The improvisational language of Niels-Henning Ørsted Pedersen: A performance study.

The improvisational language of Niels-Henning Ørsted Pedersen: A performance study.

Date: December 2008
Creator: Butterfield, Craig
Description: Thirteen original transcriptions and subsequent analysis of improvised solos performed by Niels-Henning Ørsted Pedersen. The transcriptions are analyzed in three categories: harmonic vocabulary, technical devices, and motivic use. Pervasive harmonic and melodic themes are presented and compared with phrases from improvisers such as Sonny Rollins and Charlie Parker, as well as compositions by J.S. Bach and Johannes Brahms. Observations from the transcriptions regarding performance practice and techniques unique to Pedersen as well as the influence of the physical characteristics of the double bass are discussed. Pedersen's use of motivic development within a single solo is analyzed.
Contributing Partner: UNT Libraries
William Bolcom's Sonata for Violoncello and Piano (1989)

William Bolcom's Sonata for Violoncello and Piano (1989)

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Date: August 2003
Creator: Janssen, Tido
Description: Composer William Bolcom (1938-) has shown a remarkable capacity for incorporating disparate materials and combining them to create original compositions, while often using traditional genres and forms. This style has earned Bolcom the reputation as a leading composer of American postmodernism. This study provides a brief sketch of Bolcom's development as a postmodern composer, his repertoire for violoncello and piano, and it examines his compositional style as applied in his Sonata for Violoncello and Piano (1989). In the Sonata Bolcom applies a wide variety of musical vocabulary from serious and popular traditions. He juxtaposes contrasting ideas to create and resolve rhythmic, melodic and harmonic tensions and amalgamates concepts of three centuries of music history into one new integral work. All these disparate elements with classical, romantic, impressionist, expressionist, modernist and popular connotations are molded together to form a serious piece of musi c with a sense of humor. The three contrasting movements of the Sonata share many common rhythmic, melodic and harmonic traits. The movements form a congruent work of Classical and Romantic spirit, often reminiscent of Brahms' music, despite the mixed use of traditional, popular, and modernist musical languages.
Contributing Partner: UNT Libraries
Orchestral Etudes: Repertoire-Specific Exercises for Double Bass

Orchestral Etudes: Repertoire-Specific Exercises for Double Bass

Date: August 2011
Creator: Unzicker, Jack Andrew
Description: In this project, frequently required double bass orchestral audition excerpts as well as their individual technical difficulties are identified. A survey of professional double bass players and teachers currently and formerly employed by major orchestras, universities, and conservatories have participated to validate the importance of four of the most frequently required orchestral excerpts: Ludwig van Beethoven’s Symphony No. 9, Mvt. 4, and Symphony No. 5, Mvt. 3; Richard Strauss’ Ein Heldenleben; and Wolfgang Amadeus Mozart’s Symphony No. 40, Mvt. 1. The survey respondents identified the primary and secondary technical concerns of each of the four excerpts. I have created technical studies, or etudes, that specifically address these difficulties and help fill a literary gap within the existing pedagogical resources for the double bass.
Contributing Partner: UNT Libraries
Chamber Music with Double Bass: A New Approach to Function and Pedagogy.

Chamber Music with Double Bass: A New Approach to Function and Pedagogy.

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Date: December 2009
Creator: Raschen, Gudrun
Description: The first part of the paper states the problem of the double bass not being incorporated into the chamber music program at many universities and the resulting lack of skills that can only be developed through this discipline. The double bass is trying to catch up with the other string instruments as it has been historically ignored, misunderstood and not as developed musically and technically. The historical background and current state of research are being examined to understand why this problem occurred in the first place, noting the vast amount of chamber music repertoire that is unknown and identifying some important but underperformed works. Further the pedagogical benefits of playing chamber music are discussed in order to realize the vital importance of integrating the double bass into the curriculum at major universities. Specific examples from the four major style periods are discussed in detail to show the benefits of studying this repertoire. Finally an implementation process is suggested to help change the current state of chamber music neglect as it pertains to the double bass.
Contributing Partner: UNT Libraries
The Influence of Giovanni Bottesini (1821-1889) on Pedro Valls (1869-1935): An Analysis of Homenaje à Bottesini (1906) by Pedro Valls

The Influence of Giovanni Bottesini (1821-1889) on Pedro Valls (1869-1935): An Analysis of Homenaje à Bottesini (1906) by Pedro Valls

Date: December 2009
Creator: Amorim, George
Description: This document traces a link between Pedro Valls and Giovanni Bottesini by identifying traits of Homenaje à Bottesini that resemble techniques and musical characteristics of Bottesini's music, through the comparison of Valls' Homenaje à Bottesini to Bottesini's Fantasia sur La Sonnambula, focusing on the works formal, musical and idiomatic characteristics. This is supported by documented evidence of Bottesini's presence in Spain during Valls's lifetime and Pedro Valls contact with the Italian master of the double bass school of playing and teaching method. This study also proposes adjustments in the notation of Homenaje à Bottesini to more modern and player-friendly score indications, which will help its inclusion into the active double bass repertoire. This document examines performance practice(s) of the work and what advantages or disadvantages these practices have in playing the work, and to ultimately offer a clear pathway, a road map, to performers interested in delving into Pedro Valls's work, with a better idea of what Valls's style consists of and what approach to take when performing his works.
Contributing Partner: UNT Libraries
Ensemble: 1996-09-25 - Chamber Orchestra and Symphony Orchestra

Ensemble: 1996-09-25 - Chamber Orchestra and Symphony Orchestra

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Date: September 25, 1996
Creator: Chamber Orchestra & Symphony Orchestra
Description: Ensemble concert performed at the UNT College of Music Concert Hall.
Contributing Partner: UNT Music Library
Faculty Recitals: 1996-09-26 - Robert Davidovici, violin; Carter Enyeart, cello

Faculty Recitals: 1996-09-26 - Robert Davidovici, violin; Carter Enyeart, cello

Access: Use of this item is restricted to the UNT Community.
Date: September 28, 1996
Creator: Davidovici, Robert & Enyeart, Carter
Description: A faculty and guest artist recital performed at the UNT College of Music Recital Hall.
Contributing Partner: UNT Music Library
Faculty Recital: 2005-01-25 - Mary Karen Clardy, flute

Faculty Recital: 2005-01-25 - Mary Karen Clardy, flute

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Date: January 25, 2005
Creator: Clardy, Mary Karen
Description: Faculty recital performed at the UNT College of Music Recital Hall.
Contributing Partner: UNT Music Library
Faculty Recital: 1997-10-17 - Carter Enyeart, cello

Faculty Recital: 1997-10-17 - Carter Enyeart, cello

Access: Use of this item is restricted to the UNT Community.
Date: October 17, 1997
Creator: Enyeart, Carter
Description: A faculty and guest artist recital performed at the UNT College of Music Recital Hall.
Contributing Partner: UNT Music Library
Faculty Recital: 2009-10-10 - Gustavo Romero, piano

Faculty Recital: 2009-10-10 - Gustavo Romero, piano

Access: Use of this item is restricted to the UNT Community.
Date: October 10, 2009
Creator: Romero, Gustavo
Description: Faculty and student recital performed at the UNT College of Music Recital Hall.
Contributing Partner: UNT Music Library
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