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- [Uncut Photographs Featuring Ted Craeger, Chuck Suber, Marshall Brown, and Gene Hall]
- Photographs depicting multiple scenes that feature Ted Craeger, Chuck Suber, Marshall Brown, and Gene Hall. There photos are arranged in four columns and three rows. The first row is made up of three shots of two women in a dark room. One woman is in the background and largely obscured by darkness. The woman in the foreground has short hair, is wearing a floral print, and is reading a magazine. The second column has Gene Hall standing to the right among other men. The bottom photograph has Hall standing while other men sit at tables in a room with brick walls. The first picture of the third column is of four men standing together in a room. A man wearing glasses and holding a cigarette addresses the other three. The second photo of the third column features the same man talking to two other people in a dark room decorated with small chairs and tall curtains. The third photo is of a man in a white shirt addressing a dark room of boys holding instruments and sitting at desks with sheet music. The fourth column features three similar photos, wherein images are made over a young man's left shoulder as he blows into his instrument while the white shirted man from the previous pictures gesticulates.
- Ensemble: 2012-04-26 – Wind Symphony and Symphonic Band
- Wind ensemble concert performed at the UNT College of Music Winspear Hall.
- Faculty Recital: 2009-04-07 - Lynn Seaton, double bass, & Friends
- A Jazz Ensemble Recital performed at the College of Music Kenton Hall by UNT faculty member, Lynn Seaton and students of the Jazz Department. The arrangements were made by the band--i.e., members of the Jazz ensemble.
- Scythia
- Recording of Stephen Montague's Scythia for electronic tape. Scythia was a region of Central Eurasia in classical antiquity encompassing parts of Eastern Europe east of the Vistula River and Central Asia, with the eastern edges of the region vaguely defined by the Greeks. It was thought of as the great land of education. It was also the place where Prometheus gave fire to man and where he was confined to be tortured by the gods for this. Every day an eagle came and tore out his liver and every day he endured.
- Hyper mix : sent to analyze lifeforms
- Recording of James Aikman's Hyper mix: sent to analyze lifeforms. The work combines digital sampling/editing of non-musical sound sources, including stationary exercise bicycles, rowing machines, clangorous weights, and a basketball scrimmage, with digitally sampled and edited musical source material (harp, flute, trumpet, voice, saxophone, drums, and full orchestra). Frequency modulation synthesis and digital effects processing are also used in this work. This piece refers not only to various activities of physical education, but also to the hectic stereo mixing procedure.
- Alice ou la Boîte à Images
- This is a musical composition intended for a young audience (5-8 years old). The aim of the play is mainly the education, from a short story, of musical listening. Most importantly from concrete and figurative soundscapes, the child can gradually discover a musical composition using electroacoustic techniques. Throughout the 6 episodes Alice slowly moves from the concrete to the abstract, from figurative to non-figurative, in short to a "musicalization" more and more virtuous. The text and the argument are deliberately simple and obvious in order to favor a musical listening. Let us finally note the radiophonic character of this piece which, in all logic, arises from direct intervention and staging.
- Attract
- Recording of José Miguel Fernández's Attract. This work was composed in 1999 as part of a FONDART project of the Ministry of Education of the Chilean government, on the use of mathematical models (chaotic and stochastic) for musical composition and interaction with the computer. For this work, the composer used two chaotic models (torus and logistic map) for the clarinetist's score and random models (Brownian, 1/f and white noise) for the spatialization of the sound. The samples were made with Csound, Audiosculpt, Peak and Protools (for some editing). A pitch-to-MIDI converter triggers MIDI events on a proteusFX with a random beat. The computer keyboard triggers the samples as well as a Max sequence made with the torus model X n+1 = X n + Ksen Y n. The title for this composition is taken from the strange attractors which have recursive equations and fractals; it is also drawn from the attraction which produces some sounds in the unfolding of the work and in the interaction.
- Doctoral Lecture Recital: 2014-10-07 – Stephen Beall, viola and conductor
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 2016-11-07 – Yi-Wen Wang, clarinet
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 2006-10-02 – William K. Mitchell III, tuba
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Lecture Recital: 2017-09-12 – Eun Young Shin, piano
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 2018-09-25 – Fang-Yi Chu, piano
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Doctoral Lecture Recital: 2006-10-16 – Garry Evans, clarinet
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
- Doctoral Lecture Recital: 2008-06-16 – Logan Place, trumpet
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Student Recital: 2002-04-08 - Alan J. Wenger, trumpet
- Student trumpet recital at the UNT College of Music Concert Hall in partial fulfillment of the requirements for the DMA degree
- Doctoral Lecture Recital: 2018-10-16 – James Yakas, percussion
- Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.