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Nobody's Fool: A Study of the Yrodivy in Boris Godunov

Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds a concluding lament by the fool character that serves as a warning to the people of Russia beyond the scope of the opera. The use of a fool is significant in Russian history and this connection is made between the opera and other arts of nineteenth-century Russia. These changes are, musically, rather small, but historically and sociall… more

Date: December 1999

Creator: Pollard, Carol J.

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing

Hector Berlioz's Messe solennelle, his first publicly performed work, was important to his establishment in Paris as a composer. Although he later destroyed the Mass, he reused parts of the Resurrexit movement in three of his later works: Benvenuto Cellini (1836), the Grand messe des morts (1837), and the Te Deum (1849). This study examines the Resurrexit and its subsequent borrowings. In each instance that Berlioz borrowed from the Resurrexit, he extracted large sections and placed them in the… more

Date: December 1999

Creator: Gill, Sarah M.

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)

Francis Poulenc's one-character opera La Voix humaine (1958), a setting of the homonymous play by Jean Cocteau, explores the psychological complexities of an unnamed woman as she experiences the end of a romantic relationship. During the forty-minute work, she sings in a declamatory manner into a telephone, which serves as a sign of the unrevealed man at the other end. Poulenc uses musical motives to underscore the woman's changing emotional states as she recalls her past relationship. The musi… more

Date: May 2000

Creator: Beard, Cynthia C.

Item Type: Thesis or Dissertation

Partner: UNT Libraries

open access

The Surface: A Synthesis

This paper examines the speech-based musical realization of "The Surface" and its attempt to assimilate the poem at the structural, sonic, and expressive level. The software and analysis/re-synthesis techniques used to create timbres heard in the composition are discussed in detail. In addition to technical and structural issues, the common elements of the two art forms are considered within the context of the digital domain.

Date: May 2001

Creator: Willis, Stephen

Item Type: Thesis or Dissertation

Partner: UNT Libraries

open access

Similarities in the Use of Dramatic Recitative Style in the Music of Claudio Monteverdi and Giuseppe Verdi, with Some Performance-Practice Issues

The objective of this dissertation, inspired by performance experience, was to establish the similarities in the use of recitative style in the music of Claudio Monteverdi and Giuseppe Verdi. To achieve this objective, their use of recitative style was examined through comparative analysis of four scenes from their operas: “Arianna's Lament” from L'Arianna and “Disprezzata regina” from L'incoronazione di Poppea by Monteverdi, and “Condotta ell'era in ceppi” from Il trovatore and “Judgment Scene… more

Date: August 2001

Creator: Mihelcic, Sonja

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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"Ch'io t'abbandono" by Felix Mendelssohn Bartholdy: A Dramatic Image of the Education and Aptitudes of the Composer

The unpublished concert aria, "Ch'io t'abbandono," by Felix Mendelssohn Bartholdy (1825), is representative of the adolescent composer's developing musical aesthetic. In this study, Mendelssohn's education, work ethic, and perfectionism are revealed, paradoxically, as both the catalysts for the piece's composition and also the reasons it was not published during Mendelssohn's lifetime. An exploration of the text, form, thematic usage, and performance demands of the aria yields specific examples… more

Date: August 2002

Creator: Turley, Charles William

Item Type: Thesis or Dissertation

Partner: UNT Libraries

Peter Lieberson's First Piano Concerto: A Buddhist-inspired poetic vision realized through twelve-tone language, other contemporary compositional techniques, together with three recitals of works by Bach, Chopin, Mozart, Albéniz, Grieg, Ginastera and Paderecki

The main objective of this document is to explore the life and spiritual convictions of composer Peter Lieberson, and the creation of his Piano Concerto. Lieberson is a sought after composer who has won many awards and commissions. His works have been premiered and performed by some of the best musical artists of the late twentieth- and early twenty-first-century, such as Peter Serkin, Emmanuel Ax, Yo-Yo Ma, and Pierre Boulez. This study is divided into six chapters. After the Introduction, a… more

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Date: August 2002

Creator: Méndez-Flanigan, Maria Gisela

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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The Contributions of Armenian Composers to the Clarinet Repertoire: An Annotated Bibliography of Selected Works, A Lecture Recital, Together with Three Recitals of Selected Works by Khachaturian, Bax, Castelnuovo-Tedesco, Lutoslawski, Nielsen, Burgmüller, and Others

With the exception of the music of Aram Khachaturian, the output of Armenian composers has been largely overlooked. This small Middle-Eastern country with a population of almost four million and an intriguing history indeed has a rich musical heritage. From its roots in sacred music and folksong, Armenian music has evolved into a unique blend of national elements and Western art music. Although it remains largely undiscovered, there is an entire repertoire of works in this aesthetic. The Trio f… more

Date: December 2002

Creator: Wolverton, Cynthia Kay

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary

Georges Kastner's (b Strasbourg 9 March 1810; d Paris 19 December 1867) Traite général d'instrumentation (1837), an important contribution to instrumentation study, is often overlooked because of its chronological proximity to Berlioz's Grand traité d'instrumentation (1843). Kastner's complete and concise treatise discusses the standard orchestral instruments and several obscure and ancient instruments. Intended principally for young composers, it provides the most detailed descriptions of th… more

