Latest content added for UNT Digital Library Partner: UNT Music Libraryhttps://digital.library.unt.edu/explore/partners/UNTML/browse/?start=0&display=grid2024-02-11T11:31:50-06:00UNT LibrariesThis is a custom feed for browsing UNT Digital Library Partner: UNT Music LibraryFlux (panoramic)2024-02-11T11:31:50-06:00https://digital.library.unt.edu/ark:/67531/metadc2280580/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280580/"><img alt="Flux (panoramic)" title="Flux (panoramic)" src="https://digital.library.unt.edu/ark:/67531/metadc2280580/small/"/></a></p><p>Recording of James Carpenter's Flux (panoramic). This is a work for electronics where a large amount of the source material was collected from an expansive field in Yorkshire, New England. "Panoramic" refers to the form while "Flux" refers to the continuous blending of material.</p>Time.mass.velocity2024-02-11T11:31:50-06:00https://digital.library.unt.edu/ark:/67531/metadc2280581/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280581/"><img alt="Time.mass.velocity" title="Time.mass.velocity" src="https://digital.library.unt.edu/ark:/67531/metadc2280581/small/"/></a></p><p>Recording of Benoît Courribet's Time.mass.velocity. This is a work for electronics that includes 7 untitled movements.</p>(Un)folding2024-02-11T11:31:25-06:00https://digital.library.unt.edu/ark:/67531/metadc2280579/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280579/"><img alt="(Un)folding" title="(Un)folding" src="https://digital.library.unt.edu/ark:/67531/metadc2280579/small/"/></a></p><p>Recording of Daniel Barreiro's (Un)folding. This is a work for electroacoustic sounds that uses sounds of paper as its main source material. This piece can be thought of as showing different points of view of an object that moves and changes its form during the unfolding of time.</p>Sediment2024-02-11T11:31:08-06:00https://digital.library.unt.edu/ark:/67531/metadc2280578/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280578/"><img alt="Sediment" title="Sediment" src="https://digital.library.unt.edu/ark:/67531/metadc2280578/small/"/></a></p><p>Recording of Benjamin Wilson's Sediment. The majority of the sound sources for this work come from rock, sand, dirt, gravel, etc. The presence of non-geological sounds could refer to historical or archeological discoveries. The listener encounters blurred remnants of complex events that reveal little information to the average person. The composer used layering as a key role in this piece, establishing a journey to either the the ends or the center of the Earth.</p>Acousmatek2024-02-11T11:31:04-06:00https://digital.library.unt.edu/ark:/67531/metadc2280577/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280577/"><img alt="Acousmatek" title="Acousmatek" src="https://digital.library.unt.edu/ark:/67531/metadc2280577/small/"/></a></p><p>Recording of Didier Simione's Acousmatek. This is a work about the distribution of U.S.T. over time and across different spaces and includes 3 parts: 1. deep space, 2. near space, 3. return to the initial space. The composer attempts to prioritize the emotional aspect over the intellectual aspect of the music.</p>Stretto2024-02-11T11:31:00-06:00https://digital.library.unt.edu/ark:/67531/metadc2280576/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280576/"><img alt="Stretto" title="Stretto" src="https://digital.library.unt.edu/ark:/67531/metadc2280576/small/"/></a></p><p>Recording of Matthias Ockert's Stretto. This is a work for 8-channel tape and was commissioned by the ZKM (Center for Arts and Media) at Karlsruhe, Germany. This work comes from a larger composition that was inspired by 12 terms from Holls essay, "Intertwining". The sound materials used in this composition came from recorded samples of electric and acoustic guitar. The title of this piece comes from the musical term "stretto" as well as the "stretto house" built by architect Steven Holl.</p>Takutaku-a story line, part II2024-02-11T11:30:22-06:00https://digital.library.unt.edu/ark:/67531/metadc2280575/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280575/"><img alt="Takutaku-a story line, part II" title="Takutaku-a story line, part II" src="https://digital.library.unt.edu/ark:/67531/metadc2280575/small/"/></a></p><p>Recording of Ludger Kisters' Takutaku-a story line, part II. This is a work for electronics that includes octophonic tracks.</p>Swallow2024-02-11T11:30:20-06:00https://digital.library.unt.edu/ark:/67531/metadc2280574/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280574/"><img alt="Swallow" title="Swallow" src="https://digital.library.unt.edu/ark:/67531/metadc2280574/small/"/></a></p><p>Recording of Haruka Hirayama's Swallow. This work was created for soprano saxophone and a live computer. The various timbres of soprano saxophone creates the significant contrast throughout the piece. Transformed instrumental sound from the computer supports the virtuoso of the soloist.