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JAC Audio Interview: Sandra Harding: JAC interview of Sandra Harding discussing feminism and science in relation to writing, philosophy, and rhetoric.
JAC Audio Interview: Luce Irigaray: JAC interview of Luce Irigaray discussing gender and feminism in relation to writing, philosophy, and rhetoric.
JAC Audio Interview: Jane Tompkins: JAC interview of Jane Tompkins discussing politics and pedagogy in relation to writing, philosophy, and rhetoric.
JAC Audio Interview: Slavoj Zizek: JAC interview of Slavoj Zizek discussing his work in relation to writing, philosophy, and rhetoric.
[News Clip: Miss Texas]: Video footage from the KXAS-TV station in Fort Worth, Texas, to accompany a news story about newly elected Miss Texas, Carmen McCollum. In her first official news conference, "Miss West Texas" answers questions about feminism and womens liberation and poses with her family.
Act Like a Punk, Sing Like a Feminist: A Longitudinal Content Analysis of Feminist Themes in Punk Rock Song Lyrics, 1970-2009: Punk rock music has long been labeled sexist as copious media-generated accounts and reports of the genre concentrate on male artists, hyper-masculine performances, and lyrics considered to be aggressive, sexist, and misogynist. However, scholars have rarely examined punk rock music longitudinally, focusing heavily on 1980s and 1990s manifestations of the genre. Furthermore, few systematic content analyses of feminist themes in punk rock song lyrics have been conducted. The present research is a longitudinal content analysis of lyrics of 600 punk rock songs released for four decades between 1970 and 2009 to examine the prevalence of and longitudinal shifts in antiestablishment themes, the prevalence of and longitudinal shifts in sexist themes relative to feminist themes, the prevalence of and longitudinal shifts in specific feminist branches, and what factors are related to feminism. Using top-rated albums retrieved from Sputnik Music’s “Best Punk Albums” charts, systematic random sampling was applied to select 50 songs for each combination of three gender types and four decades. Sexism and feminism were then operationalized to construct a coding sheet to examine relevant dimensions. While the present study found no significant patterns of longitudinal increase or decrease in feminist or sexist themes, it revealed that feminist themes were consistently high across four decades and, furthermore, indicated a phenomenon of post-modern hybridity.
Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century: This study explores six utopias by female authors written at the turn of the twentieth century: Mary Bradley Lane's Mizora (1881), Alice Ilgenfritz Jones and Ella Merchant's Unveiling Parallel (1893), Eloise O. Richberg's Reinstern (1900), Lena J. Fry's Other Worlds (1905), Charlotte Perkins Gilman's Herland (1915), and Martha Bensley Bruère's Mildred Carver, USA (1919). While the right to vote had become the central, most important point of the movement, women were concerned with many other issues affecting their lives. Positioned within the context of the late nineteenth century women's rights movement, this study examines these "sideline" concerns of the movement such as home and gender-determined spheres, motherhood, work, marriage, independence, and self-sufficiency and relates them to the transforming character of female identity at the time. The study focuses primarily on analyzing the expression of female historical desire through utopian genre and on explicating the contradictory nature of utopian production.
Charlotte Perkins Gilman: Naturalist Playwright: This study explores Charlotte Perkins Gilman’s use of the dramatic form to challenge Herbert Spencer’s social Darwinism by offering feminist adaptations of Darwin’s theories of natural and sexual selection. As she does in her career-defining manifesto, Women & Economics (1898), Gilman in her lesser-known plays deploys her own brand of reform Darwinism to serve the feminist cause. Despite her absence in histories of modern drama, Gilman actively participated in the establishment and development of this literary, historical, and cultural movement. After situating Gilman in the context of nineteenth-century naturalist theater, this thesis examines two short dramatic dialogues she published in 1890, “The Quarrel,” and “Dame Nature Interviewed,” as well as two full-length plays, Interrupted (1909) and the Balsam Fir (1910). These plays demonstrate Gilman’s efforts to use the dramatic form in her early plays to “rehearse” for Women & Economics, and in her later drama, to “stage” the theories she presents in that book.
Still on the Sidelines: the Female Experience in Sports Media: This qualitative study aims to analyze the lived reality of women working in sports media today. Through systematic analysis of 12 in-depth interviews, the findings of this study suggest that the adoption of technological advancements in news media and all associated outlets have created a leveling effect for women due to the demand for highly skilled individuals who can handle the digital demand of modern news production. This study suggests that longtime gender disparities in sports media are experiencing a bit of a reprieve due to the massive digital audience and the need for professionals who can deliver information quickly and efficiently and with accuracy. However, the persistent symbolic annihilation of women as well as hegemonic hiring practices that emphasize aesthetic appeal have created a difficult path for women to move off the sidelines and into roles with more creative and analytical breadth, even with a rapidly increasing demand for jobs in the media industry.
