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The Prodromus Musicalis of Sébastian de Brossard

Description: Sebastien de Brossard (1655-1730) was a French priest, a zealous collector and historian, a musician of merit, and the author of one of the first dictionaries of musical terminology, the Dictionnaire de musigue of 1703. Largely self-taught in music, Brossard studied theology and philosophy at Caen. He was appointed curate at Strasbourg A in 1687 and maitre de musique in 1689. In 1698 he was made grand chapelain and mattre de musique at Meaux, where he remained until his death. His complete work… more
Date: May 1973
Creator: Bolton, Thomas W. (Thomas Wayne)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Trombone Sonatas of Richard A. Monaco

Description: This lecture-recital investigated the music of Richard A. Monaco, especially the two sonatas for trombone (1958 and 1985). Monaco (1930-1987) was a composer, trombonist and conductor whose instrumental works are largely unpublished and relatively little known. In the lecture, a fairly extensive biographical chapter is followed by an examination of some of Monaco's early influences, particularly those in the music of Hunter Johnson and Robert Palmer, professors of Monaco's at Cornell University.… more
Date: December 1988
Creator: Seidel, John A. (John Allen)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Development of a Strategic Planning Model Applicable to Music Programs in Institutions of Higher Education

Description: The purpose of this project was to develop and recommend a strategic planning model that can be used by music executives in their management of music programs in institutions of higher education. Specifically, the study sought to (1) determine the aspects which influence the planning process, that are unique to the administration of a music program in institutions of higher education, and (2) develop a model that incorporates the major concepts of strategic planning and that can be applied to t… more
Date: August 1980
Creator: McMinn, Don J. (Don John)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Nineteenth-Century New Orleans Composers

Description: A comprehensive study of all nineteenth-century New Orleans composers is far beyond the scope of this paper. There are simply too many. An attempt has been made, however, to include as many possible in the text. Others, about whom there is insufficient information to include in a narrative, have been relegated to the appendix, where they are treated in the style of a biographical dictionary. The two most important and influential composers of the century, Gregorion Curto and Theodore von La Hac… more
Date: May 1968
Creator: Wolfe, Alvin Duain
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Six Oboe Sonatas by Giuseppe Sammartini (Sibley Manuscript S. 189): With Critical Commentary and a Performing Edition of Sonata Five, a Lecture Recital, Together with Three Other Recitals

Description: The lecture was given on October 7, 1985. The discussion dealt with the stylistic characteristics of six oboe sonatas and preparation of a performing edition of the fifth sonata by the eighteenth-century oboist and composer Giuseppe Sammartini. After Sammartini emigrated from Milan to London in the 1720s, he became the leading oboist in England. Both his playing and his compositions were praised by contemporaneous writers including Burney and Hawkins. Sammartini's oboe sonatas share stylistic t… more
Date: December 1985
Creator: Combs, Julia C. (Julia Carolyn)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Treatment of the Harp in Orchestral Literature from the Eighteenth Century to the Present

Description: When one realizes how little the harp of the 1700's had advanced from its Biblical predecessors, its neglect by such masters as Bach, Haydn, and Beethoven does not seem remarkable. Why should a serious composer waste his time in writing for an instrument with no facilities for modulating, an instrument the weak tones of which would be lost in an orchestra?
Date: January 1952
Creator: Harvey, Anita Tsianina
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Academia Musical of Pablo Minguet y Yrol: A Translation and Commentary

Description: Pablo Minguet y Yrol's Academia Musical of 1752, M891 in the Bíblioteca Nacional of Madrid, is a loosely organized collection of tutors for thirteen musical instruments: guitar, tiple, mandola, cittern, bandurria, psaltery, clavichord [i.e., keyboard], organ, harp, violin, transverse flute, recorder, and flageolet. The tutors concerning the guitar and related instruments are by far the most comprehensive; topics covered include basic playing technique, figured-bass accompaniment, and notation, … more
Date: December 1984
Creator: O'Dania, Christopher T.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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A Union List of Musical Literature in North Texas Regional Libraries, 1946

Description: It is the purpose of the study to make a survey of the larger libraries in this region and to compile a list of the holdings of books about music. With the impetus of the North Texas Regional Union List of Serials, 1943; Comprising the libraries of North Texas State Teachers College. Southern Methodist University, Southwestern Baptist Theological Seminary, Texas Christian University Texas State College for Women, and the Public Libraries of Dallas and Fort Worth, and its two supplements of 1943… more
Date: January 1949
Creator: Henderson, George R. (George Robert), 1918-
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Seven Early Songs of Arnold Schoenberg from the Nachod Collection

Description: Arnold Schoenberg viewed himself as an extension of the German Romantic tradition. Schoenberg's early unpublished songs prove his indebtedness to nineteenth century music, but they also show a great deal that is strictly Schoenbergian. This paper investigates the musical elements that Schoenberg assimilated from tradition, especially from the great Lied tradition of the nineteenth century. lements that may be associated with his later works are also investigated, namely the 2rundgestalt princip… more
Date: December 1980
Creator: Russom, Philip Wade
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Carlos Seixas: The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital Together with Three Recitals of Selected Works of Johann Sebastian Bach, Samuel Barber, Ludwig van Beethoven, Fréderic Chopin, César Franck, Sergei Prokofieff, and Alexander Scriabin

