Doctoral Recital: 2010-04-16 - Marilia Gabriela Gimenes, flute

Doctoral Recital: 2010-04-16 - Marilia Gabriela Gimenes, flute

Access: Use of this item is restricted to the UNT Community.
Date: April 16, 2010
Creator: Gimenes, Marilia Gabriela
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library
Doctoral Recital: 2007-04-10 - Marilia Gabriela Gimenes, flute

Doctoral Recital: 2007-04-10 - Marilia Gabriela Gimenes, flute

Access: Use of this item is restricted to the UNT Community.
Date: April 10, 2007
Creator: Gimenes, Marilia Gabriela
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
Contributing Partner: UNT Music Library
Doctoral Recital: 2008-04-12 - Marilia Gabriela Gimenes, flute

Doctoral Recital: 2008-04-12 - Marilia Gabriela Gimenes, flute

Access: Use of this item is restricted to the UNT Community.
Date: April 12, 2008
Creator: Gimenes, Marilia Gabriela
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library
Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião

Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião

Date: December 2012
Creator: Gimenes, Marilia Gabriela do Nascimento
Description: Osvaldo da Costa Lacerda (March 23, 1927-July 18, 2011), one of the most significant Brazilian composers of the twentieth century, wrote more than 250 compositions. The purpose of this dissertation is to provide a history and analysis of the Brazilian genres characterized in Osvaldo Lacerda’s, Sonata for Flute and Piano. Written in 1959, the sonata represents traditional Brazilian rhythms within a classical structure and modern harmony. The work provides a basis for the exploration of the embolada, the serestas, and the baião, examples of Brazilian typical song forms and rhythms. Analysis of the historical roots of these nationalistic elements will provide appropriate performance practice considerations when playing Brazilian rhythms; and because this sonata only exists in manuscript form, the historical analysis and performance guide will be of service to disseminate this important Brazilian work. As a basis for a critical edition of the Sonata for Flute and Piano, this initial effort will provide performers with a context for Brazilian flute music. Chapters include the Lacerda’s biography, a background of the nationalistic movement in Brazil and the composers who have influenced Osvaldo Lacerda. Definitions of embolada, serestas, and baião is also provided.
Contributing Partner: UNT Libraries
Doctoral Lecture: 2012-08-29 - Marilia Gabriela do Nascimento Gimenes, flute

Doctoral Lecture: 2012-08-29 - Marilia Gabriela do Nascimento Gimenes, flute

Access: Use of this item is restricted to the UNT Community.
Date: August 29, 2012
Creator: Nascimento Gimenes, Marilia Gabriela do
Description: Lecture presented at the UNT College of Music Graham Green Room in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library