How To Hold a Calligraphy Brush

How To Hold a Calligraphy Brush

Access: Use of this item is restricted to the UNT Community.
Date: 1628/1644
Creator: Hu Zhengyan
Description: The outline of a hand is depicted holding a calligraphy brush. To the right is Chinese text.
Contributing Partner: UNT College of Visual Arts + Design
Lord and Lady Clapham Dolls

Lord and Lady Clapham Dolls

Access: Use of this item is restricted to the UNT Community.
Date: 1675/1699~
Creator: unknown
Description: Two William and Mary style dolls wear period clothing and sit in wooden period chairs from the late seventeenth century.
Contributing Partner: UNT College of Visual Arts + Design
Caravel pendant

Caravel pendant

Access: Use of this item is restricted to the UNT Community.
Date: 1600
Creator: unknown
Description: This caravel pendant is made of metal and gems. It resembles a ship with sail. The base of the caravel consists of a transparent emerald of deep green colour. The sail and cross are also made of emeralds. There is a chain attached to the pendant leading to the cross with metal rods attached on all four sides. Sail is white in color with circular motifs. At the back of the ship there is a vertical strip with curvilinear patterns of swirls.
Contributing Partner: UNT College of Visual Arts + Design
Roland

Roland

Date: 1685
Creator: Quinault, Philippe, 1635-1688.
Description: Libretto of the opera "Roland" by Philippe Quinault; he based the plot of Roland on medieval legends of chivalry, setting episodes from Ludovico Ariosto's epic poem "Orlando furioso." Roland centers on the conflict between duty and love and the intervention of goddesses. This copy includes includes handwritten annotations of performers' names, and a frontispiece engraving undersigned by Jean Dolivar (i.e., Juan Dolivar) that illustrates one of the scenes from the opera. Jean-Baptiste Lully composed the music of the opera which premiered on January 8, 1685.
Contributing Partner: UNT Music Library
Proserpine

Proserpine

Date: 1680
Creator: Quinault, Philippe, 1635-1688.
Description: Libretto of the opera "Proserpine," by Philippe Quinolt; the plot is based on the story of the abduction of Proserpine and her descent into Hades, and also on Ovid's Metamorphoses, its original source. In the plot, Cerés, the goddess of the earth, summons the nymph Aréthuse to guard her daughter Proserpine. Aréthuse protests, and tells Cerés of her love for Alphée, the river god, but the anxious mother warns her she should not let her own feelings interfere with the assigned task. Alphée assumes that Aréthuse abandoned him to look after Proserpine. Taking advantage of the situation, Ascalaphe, Pluto's envoy, encourages Alphée's belief in Aréthuse's supposed infidelity; then, persuades both Alphée and Aréthuse into letting Pluto watch over Proserpine. Alphée and Aréthuse agree and as the lovers' attention wanders, Pluto seizes Proserpine and abducts her. Cerés learns of her daughter's abduction and in despair decides to withhold her gifts that give earth prosperity. When Alphée and Aréthuse finally reach Proserpine, they find that she has already eaten of the grain and tasted the fruit of the underworld, which condemned her to Pluto's control. Proserpine begs Pluto for mercy, but the love-stricken god refuses to free her. Pluto summons his judges ...
Contributing Partner: UNT Music Library
Thetis et Pelée

Thetis et Pelée

Date: 1689
Creator: Fontenelle, M. de (Bernard Le Bovier), 1657-1757.
Description: Libretto of the opera "Thetis et Pelée" by Bernard le Bovier de Fontenelle. In the plot, the Nereid Thetis is wooed by Jupiter and Neptune, as well as by a mortal, Pelée (Peleus). When a storm caused by Neptune disrupts a celebration Jupiter gave in honor of Thetis, an oracle is consulted, which foretells that Thetis's husband will one day be less powerful than his son. Neptune and Jupiter withdraw their claims, and Thetis marries Pelée. Pascal Collasse composed the music of the opera which premiered at the Paris Opéra on January 11, 1689. This copy includes an engraved frontispiece titled, "Thetis et Pelée" by Juan Dolivar (undersigned as J. Dolivart).
Contributing Partner: UNT Music Library
Phaeton

Phaeton

Date: 1683
Creator: Quinault, Philippe, 1635-1688.
Description: Libretto of the opera "Phaeton," by Philippe Quinolt. The plot is based on an episode in Ovid's Metamorphoses. In the plot, Phaethon, son of Climène and Soleil [the Sun], is filled with excessive ambition and pride. He abandons his beloved, Théone, and requests to the King of Egypt the hand of his daughter Libie. Climène, who after consulting the sea god Proteus knows of the demise that her son's avarice will bring upon himself, tries in vain to discourage his ambition for the throne of Egypt and urges him to renew his love for Theona. However, Phaeton goaded by the taunts of his rival, Epaphus, rides recklessly across the sky in his father's chariot. The spectacular ending includes Jupiter's thunderbolts aimed at stopping Phaethon's wild ride, and Phaethon crashing onto earth where he dies. An ensemble and chorus provide a sorrowful denouement. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King. It also includes an engraved frontispiece titled, "Le ...
Contributing Partner: UNT Music Library
Astrée

Astrée

Date: 1691
Creator: La Fontaine, Jean de, 1621-1695.
Description: Libretto of the 1691 opera "Astrée" by Jean de la Fontaine. Pascal Collasse composed the music of the opera which premiered under the title "Astrée et Céladon" on November 25, 1692.
Contributing Partner: UNT Music Library
Amadis, tragedie en musique

Amadis, tragedie en musique

Date: 1684
Creator: Quinault, Philippe, 1635-1688.
Description: Libretto of the 1684 opera "Amadis," by Philippe Quinolt. The premiere of Amadis was delayed for a year after Lully completed its composition in order to allow the proper mourning period for Marie Thérese, wife of Louis XIV, who died in July of 1683. While still abstaining from theater at court, Louis XIV at last allowed the first public presentation of "Amadis" at the Opéra in Paris on 18 January 1684. It was an immediate public success. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King.
Contributing Partner: UNT Music Library
Isis, tragedie en musique

Isis, tragedie en musique

Date: 1677
Creator: Quinault, Philippe, 1635-1688.
Description: Libretto of the opera "Isis," by Philippe Quinolt. The music of the opera was composed by Jean-Baptiste Lully's and premiered on January 5, 1677 at St. Germain-en-Laye. The libretto is a loose adaptation of one of the episodes in Ovid's Metamorphoses. The plot resembles that of Lully's previous opera, Atys. It is set in pastoral and divine realms. In the opera, Jupiter courts the nymph Io, and jealous Juno imprisons her under the hundred watchful eyes of Argus. The god Mercury helps Io to escape and turns Hiérax, Io's former lover, into a bird when he tries to interfere. Then, Juno orders a Fury to torment Io. After a series of tortures, Io invokes Jupiter who interferes with Juno promising he will be faithful to her in exchange of her sparing Io. Juno then transforms Io into the Egyptian goddess Isis. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King.
Contributing Partner: UNT Music Library
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