</p>Les fascistes de santé2024-02-11T11:30:18-06:00https://digital.library.unt.edu/ark:/67531/metadc2280573/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280573/"><img alt="Les fascistes de santé" title="Les fascistes de santé" src="https://digital.library.unt.edu/ark:/67531/metadc2280573/small/"/></a></p><p>Recording of Sten Hanson's Les fascistes de santé. This is a work for electronics that includes English spoken word and distorted voices.</p>Auto-Domestikalia2024-02-11T11:30:08-06:00https://digital.library.unt.edu/ark:/67531/metadc2280572/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280572/"><img alt="Auto-Domestikalia" title="Auto-Domestikalia" src="https://digital.library.unt.edu/ark:/67531/metadc2280572/small/"/></a></p><p>Recording of Paolo Besagno's Auto-Domestikalia. This work is based on an old study that the composer made years before and is dedicated to his mother. The inspiration for this work is his house and the sounds it makes due to changes in the environment.</p>Musiques mystérieuses sur standard-Island2024-02-11T11:30:02-06:00https://digital.library.unt.edu/ark:/67531/metadc2280571/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280571/"><img alt="Musiques mystérieuses sur standard-Island" title="Musiques mystérieuses sur standard-Island" src="https://digital.library.unt.edu/ark:/67531/metadc2280571/small/"/></a></p><p>Recording of Yves Coffy's Musiques mystérieuses sur standard-Island. This is a work for electronics.</p>Improglio2024-02-11T11:29:57-06:00https://digital.library.unt.edu/ark:/67531/metadc2280570/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280570/"><img alt="Improglio" title="Improglio" src="https://digital.library.unt.edu/ark:/67531/metadc2280570/small/"/></a></p><p>Recording of Roald Baudoux's Improglio. This work contains collected voice samples from a previous improvisation collective called "Inaudible". This composition takes its unity from the material's vocal origin which in this case is vocalist Jean-Michel Van Schouwburg.</p>Jules Mobile 20052024-02-11T11:29:17-06:00https://digital.library.unt.edu/ark:/67531/metadc2280568/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280568/"><img alt="Jules Mobile 2005" title="Jules Mobile 2005" src="https://digital.library.unt.edu/ark:/67531/metadc2280568/small/"/></a></p><p>Recording of Klaus Roder's Jules Mobile 2005. This work pays homage to Jules Verne and was inspired by fictitious vehicles, submarines, machines, strange beings, and other creatures that can delight and fright. The sounds for this piece were created with Csound and the software of CDP. It does not include any recordings of acoustic material.</p>Un express de l'avenir2024-02-11T11:29:17-06:00https://digital.library.unt.edu/ark:/67531/metadc2280569/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280569/"><img alt="Un express de l'avenir" title="Un express de l'avenir" src="https://digital.library.unt.edu/ark:/67531/metadc2280569/small/"/></a></p><p>Recording of Raoul Lacabanne's Un express de l'avenir. This is a work for electronics.</p>Exploración de Cerebro2024-02-11T11:29:10-06:00https://digital.library.unt.edu/ark:/67531/metadc2280567/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280567/"><img alt="Exploración de Cerebro" title="Exploración de Cerebro" src="https://digital.library.unt.edu/ark:/67531/metadc2280567/small/"/></a></p><p>Recording of Fernando Laub's Exploración de Cerebro. This is a work for electronics that discusses a future machine that can explore the depths of the mind and for the first time has an experience with a human.</p>DREAMS2024-02-11T11:29:03-06:00https://digital.library.unt.edu/ark:/67531/metadc2280566/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280566/"><img alt="DREAMS" title="DREAMS" src="https://digital.library.unt.edu/ark:/67531/metadc2280566/small/"/></a></p><p>Recording of Abdul Wahid Hasnizam's DREAMS. This work was created with series of material collected during the composer's 4 year stay at Birmingham. The composer considers this his comment towards the cultural differences between the industrialized city of Birmingham and the small town of Kota Samarahan in Malaysia.</p>a(n encou)ragingerginés sides/unreal-automates pour machines pour se jeter2024-02-11T11:29:00-06:00https://digital.library.unt.edu/ark:/67531/metadc2280565/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280565/"><img alt="a(n encou)ragingerginés sides/unreal-automates pour machines pour se jeter" title="a(n encou)ragingerginés sides/unreal-automates pour machines pour se jeter" src="https://digital.library.unt.edu/ark:/67531/metadc2280565/small/"/></a></p><p>Recording of Disastrato's a(n encou)ragingerginés sides/unreal-automates pour machines pour se jeter. This is a work for electronics.