Description: This presentation demonstrates the significance both historically and aesthetically of the obscure Portuguese composer Carlos Seixas, (1704-1742), to the development of the keyboard sonata during the transitional period between the Baroque and Classic eras. The relationship between Seixas and his better-known colleague Domenico Scarlatti is explored and particular musical styles and techniques generally assumed as innovations of the latter composer are shown to exist in keyboard works of Seixas… more
Date: August 1982
Creator: Allison, Brian J. (Brian Jerome)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Dissonance Treatment in Fuging Tunes by Daniel Read from The American Singing Book and The Columbian Harmonist

Description: This thesis treats Daniel Read's music analytically to establish style characteristics. Read's fuging tunes are examined for metric placement and structural occurrence of dissonance, and dissonance as text painting. Read's comments on dissonance are extracted from his tunebook introductions. A historical chapter includes the English origins of the fuging tune and its American heyday. The creative life of Daniel Read is discussed. This thesis contributes to knowledge of Read's role in the develo… more
Date: May 1987
Creator: Sims, Scott G.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Trumpet in Chamber Music During the 20th Century

Description: The purpose of this thesis is to trace the history of the trumpet in chamber music through the first half of the 20th century. It aims to discuss the technical advances in the instrument and demonstrate the importance of the trumpet in this medium. Chamber music is defined, in this thesis, as all serious instrumental music for two or more instruments played with one instrument to a part. The selections have been chosen on the basis of recognized merit of the composer, the variety of instrument… more
Date: August 1958
Creator: Bauschka, Conrad Romuald
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Articulation of the Primary with the Secondary Instrumental Band Program in the Public Schools

Description: The purpose of this thesis is to acquaint future band and orchestra directors with a successful, thoroughly "tried and tested" plan of building an instrumental program within the music department. This thesis presents the technique of instrumentating the senior high school band by planning an instrumental program from the first grade to the time the band student reaches the senior high school level.
Date: August 1949
Creator: Olivadoti, Joseph, 1893-1977
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka

Description: After considering Petrouchka's historical and compositional background and the orchestral revision of 1947, this thesis analyzes the composition, dealing specifically with formal, harmonic, and melodic aspects. The study's most important discovery is of a common formal design for all the scenes and the piece as a whole, where the outer thirds of ternary structures are equal in length. The thesis also examines Stravinsky's transcriptional procedures, cataloging and contrasting them with those of… more
Date: May 1979
Creator: Hallquist, Robert N.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Chaconne and Passacaglia in Twentieth Century Organ Music

Description: In order to trace the origin of the chaconne and passacaglia, the much larger classification of basso ostinato, of which the chaconne and passacaglia are two later examples, must be considered. According to one authority, Lili Propper, the earliest beginnings of the basso ostinato can be traced back to the Middle Ages through the use of organ points exemplified in organum purum. A later and more developed use of the basso ostinato can be discovered in the recurring basses of the Montpellier Co… more
Date: January 1966
Creator: Tiller, Barney
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The British Museum Manuscript Additional 35087: A Transcription of the French, Italian, and Latin Compositions with Concordance and Commentary

Description: The London British Museum Manuscript Additional 35087, hereafter referred to as London Add. 35087, is an important parchment manuscript in large octavo choirbook arrangement from the beginning of the sixteenth century. Its measurements are 19.4 x 29.3 centimeters. The manuscript contains ninety-five folios and one stub where a leaf has been torn out (f. 4).1 The last composition in the manuscript is incomplete, which indicates that one leaf is lacking at the end (f. 96). Two sets of foliation … more
Date: August 1967
Creator: McMurtry, William M.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Organ Compositions on the Motive B A C H

Description: Since the time of Johann Sebastian Bach many musical compositions have been written on the letters of his last name. In German musical notation, these letters are the equivalents of out B flat, A, C, and B natural. This study traces the use of this motive in works written for the organ throughout the past two centuries. The discussion in these chapters has been an attempt to illustrate the use of the motive B A C H in organ compositions from before the time of Bach up to the present. Time limit… more
Date: August 1965
Creator: Stegall, Ruth Ellen
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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A Course in Public School Music to be Taught at the College Level

Description: Many persons who major in music with the intention of teaching, either at the public school or college level, are poorly equipped to cope with every problem confronting them. With this in mind, the author has attempted to assemble as much valuable and helpful material as possible into a course of study.
Date: August 1949
Creator: Roberts, Charles Monroe
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Five Year Band Program for Vanderbilt School

Description: The public school of Vanderbilt, Texas is in the process of building a band. The steady growth of the band will depend upon a long-range planning program. It is the band director's aim to set up such a long-range plan to cover the five years from the 1947 school year and including the 1952 school year. The following chapters will cover most of the phases of the band's work, and that of the director's work, and his relation to the band and the community.
Date: August 1948
Creator: Reves, Wayman Aubrey
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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An Instrumental Program Especially Suitable for the Goose Creek Independent School District

Description: Within this document, the writer hopes to present a thorough study of the various methods and materials which are available for the beginning, intermediate, and advanced band classes of the Goose Creek Independent School District, Goose Creek, Texas, taking into consideration the organization of the school system as it exists at the present time.
Date: June 1947
Creator: Parker, Fred Sherman
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Hermit Songs of Samuel Barber

Description: Samuel Barber was born in West Chester, Pennsylvania, a town on the outskirts of Philadelphia, on March 9, 1910. He was the son of Samuel Le Roy Barber and Marguerite Beatty Barber. His father came from a long line of tradesmen and professional people and was a doctor and prominent citizen in the Pennsylvanian town in which his son was born. Although no musical tendencies existed on the father's side, there were numerous accounts of musical abilities in his mother's family. Marguerite Beatty Ba… more
Date: May 1964
Creator: Lansford, Julia Ann
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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