Quebec's Révolution Tranquille Reflected Through Artists' Voices (1945-1995): The Quebec of the Quiet Revolution invites a fascinating sociocultural study, and this analysis provides an overview of major changes there during the 1960s and 1970s. The author analyzes how artistic, literary, and musical contributions of the era reflected the public's sentiments toward this metamorphosis. References to political cartoons, plays, poetry, songs, and non-fiction works such as essays and manifestos illustrate attitudes toward the shifting role of the Catholic Church, the arrival of a Liberal government following an ultra-conservative administration, the feminist movement, economic and education reform, and the transformation of Quebec's identity through fierce debates over the status of French and English in the province. Policies enacted by Quebec Prime Ministers, especially Maurice Duplessis, Jean Lesage, and René Lévesque were pivotal to the emerging society. Events such as Vatican II, the publication of the Encyclical letter Humanae Vitae, and the efforts of Catholic Action revealed two concurrent strains of Catholicism present in Quebec and the extent to which the Church had become disconnected from society. This study examines major feminist aims within the historical and literary context and considers how collective efforts were critical to advancing their agenda. Ambitious economic measures enabled Quebec's francophone population to catch up to their anglophone counterparts and promoted the long-term prosperity of the entire province. The study features perspectives informed by recent interviews conducted with Quebecois people who witnessed, participated in, and reflected on these dramatic events.
Examining the Under-Representation of Female Euphonium Players in the USA: Females make up the minority in professional euphonium playing and teaching roles in the USA. The purpose of this research is to unveil the reasons behind this imbalance and to discover potential impacts females experience as a minority in the field. Research methods included sending a questionnaire to professional female euphonium players and teachers to document the experiences of participants. A secondary purpose of this study is to further document the existence of past and present potential female euphonium role models. Through a discussion of possible origins of and reasons behind a perceived lack of female euphonium players, I am seeking ways to achieve greater parity by garnering a more comprehensive understanding of the challenges faced by female euphonium players.
Still House: Still House is a poetry manuscript that explores the relationship between traditional gender roles and traditional poetic forms. The poems in this collections seek to revise the role of the homemaker and interrogate whether it is okay to take comfort and pleasure in tasks that are often labeled as feminine (i.e. cooking, baking, decorating, organizing, shopping, choosing outfits) while rejecting other parts of the homemaker archetype, such as subservience to and dependence upon men. Limited gender roles, patriarchy, sexist comments, capitalism, toxic masculinity, the cis-hetero-white-male gaze, trauma, physical pain, illness—these all can make it feel like we are not fully in control and ownership of our bodies, like something is encroaching. The poems in Still House are invested in using the poetics of embodiment (a poetics centered around telling stories about the body through immersive sensory details) to reclaim the body from trauma, patriarchy, and chronic pain and illness.
Performative Resistance as Ecofeminist Praxis?: Erika Cudworth's Developing Ecofeminist Theory provides a helpful foundation for a non-essentialist, properly intersectional ecofeminist account of oppression, marginalization, and domination, but her rejection of what she refers to as "postmodernism" appears to be based on a misreading of Judith Butler. I attempt to provide a synthesis of Cudworth's framework with Butler, particularly through the use of Karen Barad's agential realism, in order to provide possibility for new alliances between ecofeminism and other anti-oppressive frameworks. I then examine what it might look like to do ecofeminist praxis, given the complex view of agency, ontology, and intersectionality rendered by such a synthesis. I draw from bicycling as an example from which to extrapolate what it means to resist oppression, and then draw from the Philosophy for Children movement to consider what such resistance might look like within the classroom. This dissertation thus attempts to move from theory to practice, recognizing that "the real world" is both always at hand and also subject to performative deconstruction.
True War Stories: Lies, Truth, and Recovery in the Non/Fiction of Vietnam: This dissertation examines memoirs and non/fiction of the Vietnam War, written by combat veterans (Tim O'Brien, Tobias Wolff, Ron Kovic), and army nurses (Lynda Van Devanter and Joan Furey), and war correspondents (Micheal Herr), most of whom joined the antiwar movement, and used their own war wounds as incontrovertible evidence against it. Since these authors' traumatization compromised their memories of combat, their narratives feature literary devices reflective of post-traumatic stress disorder symptomatology (e.g. flashbacks, non-linear plots, repetition, disassociation). Their authenticity stems from the military jargon, lewd dialogue, and dark humor contained within. A mix of truth-telling and bullshitting paradoxically coexist in these texts; as trauma theories elucidate, improvisation (of details) does not diminish the integrity of a traumatic memory, or the memoir itself. In an era of Nixonian follies, whistleblowing became a high stakes endeavor for journalists and veterans. They exposed the military's standard operating procedures that violated the Geneva Conventions such as free-fire zones, wide-scale bombings, and chemical warfare (e.g. Napalm, Dioxin, Agent Orange). Desiring reformation, the Vietnam Veterans Against the War conducted their own Winter Soldier Investigation into the Mỹ Lai massacre, sending spokesperson John Kerry to testify during the Fulbright Hearings. Women served thanklessly in the war, yet were excluded from men's organizations and denied Veteran's Administration benefits for diseases contracted in Vietnam until Lynda Van Devanter published her memoir, Home Before Morning, then lobbied for women's rights. She inspired a collection of poetry, and a spinoff TV show, China Beach, though she was never credited for the latter.
