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Revisioning a Masterpiece: Jon Magnussen’s “Psalm”

Description: In 2001, composer Jon Magnussen met the unusual challenge of unifying his new score for Psalm, an already-existing dance work from 1967, with the original artistic conceit of the choreographer, José Limón, who died in 1972. Limón was inspired directly by his reading of André Schwartz-Bart’s Holocaust novel, The Last of the Just, and had initially desired to use Stravinsky’s Symphony of Psalms as the score for the dance. Faced with cost-preclusive licensing fees for the Stravinksy, Limón engag… more
Date: August 2013
Creator: Burnett, Jason
Partner: UNT Libraries
open access

James Macmillan’s St John Passion: the Role of Celtic Folk Idioms and the Reproaches

Description: In 1829, Passion settings entered the secular concert hall with Felix Mendelssohn’s revival of Bach’s St. Matthew Passion in Berlin. The genre has fallen in and out of favor with composers because of the subject matter and Bach’s prominence in the setting. James MacMillan’s St. John Passion has established itself as one of the preeminent modern passion settings by manipulating past idioms such as chant, chorales, and other popular passion conventions in concert with his use of Celtic folk idiom… more
Date: May 2014
Creator: Frank, Nathan
Partner: UNT Libraries
open access

Iron Sharpens Iron: Duets for Two Women in the Teaching/instruction of Undergraduate Women

Description: Duet literature remains largely untapped as a pedagogical tool in the undergraduate voice studio. This dissertation examines the ways in which eight duets for female voices, although not written primarily for pedagogical use, may be used to teach four main areas of voice technique: intonation, vocal agility, legato singing, and dramatic skills. Duets are chosen primarily from the standard repertoire and are in English, German, French, Italian and Latin. The compositional styles range from th… more
Date: August 2013
Creator: Backlin, Laurissa
Partner: UNT Libraries

Faculty and Student Recital: 2014-03-28 - Laudate Eum: A Recital in Honor of Graham Phipps

Description: Recital performed at the UNT College of Music Recital Hall as a tribute to recently-retired professor, Graham Phipps.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: March 28, 2014
Duration: 1 hour 10 minutes 12 seconds
Creator: Wodnicki, Adam; Wilson, Carol (Soprano); Cole, Kimberly; Scott, John C. (John Charles), 1947-; Kheir, Angela Bou; González, Fabiana et al.
Partner: UNT Music Library
open access

Johannes Brahms's Ein deutsches Requiem: A Comparison of the Reduced Orchestration Techniques in Joachim Linckelmann's Chamber Ensemble Version to Brahms's Four-Hand Piano Version

Description: Recognizing the challenges small groups have to program a major work, in 2010, Joachim Linckelmann created a chamber ensemble arrangement of Johannes Brahms's "Ein deutsches Requiem." In 1869, J.M. Reiter-Biedermann published Brahms's four-hand piano arrangement of "Ein deutsches Requiem." Brahms's arrangement serves as an excellent comparison to the chamber ensemble version by Linckelmann, since it can be assumed that Brahms chose to highlight and focus on the parts he deemed the most importan… more
Date: December 2016
Creator: Hawley, Aaron (Michael Aaron)
Partner: UNT Libraries

Ensemble & Doctoral Recital: 2018-11-13 -- UNT University Singers, Charlotte Botha (conducting)

Description: Choral concert performed at the UNT College of Music Winspear Hall, featuring Charlotte Botha (conducting) in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: November 13, 2018
Duration: 52 minutes 55 seconds
Creator: University of North Texas. University Singers.
Partner: UNT Music Library
open access

Musical Borrowing in the Choral Music of Andrew Rindfleisch

Description: American composer Andrew Rindfleisch (b. 1963) has contributed twenty-one pieces to the repertoire of contemporary choral literature to date. His works have been commissioned, premiered, and recorded by notable choral ensembles and performed in significant venues around the country. Influenced by his own early choral singing experience in his native Wisconsin, much of Rindfleisch’s choral music is infused with influences of the music of earlier composers and choral idioms. With these works, … more
Date: December 2015
Creator: Glann, Kerry
Partner: UNT Libraries
open access

Hâfez and Betinis: a Conductor’s Approach to Ancient Persian Poetry As Voiced by a Twenty-first Century, Western Composer

Description: The choral music of Abbie Betinis is being widely performed and commissioned by prominent high school, university, and civic choruses. This study examines From Behind the Caravan: Songs of Hâfez, a five-movement work by Betinis for women’s chorus, vielle, oud, and Persian percussion. Four ghazals by Hâfez of Shiraz, a fourteenth century Sufi poet, are used as the text for Betinis’s Caravan. When considering a performance of this work, a conductor must understand proper treatment of the text,… more
Date: December 2015
Creator: Steenblik, Peter C.
Partner: UNT Libraries
open access

A Practical Edition of the Twenty-four Caprices for Solo Violin by Sir William Herschel

Description: Sir William Herschel (1738–1822) was a prominent musician and composer in the 18th century England. He worked as a concert director in several cities. In addition, he was a master of various instruments, and an active solo performer. Herschel composed numerous orchestral and solo works. His music, however, is hardly known today. Many of his compositions remained unpublished, among them the Twenty-Four Caprices for Solo Violin. These caprices are one of the earliest technical studies for the ins… more
Date: December 2015
Creator: Vu, Chuong Viet
Partner: UNT Libraries
open access

Cross-culture Choral Music Education: Issues for Western Choral Conductors Related to the Performance of Arabic Choral Music

Description: The concept of choral music as defined by the Western world was foreign to Arab cultures until the colonization of the Arab world began in the seventeenth century when we began to see the Western choral style emerging in the churches of the Arab world. Group singing of traditional music was done in unison or heterophonic textures. Notated part-singing is a product of colonization, Westernization, Christianization, and now globalization. In recent years, singing music in mixed or multiple voi… more
Date: August 2015
Creator: Earnhart, Cari L.
Partner: UNT Libraries
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