El Espejo, Volume 1, 2011

El Espejo, Volume 1, 2011

Date: 2011
Creator: University of North Texas. Department of World Languages, Literatures and Cultures.
Description: El Espejo literary journal contains writing by Spanish students at the University of North Texas including essays in Spanish literature and linguistics and creative pieces such as poetry and short stories.
Contributing Partner: UNT College of Arts and Sciences
El Espejo, Volume 2, 2012

El Espejo, Volume 2, 2012

Date: Spring 2012
Creator: University of North Texas. Department of World Languages, Literatures and Cultures.
Description: El Espejo literary journal contains writing by Spanish students at the University of North Texas including essays in Spanish literature and linguistics and creative pieces such as poetry and short stories.
Contributing Partner: UNT College of Arts and Sciences
El Espejo, Volume 3, 2013

El Espejo, Volume 3, 2013

Date: January 2013
Creator: University of North Texas
Description: El Espejo literary journal contains writing by Spanish students at the University of North Texas including essays in Spanish literature and linguistics and creative pieces such as poetry and short stories.
Contributing Partner: UNT College of Arts and Sciences
Between Identity and Commodity: Female Urban Experience in Vicki Baum's Menschen im Hotel [Presentation]

Between Identity and Commodity: Female Urban Experience in Vicki Baum's Menschen im Hotel [Presentation]

Date: April 19, 2012
Creator: Jones, Carina & Weber, Christoph
Description: Presentation for the 2012 University Scholars Day at the University of North Texas. This presentation discusses research on the urban experience of German women in the late Weimar Republic as portrayed in the novels 'Menschen in Hotel' by Vicki Baum (1929) and 'Das kunstseidene Mädchen by Irmgard Keun (1931).
Contributing Partner: UNT Honors College
Étude Comparative De Messages Publicitaires Anglophones Et Francophones À La Lumière D'éléments Culturels [Comparative Study of English and French Advertisements Through a Cultural Lens]

Étude Comparative De Messages Publicitaires Anglophones Et Francophones À La Lumière D'éléments Culturels [Comparative Study of English and French Advertisements Through a Cultural Lens]

Date: December 2012
Creator: Tison, Jean-Bernard
Description: This thesis aims to demonstrate the crucial role of cultural aspects such as attitudes, values, social common places, and expectations in the international advertising industry. Through the analysis of written advertisements used in the United States and France, general trends regarding various commercial sectors and products (automobiles, electronics, cosmetics, and so forth) are highlighted and explored. From a linguistic perspective, the purpose of this thesis is not only to observe the semantic differences between translations of the same slogans and messages, but also to draw attention to the tools used in doing so.
Contributing Partner: UNT Libraries
The Ideological Appropriation of La Malinche in Mexican and Chicano Literature

The Ideological Appropriation of La Malinche in Mexican and Chicano Literature

Date: August 2013
Creator: Moriel Hinojosa, Rita Daphne
Description: La Malinche is one of the most controversial figures in Mexican and Chicano literature. The historical facts about her life before and after the Spanish Conquest are largely speculative. What is reliably known is that she had a significant role as translator, which developed into something of mythic proportions. The ideological appropriation of her image by three authors, Octavio Paz, Laura Esquivel and Cherríe Moraga, are explored in this thesis. The full extent of the proposed rendition of La Malinche by Octavio Paz is the basis of the second chapter. The conclusion drawn by Paz, in The Labyrinth of Solitude (1950) is that La Malinche is what he calls la chingada [the raped/violated one] and proposes that all women are always open to conquest, sexually and otherwise. Laura Esquivel's novel Malinche (2006) is a re-interpretation that focuses on the tongue as the source of power and language as the ultimate source of autonomy for La Malinche. This aspect of La Malinche and the contrast of Paz's understanding are the basis of the third chapter of this thesis. Cherríe Moraga, in Loving in the War Years (1983), proposes that if women are to be traitors, it is not each other that ...
Contributing Partner: UNT Libraries
The North Texan, Volume 63, Number 1, Spring 2013

The North Texan, Volume 63, Number 1, Spring 2013

Date: Spring 2013
Creator: University of North Texas
Description: The North Texan includes articles and notes about University of North Texas students, faculty, and alumni activities.
Contributing Partner: University Relations, Communications & Marketing department for UNT
Antón Arrufat’s “Los Siete Contra Tebas”: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict

Antón Arrufat’s “Los Siete Contra Tebas”: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict

Date: August 2014
Creator: Gosch, Elizabeth Anna
Description: This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.
Contributing Partner: UNT Libraries
A Comparative Analysis of Web-based Machine Translation Quality: English to French and French to English

A Comparative Analysis of Web-based Machine Translation Quality: English to French and French to English

Date: December 2012
Creator: Barnhart, Zachary
Description: This study offers a partial reduplication of a 2006 study by Williams, which focused primarily on the analysis of the quality of translation produced by online software, namely Yahoo!® Babelfish, Freetranslation.com, and Google Translate. Since the data for the study by Williams were collected in 2004 and the data for present study in 2012, this gives a lapse of eight years for a diachronic analysis of the differences in quality of the translations provided by these online services. At the time of the 2006 study by Williams, all three services used a rule-based translation system, but, in October 2007, however, Google Translate switched to a system that is entirely statistical in nature. Thus, the present study is also able to examine the differences in quality between contemporary statistical and rule-based approaches to machine translation.
Contributing Partner: UNT Libraries
El Cine De Terror Español Como Espejo De La Cultura Española

El Cine De Terror Español Como Espejo De La Cultura Española

Access: Use of this item is restricted to the UNT Community.
Date: May 2014
Creator: Donahue, Tyler
Description: This study traces the history and culture of Spain as seen through the lens of the nation´s production of horror cinema. Starting from the boom of Spanish horror film in the early 1960s, the thesis compares and contrasts the political and social aspects of Spanish society throughout three distinct eras of the 20th century: 1962 – 1975 (the boom of Spanish horror film through the Franco dictatorship), 1975 – 1999 (the transition to democracy through the end of the 20th century) and 2000 – present (the 21st century). Movies as diverse as Gritos en la noche (1962, Jesús Franco), ¿Quién puede matar a un niño? (1976, Narciso Ibáñez Serrador) and Angustia (1987, Bigas Luna) are framed by culturally-related anectodes as well as correlations to their respective social environments. Special attention has been paid to the production and release of each film, especially in regards to censorship during the Franco dictatorship. The results show that Spanish horror cinema has acted as a true mirror to culture, society and politics in its native country throughout the 20th century and that this trend will likely extend in to the future.
Contributing Partner: UNT Libraries
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