Date: May 2003

Creator: Woodward, Patricia Jovanna

Item Type: Thesis or Dissertation

Partner: UNT Libraries

The Nightingale in Poetry and Music

This thesis surveys a variety of songs and arias for high soprano which feature the nightingale; examines the musical elements that symbolize, refer to, or imitate the nightingale; and compares these musical elements with transcriptions of the nightingale's song. The first chapter reviews the symbolic development of the nightingale and its role in poetry and literature. The interior chapters address a selection of musical compositions that feature the nightingale and its song. The final chapter… more

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Date: May 2003

Creator: Blizzard, Amy

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony

Robert Schumann's D-minor Symphony endured harsh criticism during the second half of the nineteenth century because of misunderstandings regarding his compositional approach to the genre of the symphony; changes in performance practices amplified the problems, leading to charges that Schumann was an inept orchestrator. Editions published by Clara Schumann and Alfred Dörffel as well as performing editions prepared by Woldemar Bargiel and Gustav Mahler reflect ideals of the late nineteenth centur… more

Date: May 2003

Creator: Hellner, Jean Marie

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony

Aaron Copland's music for The Red Pony (1948-49), based on John Steinbeck's story collection, is probably the best known of his film scores. The effectiveness of The Red Pony score stems from Copland's belief that film music should be subordinate to the film it accompanies. Copland composed The Red Pony score using his self-described method of "assembly," augmenting this process with devices to synchronize the music with the picture. Examination of archival sources shows how the score reflec… more

Date: May 2003

Creator: McGinney, William Lawrence

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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Social Discourse in the Savoy Theatre's Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection

As a consequence to Gilbert and Sullivan's famed Carpet Quarrel, two operettas with decidedly "exotic" themes, The Nautch Girl; or, The Rajah of Chutneypore, and Utopia Limited; or, The Flowers of Progress were presented to London audiences. Neither has been accepted as part of the larger Savoy canon. This thesis considers the conspicuous business atmosphere of their originally performed contexts to understand why this situation arose. Critical social theory makes it possible to read the two … more

Date: August 2003

Creator: Hicks, William L.

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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A Historical Survey of the Euphonium and Its Future in Non-Traditional Ensembles Together with Three Recitals of Selected Works by Jan Bach, Neal Corwell, Vladimir Cosma, and Others

The euphonium has been a respected member of military bands, brass bands, and civilian concert (wind) bands since its invention in 1843. These bands were very visible to the public, and often performed popular music of the day. Since then, the euphonium has had occasional use in orchestral works, jazz, and in brass chamber groups as well. However, by the middle of the 20th century, its traditional use as an instrument of the wind band resulted in a prevailing attitude of the music world toward … more

Date: May 2004

Creator: Cottrell, Jeffrey S.

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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Sibelius's Seventh Symphony: Genesis, Design, Structure, and Meaning

This study explores Sibelius's last and, perhaps, most enigmatic Symphony from historical (source-critical), Schenkerian, and transtextual perspectives. Through a detailed study of its genesis, musical architecture, and meaning, the author maintains that the Seventh, its composer, and its generative process, can best be understood as a series of verges: conceptual points of interaction between two or more forces. Verges between Sibelius's nature mysticism and the dramatic biographical circumsta… more

Date: May 2004

Creator: Pavlak, F. William

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5

This paper examines the generic aspect of Beethoven's Opus 5 Cello Sonatas (1796) from structuralist and post-structuralist perspectives, and explores the works from these viewpoints in order to gain insights into how the sonatas function as autonomous musical texts rather than historiographic documents of Beethoven's biography or transitional contributions in the development of the genre of the solo sonata as it was later cultivated. The insights offered by these perspectives argue for a recon… more

Date: May 2004

Creator: Kim, Jungsun

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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Miguel Yuste: His Works for Clarinet and His Influence on the Spanish Clarinet School of Playing in the Twentieth Century, A Lecture Recital, Together with Three Recitals of Selected Works by Bax, Mason, Khachaturian, Chausson, Bozza, Beethoven, and Others

The popularity of the clarinet in Spain is second only to that of the guitar, and there is a rich tradition of clarinet playing that is accompanied by an equally rich repertoire of music for the clarinet by Spanish composers. The works for clarinet and piano by Miguel Yuste (1870-1947) are among this little known repertoire. In the early twentieth century it was thought that Miguel Yuste wrote over one hundred works for clarinet. However, current research suggests that this is incorrect. Wh… more

Date: May 2005

Creator: McLaren, Malena Rachel

Item Type: Thesis or Dissertation

Partner: UNT Libraries

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Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848

In recent years scholars have begun to re-evaluate the works, writings, and life of Robert Schumann (1810-1856). One of the primary issues in this ongoing re-evaluation is a reassessment of the composer's late works (roughly defined as those written after 1845). Until recently, the last eight years of Schumann's creative life and the works he composed at that time either have been ignored or critiqued under an image of an illness that had caused periodic breakdowns. Schumann's late works show h… more

Date: May 2007

Creator: Ringer, Rebecca Scharlene

Item Type: Thesis or Dissertation

Partner: UNT Libraries