Le trompeur trompe, ou, La rencontre imprevue. Opera-comique en un acte. Represente pour la premiere fois sur le Theatre de la Foire S. Germain, le 18 fevrier 1754.

Le trompeur trompe, ou, La rencontre imprevue. Opera-comique en un acte. Represente pour la premiere fois sur le Theatre de la Foire S. Germain, le 18 fevrier 1754.

Date: 1754
Creator: Vade, M. (Jean Joseph), 1719-1757.
Description: In the mid-eighteenth century, comic opera librettos served a dual purpose, as evinced by the libretto to Vadé ’s Trompeur trompé (1754). Although the primary function of the publication was to allow audience members to follow along with the text of the opera, solo airs were printed in the back of the book. Not all the melodies are included, but those printed in the libretto enhance our understanding of an opera the music of which was never published as a comprehensive musical score.
Contributing Partner: UNT Music Library
Amour au village : opera-comique, en un acte, et en vaudeviles

Amour au village : opera-comique, en un acte, et en vaudeviles

Date: 1754
Creator: Favart, M. (Charles-Simon), 1710-1792
Description: Libretto for Charles-Simon Favart's 1754 opera L'amour au village. Charles-Simon Favart gained prominence for his parodies of extant operas during the middle of the eighteenth century. His L’amour au village (1754), a typical example of the genre, was based on Carolet’s L’amour paysan (1737). The parody technique consisted of setting new texts to existing melodies and writing new dialogue based on a familiar plot. L’amour au village includes a typical vaudeville finale. In the Virtual Rare Book Room’s volume, the melody is included along with the first verse’s text. Because vaudeville finales are strophic (with one repeated melody), the subsequent verses are numbered to indicate each time the melody should begin again.
Contributing Partner: UNT Music Library
Oeuvres de M. Vade, ou recueil des opera-comiques, & parodies qu'il a donnes depuis quelques annees; avec les airs, rondes, & vaudevilles notes; & autres ouvrages du meme auteur.

Oeuvres de M. Vade, ou recueil des opera-comiques, & parodies qu'il a donnes depuis quelques annees; avec les airs, rondes, & vaudevilles notes; & autres ouvrages du meme auteur.

Date: 1755
Creator: Vade, M. (Jean Joseph), 1719-1757.
Description: Jean-Joseph Vadé’s popularity as a composer and librettist is evident in the publication of his collected works, which first appeared in 1755 but was expanded in 1758, a year after his death. Vadé’s œuvre consists of mostly opéras comiques, some with original music rather than preexisting tunes. The collected works editions include fictional correspondence and poetry. Vadé’s interest in capturing the bustling atmosphere of fish markets is evident in such works as Les quatre bouquets poissards and the poem La pipe cassée, which is classified as a “poëme epitragipoissardiheroicomique.” Melodies for operatic airs are also printed in this volume. Although Vadé claimed authorship of the music, some were familiar tunes that had existed before Vadé appropriated them.
Contributing Partner: UNT Music Library
Fileuse : parodie d'Omphale

Fileuse : parodie d'Omphale

Date: 1752
Creator: Vade, M. (Jean Joseph), 1719-1757 & Destouches, M. (André Cardinal), 1672-1749
Description: When Vadé’s first opera comique, La fileuse, appeared at the Foire St Germain on 8 March 1752, the tragic opera that it parodied—Destouches’s Omphale (1701)—had recently been criticized by Friedrich Melchior Grimm in his “Lettre sur Omphale.” Soon after this attack on “bad taste” in French music, the Querelle des Bouffons heated up, with debates about the merits of Italian comic opera versus French serious opera. Many mid-eighteenth-century French comic parodies were based on familiar serious operas, but following the Querelle des Bouffons, lyrical Italianate melodies were incorporated into the opera comique genre. Vadé’s La fileuse follows the older model of reworking existing tunes to new texts, including a vaudeville finale; later in his career, he composed some original airs.
Contributing Partner: UNT Music Library
Pigmalion

