of the English stage.
Contributing Partner: UNT Music Library