[A feminist display in the Denton Square]: Photograph of a large poster board display regarding feminism stands in front of a shop that says "Western Shop" in the Denton Square. Two people closely observe the display, while a mother and her child in a stroller pass by as well as two others. Next to the display is an outdoor table with an American flag with four men sitting and either watching the display and the people observing or the others passing by.
"Femininity: Ownership and Power": A Multimedia Exhibition: This thesis is a critical analysis and creative commentary providing research and insight into my 150-minute multimedia exhibition, "Femininity: Ownership and Power," that premiered October 23, 2021. All of my research, composition, and collaboration efforts seek to recontextualize the semiotics of ‘femininity' through ownership and empowerment from varying intersections and identities. The titles of the eight works composed and premiered as part of the exhibition include: a beautiful reckoning; Dust; Moirai; Gaia; Portrait of the American Woman; Shared, In Balanced Contrast; At My Intersection; and I See You. Also included was #pinkcode, an exhibit that features a fuschia graphic user interface for an interactive modulation synthesis application built in Csound designed to bring femininity into computer music spaces. The musical compositions vary in instrumentation including flute, alto flute, voice, guitar, viola, harp, cajon, vibraphone, live electronics, and fixed media. They also vary in medium including live performance, virtual reality video, music video, audio-reactive TouchDesigner video, immersive text projections, light show, and live dance. Feminist texts by women poets and authors recited by women personally connected to me are also included in the fabric of the musical fixed media of multiple pieces in the thesis exhibition. Collaborators of artistic media including film, digital art, music, and dance include Eboni Johnson, Hannah Ottinger, Cami Holman, Miranda Zapata, and Elijah J. Thomas.
Not What "Almost Famous" Made It Out to Be: Gendered Harassment of Female Music Journalists: As with women journalists in other male-dominated fields, female music writers have long endured gendered harassment. In the newsroom, this sexist treatment is foisted upon female music journalists by their male editors and colleagues; in the outside world, it often occurs at the hands of male sources, readers, and online trolls. Unfortunately, the victims of such abuse are frequently left to cope with it alone, and many report that their mental health suffers in the process. Some may even ultimately decide to quit pursuing music journalism entirely. These women report wanting to feel more supported within their work environment, as well as through informal means, such as via a network of fellow female writers. Feminist media theory, utilitarianism, and ethics of care will serve as the study's theoretical bases. This research, based on in-depth interviews with women music journalists, suggests that the vast majority of participants had faced sexism and/or gendered harassment during their time as a female music journalist, experiences that left many of them feeling frustrated and devalued. Based on the research, I offer recommendations on how to make the industry more inclusive for women writers.
Spoken-Word Poetry Contest – Winner tied for First Place: Analise: Spoken-word artist, award-winning teacher and UNT alumnus Joaquin Zihuatanejo hosts the 2017 UNT Equity and Diversity Conference’s Spoken-Word Contest, featuring poems written and performed by UNT students. Analise, the featured poet who tied for first place, performs a passionate poem describing the societal expectations imposed on women regarding their weight and the resultant emotional and psychological effects on the individual.
JAC Audio Interview: Stanley Fish: JAC interview of Stanley Fish discussing writing, philosophy, and rhetoric
JAC Audio Interview: Donna Haraway: JAC interview of Donna Haraway discussing science, cyborgs, and feminism in relation to writing, philosophy, and rhetoric.
JAC Audio Interview: bell hooks: JAC interview of bell hooks discussing the politics of literacy in relation to writing, philosophy, and rhetoric.
[Flyer: The Vagina Monologues]: A flyer for Eve Ensler's "The Vagina Monologues" play performed at UNT, held by UNT Special Collections. The flyer has black text. On the top left is a graphic of two legs kicking up in the air. The top right contains the words "The Feminist Majority Leadership Alliance" the title of the play is under it in big grey faded grey letters outlined by black. The bottom middle of the flyer contains information for the location and time of the event followed by the names of the directors.
JAC: A Journal of Composition Theory, Volume 22, Number 2, Spring 2002: JAC: A Journal of Composition Theory contains a collection of papers regarding writing and rhetoric: "The JAC is a forum for theory, research and pedagogy regarding (1) those writing courses beyond the freshman courses, excluding technical and creative writing, (2) writing in courses which are not themselves writing courses, particularly in the liberal arts and sciences, and (3) work in theory, research or pedagogy which is advanced or progressive and will shed light on the field as a whole while at the same time providing insights for advanced composition" (volume 1, number 1).
