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Representing the Observable Textural Patterns of Moving Water in Stone

Description: I plan to create a representation of the textures of four distinct states of moving water in three stone sculptures. These structured textural elements are intended to provide compelling visual stimuli that will enhance the viewers' understanding of the sculptures. The dynamic quality of rhythm inherent in the four observable patterns will be conceptually and physically captured on a stone surface.
Date: August 1997
Creator: Joplin, Jason
Partner: UNT Libraries
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Like Random Piles of Debris in My Mind

Description: In this project, I further examined my work as a fictional layering of vernacular culture within the discourse of historical art. This investigation addressed the sources of my art, both in the outside world and in the context of an inherited art tradition. I focused on the issues of the formation and function of my work as an estheticized representation of this culture.
Date: December 1993
Creator: Garrett, Randall D.
Partner: UNT Libraries
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Protrapment

Description: It was my intention to create pieces that seem to be both entrapping and protective at the same time. I hope that, as the viewer attempts to interpret each piece, there will be a shift back and forth from one to the other until both sides are accepted and a balance is found.
Date: August 1998
Creator: Herring, Mancel K.
Partner: UNT Libraries
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Space and the Unexpected

Description: I intend to explore various canvas sizes and many formal issues, focusing on space and the application of paint are paramount in my work. I used closely cropped photographs to aid in this study and my exploration addressed the following questions: 1) How does the speed of execution affect the spontaneity and authority of the piece? 2) How important is the unexpected for the success of my painting in regards to formal issues?
Date: May 1999
Creator: Fortson, Joey
Partner: UNT Libraries
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Recurring Images Rising Out of a State of Obscurity

Description: Through this study I intended to analyze and determine the significance of the recurring imagery that emerged as an integral part of my compositions. Furthermore, I attempted to discern the importance and over all the effects of the small scale upon my work and determine how vital is the spontaneity that is used to obtain each composition.
Date: May 1993
Creator: Aberu, Nancy E. Vendrell
Partner: UNT Libraries
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A Sculptural Expression, Based on Dream-Derived Imagery, of the Preciousness of Certain Tools in a Meditative Journey

Description: To emphasize the preciousness of these tools, I envisioned object-specific carrying cases, like a violin case or my grandmother's china cabinet. The object-specific case or cabinet is, like the tool it houses, special and singular inits utility and serves to underscore the ceremonial nature of the tool. Of all the examples of object-specific environments I've looked at, most have been constructed of fine woods; many have also been either covered or lined with various skins, silk, or velvet to r… more
Date: May 1993
Creator: Martin, Brian Scot
Partner: UNT Libraries
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Installation: Sculpture and Painting as a Hybrid Within Virtual Reality

Description: My work has developed to the point where it exists within the grey area between painting and sculpture. These hybrid works necessitate the transition from creating objects to that work singularly to installations of various works that operate as a whole. The purpose of this study is to identify successful methods of making this transition through the use of the computer. The computer should provide new strategies to integrate sculpture and painting into a hybrid form.
Date: May 1996
Creator: Ashton, Leo
Partner: UNT Libraries
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Pattern: Literal and Metaphorical

Description: My work contains physical and illusionary layers of images which reflect or relate cultural and personal experiences. These experiences address collective cultural patterns or personal and collective experience simultaneously. Visual metaphorical and literal patterns represent behavior and experiences. Inherent in the presentation of these types of patterns and experiences is the implication of time and the relationships between old, new, and changed experience. One vehicle for effectively port… more
Date: December 1995
Creator: Ridenour, Elise
Partner: UNT Libraries
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Injuring Eternity

Description: I endeavored to investigate how temporal forms could be used as an avenue for addressing my sculptural concerns. These concerns included the relationship of form to material, the temporary manifestation of enduring principles, and responsibility to materials and their meanings. My pursuit of this investigation arose from both a search for alternatives in a field with a tradition of permanent object orientation and an effort to expand my own perceptions of what constitutes sculpture and the acti… more
Date: December 1997
Creator: Neumann, Cristophe
Partner: UNT Libraries
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Living Walls: The Integration of Clay and Architecture

Description: Although clay has been used throughout history as an embellishment of architectural structures, clay elements have usually remained subordinate to existing architectural forms. Three-dimensional ceramic modules which divided an existing space, altered or obscured architectural forms, and intersected with or penetrated established planes provided a greater interaction between clay and architecture. I explored the use of clay as an integral three-dimensional element which interacted with an archi… more
Date: May 1994
Creator: Gray, Douglas E.
Partner: UNT Libraries
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Breathing Life into the Reductive Format

Description: a. How does the use of different materials such as string, screen, fabric or wire personalize the work? b. How does the addition of subtly recognizable imagery change the reductive field? c. How do processes such as wrapping, printing, dripping, and other techniques infer meaning? d. How does the choice of color and scale affect the work?
Date: May 1999
Creator: Smith, Charlotte D.
Partner: UNT Libraries
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In Search of Depth