Pigmalion

Date: 1773
Creator: Panard, Charles-François, d. 1765.
Description: This is the 1773 edition of the libretto to the comic opera and vaudeville, "Pigmalion" by Charles-François Panard and Thomas Laffichard. The opera premiered at the Paris Opéra Comique in 1735 . The plot is an adaptation of Ovid's story of Pygmalion, a sculptor who fell in love with a statue that he carved. Operatic and ballet representation of the subject of Pigmalion (or Pygmalion) became famous after Antoine Houdar de la Motte's entrée "La sculpture" for the ballet "Le triomphe des arts," which staged in 1700 at Académie Royale de Musique with music by Michel de la Barre. Page 16 of this edition was incorrectly numbered as number 10.
Contributing Partner: UNT Music Library
Le tableau parlant: comédie-parade, en un acte et en vers

Le tableau parlant: comédie-parade, en un acte et en vers

Date: 1773
Creator: Anseaume, M. (Louis), 1721-1784.
Description: This is a 1773 printed copy of the libretto of "Le tableau parlant" (The talking picture), a one-act comic opera by M. Anseaume, set to music by Grétry. The opera was staged for the first time by the troupe of Italian actors of King Louis XV, on Wednesday, September 20, 1769. The back of the t.p. lists the names of the original actors who performed the characters of the opera at its premier: Isabelle (Madame Trial), [Jean-Louis Laruette] (Cassandre, Isabelle's tutor), [Madame Laruette (Colombine, Isabelle's lady-in-waiting), M. Trial (Léandre, Cassandra's nephew, who is in love with Isabelle), and [[Jean-Baptiste Clairval] (Léandre's valet). The final scene is a vaudeville sung by all of the characters. The music of the vaudeville is included at the end on pp. [45-48]. The library's copy of the libretto is bound with the libretto of Jean François Marmontel's comic opera "La fausse magie."
Contributing Partner: UNT Libraries Rare Book and Texana Collections
Cendrillon

Cendrillon

Date: 1759
Creator: Anseaume, M. (Louis), 1721-1784.
Description: Libretto of the 1759 pastiche-style comic opera "Cendrillon," by Louis Anseaume. The songs were contributed by the singer-composer Jean-Louis Laruette and Egidio Duni, which they likely adapted from fashionable tunes. "Cendrillon" (Cinderella in English) premiered in Paris at Foire St-Germain on February 21, 1759. The opera underwent two revisions before the definitive version of 1764. Anseaume adapted the plot the fairy tale by Charles Perrault. This copy includes (from pp.54-63) notated melodies of airs and recitatives.
Contributing Partner: UNT Music Library
Le cadi dupé

Le cadi dupé

Date: 1766
Creator: Lemonnier, Pierre René, 1731-1796.
Description: This is a 1766 copy of the libretto of the one-act comic opera "Le cadi dupé" (The duped judge), by Pierre René Lemonnier to music by Pierre-Alexandre Monsigny. The first performance of the opera took place at the Paris Foire St-Germain on 4 February 1761. Christoph Willibald Gluck's music replaced that of Monsigny's for the 8 December 1761 performance at the Burgtheater in Vienna.
Contributing Partner: UNT Music Library
Le tonnelier

Le tonnelier

Date: 1765
Creator: Audinot, Nicolas Médard, 1732-1801. & Quétant, Antoine-François, 1733-1823.
Description: Libretto of the comic opera "Le tonnelier" (The cooper) by Nicolas-Médard Audinot in collaboration with Antoine-François Quétant. The music of this one-act opera is a pasticcio of works by Gossec and other contemporaneous composers. Typical of the genre, the opera contains a variety of musical forms (airs, romance, vaudeville, and recitatives) and the dialogues are interspersed with additional airs, possibly using popular tunes. This copy includes (on pp. 52 and 54-56) notated melodies of airs.
Contributing Partner: UNT Music Library
La fausse magie

La fausse magie

Date: 1775
Creator: Marmontel, Jean François, 1723-1799.
Description: This is a ca. [1775] printed copy of the libretto of "La fausse magie" (The false magic), a two-act comic opera by Jean François Marmontel, set to music by Grétry. [The opera was staged for the first time at the Théâtre Français à La Haye, on Thursday, November 30, 1775.] The final scene of act two contains the music of the couplets on pp. 47-48. The library's copy of the libretto is bound with the libretto of M. Anseaume's comic opera, "Le tableau parlant."
Contributing Partner: UNT Libraries