JAC: A Journal of Composition Theory, Volume 17, Number 1, 1997: JAC: A Journal of Composition Theory contains a collection of papers regarding writing and rhetoric: "The JAC is a forum for theory, research and pedagogy regarding (1) those writing courses beyond the freshman courses, excluding technical and creative writing, (2) writing in courses which are not themselves writing courses, particularly in the liberal arts and sciences, and (3) work in theory, research or pedagogy which is advanced or progressive and will shed light on the field as a whole while at the same time providing insights for advanced composition" (volume 1, number 1).
JAC: A Journal of Composition Theory, Volume 20, Number 3, Summer 2000: JAC: A Journal of Composition Theory contains a collection of papers regarding writing and rhetoric: "The JAC is a forum for theory, research and pedagogy regarding (1) those writing courses beyond the freshman courses, excluding technical and creative writing, (2) writing in courses which are not themselves writing courses, particularly in the liberal arts and sciences, and (3) work in theory, research or pedagogy which is advanced or progressive and will shed light on the field as a whole while at the same time providing insights for advanced composition" (volume 1, number 1).
JAC: A Journal of Composition Theory, Volume 20, Number 4, Fall 2000: JAC: A Journal of Composition Theory contains a collection of papers regarding writing and rhetoric: "The JAC is a forum for theory, research and pedagogy regarding (1) those writing courses beyond the freshman courses, excluding technical and creative writing, (2) writing in courses which are not themselves writing courses, particularly in the liberal arts and sciences, and (3) work in theory, research or pedagogy which is advanced or progressive and will shed light on the field as a whole while at the same time providing insights for advanced composition" (volume 1, number 1).
JAC: A Journal of Composition Theory, Volume 18, Number 3, 1998: JAC: A Journal of Composition Theory contains a collection of papers regarding writing and rhetoric: "The JAC is a forum for theory, research and pedagogy regarding (1) those writing courses beyond the freshman courses, excluding technical and creative writing, (2) writing in courses which are not themselves writing courses, particularly in the liberal arts and sciences, and (3) work in theory, research or pedagogy which is advanced or progressive and will shed light on the field as a whole while at the same time providing insights for advanced composition" (volume 1, number 1).
Women and COVID: Presentation for the IIPC General Assembly and Web Archiving Conference held on May 10-12, 2023 in Hilversum, Netherlands. This presentation relates the objective, process, and findings of a collaborative project to analyze the topic of women and gender in the IIPC COVID-19 crisis collection.
Opening Keynote: Levelling Up: Cultural Memory, Gender, and the Future of Gaming: Recording of a keynote presentation session at the 2015 Digital Frontiers Annual Conference. In this session, Carolyn Guertin discusses women in game development, #gamergate, and the effect of the "gamer" persona on the diversity of playstyles in the future of gaming.
[Wesley Phelps interview with Linda Morales, September 30, 2022]: Audio interview from the Wes Phelps Podcast Interviews Collection recorded on September 30th, 2022 in Houston, Texas. Phelps interviews Linda Morales on her life as a dedicated activist and plaintiff in Morales v. Texas. She speaks on her experiences with racism and discrimination in the LGBT community in Houston, and her creation of the Latina lesbian AMIGA organization. Morales also speaks on discrimination faced by the LGBT community due to penal code 21.06, a discriminatory sodomy law which made "homosexual conduct" illegal in the state of Texas.
Acculturation and Feminist Endorsement on Control of Health and Health Behaviors in Hispanic Females: Hispanic women are the fastest growing population in the United States. Thus, it is important to explore health disparities that affect this population and better understand potential causes. Several explanations have been proposed for disparities that exist including turning to cultural alternatives rather than conventional medicine, low numbers of health insurance enrollments among Hispanics, and acculturation. However, little attention has been given to explanations that take into account the unique experiences of Hispanic women. The present study explored these experiences through investigation of endorsement of feminist attitudes (e.g., gender role adherence and beliefs that men and women should be treated equally in society) and level of acculturation. Undergraduate Hispanic women (18-24 years of age, M = 20.25, SD = 1.51) at the University of North Texas completed measures including the Multidimensional Health Questionnaire, the Acculturation Rating Scale for Mexican Americans-II, and the Liberal Feminist Attitude and Ideology Scale. Although results indicate that acculturation was not significant in the sample, feminist endorsement was found to be positively correlated with health-esteem, health-efficacy, and internal-health locus of control. Limitations and recommended directions for future research are explored.
[News Clip: Hillary Clinton]: Video footage from the KXAS-TV/NBC station in Fort Worth, Texas, to accompany a news story.

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