Acis and Galatea

Acis and Galatea

Date: 1743
Creator: Handel, George Frideric, 1685-1759.
Description: This is a ca. 1743 score of Acis and Galatea, a musical masque (also considered an English pastoral opera) by Handel to a libretto by John Gay. The performance forces include: oboes (2), flauto [recorder], violins, basso continuo, and chorus of mixed voices (mostly soprano, three tenors and bass) and vocal soloists. On the front cover the name Morgan appears imprinted on a red stamp with golden ornaments and letters. The names Anna Maria [Lawes] and Mary Anne Morgan were written at the top of the title page and the inscription, "the gift [of] her uncle T. Morgan, 1808." Underneath the dedication: WH London, 1890.
Contributing Partner: UNT Music Library
Judas Maccabaeus

Judas Maccabaeus

Date: 1740
Creator: Handel, George Frideric, 1685-1759.
Description: This is a [ca. 1740] score of Judas Maccabaeus, a sacred oratorio by Handel. It contains a table of songs for each of the three acts of the oratorio and a descriptive catalog of music composed by Handel, which includes: Italian operas, English oratorios as well as concertos, chamber music and transcription of vocal music for instruments. The performance forces include: vocal soloists (SATB or SATB), strings (violins, viola, violoncello and contra bass), oboes, traverse flute, and bassoon. It also includes figured bass for continuo playing. The names of singers (Gambarini, Galli, Reinhold, and Beard) appear at the heading of each aria. Page [73], incorrectly numbered 48, contains a keyboard march identified as: No.484 Marche.
Contributing Partner: UNT Music Library
The musick for the Royal fireworks

The musick for the Royal fireworks

Date: 1788
Creator: Handel, George Frideric, 1685-1759.
Description: This is a [ca. 1788] score of one of the arrangements Handel made of his "Music for the Royal Fireworks." The caption title gives indication that this version contains the music as performed in 1749. The Grove Dictionary of Music lists two other arrangements from ca. 1746. The performance forces of this edition include: trumpets (3), horns (3), timpani, oboes (2), bassoon, and strings (violin, viola, violoncello, and contrabass). The plate no. appears in both Roman and Arabic forms: No. XXIV and No. 24.
Contributing Partner: UNT Music Library
Sosarme

Sosarme

Date: 1788
Creator: Handel, George Frideric, 1685-1759.
Description: This item is a copy from [ca. 1790] of the score of Handel's opera Sosarme to a libretto by Matteo Noris. The performance forces include: oboe, horns, strings (violin, viola, bass), continuo, and soloist singers. A list of important musical numbers, solo arias and duets of each act appears on p.116. The names of the subscribers appear on pp.[119-120]. The title page contains an engraving showing two mythological figures [possibly, the god Apollo and the Muse Erato] and musical instruments signed by the London engraver [John] Strongitharm of Pall Mall.
Contributing Partner: UNT Music Library
Messiah

Messiah

Date: 1767
Creator: Handel, George Frideric, 1685-1759.
Description: This is the score of the first published edition of Handel's sacred oratorio, Messiah to the English text by the librettist Charles Jennens. It includes an engrave lithograph showing a portrait of Handel and musical instruments and mythological figures playing instruments. A list of subscribers before the content index includes the King, Queen [of England], His Royal Highness the Duke of York, His Royal Highness the Duke of Gloucester, His Royal Highness the Duke of Cumberland. The content index includes incipit of recitatives and arias of each part. New pagination starts after the end of the oratorio at page 188 for added music.
Contributing Partner: UNT Music Library
The Occasional : an Oratorio in Score Composed by Mr. Handel

The Occasional : an Oratorio in Score Composed by Mr. Handel

Date: 1784
Creator: Handel, George Frideric, 1685-1759
Description: A sacred oratorio for mixed chorus (SATB) and orchestra (2 violins, viola, "principale", 2 oboes, 2 trumpets, timpani, and continuo). The score includes a list of subscribers and an index for each of the three sections of the oratorio. The anthem "God save the King" is included on pp. 164-26, each page bearing an additional sequence number from 14-26.
Contributing Partner: UNT Music Library
Ode on St. Cecilia's Day

Ode on St. Cecilia's Day

Date: 1736
Creator: Handel, George Frideric, 1685-1759.
Description: A sacred work for mixed chorus (SATB) with orchestra acc. (2 oboes, 2 violins, viola, and basso continuo). A contents index is given on p. 74. Plate no. 105.
Contributing Partner: UNT Music Library
Saul : Oratorium

Saul : Oratorium

Date: 1820?
Creator: Handel, George Frideric, 1685-1759
Description: This is ca. 1820 vocal score of Handel's oratorio Saul. The orchestra reduction for piano is credited to J.F. [Johann Friedrich] Naue. The hand-written date 1738 that appears at the top of the t.p. underneath Saul corresponds to the year when Handel composed the oratorio. The music parts for the soloists (soprano alto tenor, bass) and the chorus appear at the top of the piano reduction staff.
Contributing Partner: UNT Music Library
Saul : a sacred oratorio, in score

Saul : a sacred oratorio, in score

Date: 1792?
Creator: Handel, George Frideric, 1685-1759.
Description: This is ca. 1792 musical score of Saul, a sacred oratorio by Handel composed in 1738 to the English text by Charles Jennens. The composition year 1740 given in the t.p. might refer to a performance of the oratorio that took place that year. The performance forces include: vocal soloists (SATB), mixed chorus, and orchestra (2 oboes, bassoon, trombones (3), horns (2), strings (violin, viola, violoncello, bass), timpani, organ, harp and continuo). A content index with the incipits of recitatives and arias appears on a separate page at the end of the score.
Contributing Partner: UNT Music Library
Susanna, a Sacred Oratorio

Susanna, a Sacred Oratorio

Date: 1748
Creator: Handel, George Frideric, 1685-1759.
Description: This is the score of Handel's "Susanna," a sacred oratorio in three parts published by Samuel Arnold in ca. 1795. Grove Music established 1748 as the composition year of this oratorio and not 1743, as stated on the t.p. The first performance was given on February 10, 1749. The performance forces include: soloist (SATB), mixed chorus (SATB), strings (violins, viola, violoncellos, contra basses), woodwinds (oboe (2) and bassoon), trumpets (2), and continuo. . Although composed by Handel in 1743 and published by A table of contents appears on p.205 listing the first lines of texts of arias and recitatives for each of the parts and an appended air.
Contributing Partner: UNT Libraries
FIRST PREV 1 2 NEXT LAST