Doctoral Recital: 2009-04-19 - Sarah Abigail Griffiths, soprano

Doctoral Recital: 2009-04-19 - Sarah Abigail Griffiths, soprano

Access: Use of this item is restricted to the UNT Community.
Date: April 19, 2009
Creator: Griffiths, Sarah Abigail
Description: Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library
Doctoral Recital: 2008-03-08 - Sarah Abigail Griffiths, soprano

Doctoral Recital: 2008-03-08 - Sarah Abigail Griffiths, soprano

Access: Use of this item is restricted to the UNT Community.
Date: March 8, 2008
Creator: Griffiths, Sarah Abigail
Description: Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library
Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works

Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works

Date: August 2011
Creator: Griffiths, Sarah Abigail
Description: The early baroque songs, or cantatas, of Luigi Rossi (1597-1653) are largely absent from the canon of standard Italian vocal repertory utilized by young singers and voice teachers today. In this document Rossi’s composition style is considered, along with modern edition trends, within the emerging genre of Italian early baroque song. Several of Luigi Rossi’s vocal works — chosen for their simplicity, brevity, dramatic content, and suitability for a young singer — are presented in modern transcriptions for voice and piano. The following document lays the groundwork for the inclusion of Luigi Rossi’s songs in the modern canon of Italian vocal music. Part I provides an introduction to Luigi Rossi and the considerations involved in creating modern editions of early baroque solo vocal music. In Chapter 1, Rossi’s patronage and compositional output are considered along with the reception and dissemination of his works in Italy and France. Chapter 2 of this study explores the historical context and lasting influence of Parisotti’s Arie Antiche, the larger collection from which the ubiquitous Schirmer edition, Twenty-four Italian Songs and Arias of the Seventeenth and Eighteenth Centuries, is drawn. One well-known song that appears in the Schirmer edition is Giulio Caccini’s Amarilli, mia bella. ...
Contributing Partner: UNT Libraries