Description: In this proposed study, I hoped to discover compositional elements that once added to the work would convey my conceptual ideas. I was interested in exploring the addition of deep pictorial space and increasing the size disparity between the figures as possible solutions for injecting a level of irony and/or eluding to the subverted agenda of the content. I wanted to see if these two secondary compositional adjustments subtly conveyed not only a strategic contradiction of the art historical con… more
Date: December 1993
Creator: Bhagwat, Tanya A.
Partner: UNT Libraries
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Ordering Chaos: The Integration of Form and Surface Through a Combination of Chance and Design

Description: The purpose of this research was to develop a body of work which exhibited unity between form and surface, but which relied upon a combination of deliberate intent (specific form, glaze, firing temperature, etc.) and the occurrence of random accident to achieve this unity. The project dealt with the integration of altered wheel-thrown and hand-built organic clay forms with a variety of surface treatments. The firing/glazing techniques chosen (which included cone 9 reduction firing, raku firing,… more
Date: May 1994
Creator: Rhudy, Dannon
Partner: UNT Libraries
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Reconciliation

Description: The content of my work focused on examining the relationship between certain elements of nature and of human beings and was also based on the question of what true life is. The woodcut process - combined with the other printing techniques such as intaglio, collagraph, and monotype - was adopted as a potentially successful medium for conveying the content of the work. Overlay printing techniques and repeated textures were utilized as well.
Date: March 1996
Creator: Chung, Miok
Partner: UNT Libraries
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An Analysis of Two Dimensional Printed Elements Within Three Dimensional Structures

Description: I believe the frame or housing of a printed image plays an integral role in the context of the work. It functions as a vehicle for possible interpretation. It should respond to and complement the concept of the central image. The image presented in a vessel or reliquary format should instill a meditative or religious response.
Date: May 1994
Creator: Hubner, Lynne J.
Partner: UNT Libraries
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Body Conscious: Pushing the Boundaries of Traditional Western Adornment

Description: The focus of the problem was to challenge the more traditional. Western approaches to jewelry as adornment in respect to areas such as placement and scale. Approaching adornment as sculptural forms interacting with the human body could possibly challenge the individual's awareness of jewelry as wearable art. This approach brought up the issue of using the human body as a pedestal for adornment.
Date: May 1998
Creator: DeRuiter, Margaret A.
Partner: UNT Libraries
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The Photo Generated Painting

Description: The gum bichromate print offers the potential of allowing me to combine different media in my work, while reducing the cumbersome scale and retaining the visual impact of larger scale pieces. However, there are numerous problems to be solved in executing gum bichromate prints in a scale large enough to have the powerful visual impact that I feel is essential for the content of my work. I propose to refine the gum bichromate process to accommodate the scale of my work and to combine a variety of… more
Date: February 1995
Creator: Locke, Arthur Donald Jr.
Partner: UNT Libraries
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Patterns and Evolution

Description: My interest in the patterns of nature and culture has led me on a long journey through studies of math, sciences, and religions culminating in my current studies in art. Continuing my inquiry into processes of human perception and conception of time. My intention was to incorporate the "process" aspect of the printmaking medium into the final work by creating hybrid works that would take the "print" out of its traditional two-dimensional form. Finally, I planned to utilize the "multiple" aspect… more
Date: May 1999
Creator: Lewis, John E.
Partner: UNT Libraries
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The Sculptural Creation of a New Form of Visual Awareness Concerning Predators: The Cheetah and the Wolf

Description: The problem I have addressed this year revolves around my search for a means to visually challenge mankind's present concepts and ideology concerning the wolf and the cheetah. At the same time, it was essential that I find a way to visually challenge previous artistic interpretations of these animals. This involved the discovery of a new form of animal representation relevant to modern societies' problems concerning the future of wildlife and the significance of the predator.
Date: August 1993
Creator: Ballmann, Elizabeth
Partner: UNT Libraries
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Geometric Imagery

Description: It was those problems and possibilities I wished to explore in my problem in lieu of thesis. While the simple, geometric images were very satisfying to that part of myself that craves order and rationality, it was all too easy to make work that was dull and uninteresting. I wanted to find a way to produce rich, sensuous, engaging work using only simple geometric forms.
Date: May 1996
Creator: Dodd, Guthrie McRae
Partner: UNT Libraries
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The Visual Perception of Body Language in Sculpture

Description: My work attempted to examine the emotional and psychological relationships between humans and the relationship of a human being with their inner self. I adopted the human figure as a potentially successful means of expressing these relationships. The language or symbolism I used in my work was derived directly from body language. This universal language is direct and immediate. Body language, posture, attitude, and tension of the figure are primary perceptions observed by the viewer. The immedi… more
Date: May 1998
Creator: Sayago, Maria Sara
Partner: UNT Libraries
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