</p>Mobilis in Mobili2024-02-11T11:28:37-06:00https://digital.library.unt.edu/ark:/67531/metadc2280564/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280564/"><img alt="Mobilis in Mobili" title="Mobilis in Mobili" src="https://digital.library.unt.edu/ark:/67531/metadc2280564/small/"/></a></p><p>Recording of Natasha Barrett's Mobilis in Mobili. This work is the central axis of the larger electroacoustic work "Trade Winds" which was inspired by the vast expanse of sea. The title of the work comes from a novel by Jules Verne. This piece was commissioned by NoTAM with funds from the Norwegian Cultural Council and the Norwegian Composers' Fund. This work includes an excerpt from a sea shanty performed by the Storm Weather Shanty Choir.</p>Nello spazio sommerso2024-02-11T11:28:35-06:00https://digital.library.unt.edu/ark:/67531/metadc2280563/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280563/"><img alt="Nello spazio sommerso" title="Nello spazio sommerso" src="https://digital.library.unt.edu/ark:/67531/metadc2280563/small/"/></a></p><p>Recording of Marco Dibeltulu's Nello spazio sommerso. The composer describes this work as a journey inside the human mind which he relates to an attempt to discover a submerged space.</p>Déplacements2024-02-11T11:28:30-06:00https://digital.library.unt.edu/ark:/67531/metadc2280562/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280562/"><img alt="Déplacements" title="Déplacements" src="https://digital.library.unt.edu/ark:/67531/metadc2280562/small/"/></a></p><p>Recording of Xavier Gipulo's Déplacements. This is a work for electronics that includes sound samples of a band.</p>Mare tranquilitatis2024-02-11T11:28:10-06:00https://digital.library.unt.edu/ark:/67531/metadc2280561/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280561/"><img alt="Mare tranquilitatis" title="Mare tranquilitatis" src="https://digital.library.unt.edu/ark:/67531/metadc2280561/small/"/></a></p><p>Recording of Gabriel Jorge Cerini's Mare tranquilitatis. This work was inspired by Jules Verne and his imagination. The main sound source of this work comes from a recording of the composers rehearsal of "Fractales para orquesta" done by "Orquesta Sinf—nica de la Universidad Nacional de Cuyo" and directed by David del Pino-Klinge. The composer used these sound samples and created diverse treatments of the material.</p>Hoja sin ruta2024-02-11T11:28:01-06:00https://digital.library.unt.edu/ark:/67531/metadc2280560/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280560/"><img alt="Hoja sin ruta" title="Hoja sin ruta" src="https://digital.library.unt.edu/ark:/67531/metadc2280560/small/"/></a></p><p>Recording of Hugo Druetta's Hoja sin ruta. This is a work that uses recordings made from different tools like saw and hammer which sawed up and struck pieces of wood and metal. The original sources cannot be clearly perceived because they have been widely processed by computer software. The composer attempted to express all of the feelings he experiences when reading Jules Verne.</p>Imaginary part of life2024-02-11T11:27:56-06:00https://digital.library.unt.edu/ark:/67531/metadc2280559/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280559/"><img alt="Imaginary part of life" title="Imaginary part of life" src="https://digital.library.unt.edu/ark:/67531/metadc2280559/small/"/></a></p><p>Recording of Marcin Wierzbicki's Imaginary part of life. This work was inspired by the concept of robots and their artificial lives, emotions, and dreams. When describing this piece, the composer references Stanisław Lem's "The Robots' Tales".</p>La vida Entrulala2024-02-11T11:27:52-06:00https://digital.library.unt.edu/ark:/67531/metadc2280558/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280558/"><img alt="La vida Entrulala" title="La vida Entrulala" src="https://digital.library.unt.edu/ark:/67531/metadc2280558/small/"/></a></p><p>Recording of Javier Leichman's La vida Entrulala. This is a work for electronics that includes octophonic tracks as well as a stereo track. This piece includes squeaking sounds.</p>What is that sound from under the door2024-02-11T11:27:48-06:00https://digital.library.unt.edu/ark:/67531/metadc2280557/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280557/"><img alt="What is that sound from under the door" title="What is that sound from under the door" src="https://digital.library.unt.edu/ark:/67531/metadc2280557/small/"/></a></p><p>Recording of Antonio Moliterni's What is that sound from under the door. This work was composed for the INA-GRM. This piece is for electronics and includes parts of a song by Tom Waits from his album, "Mule Variations" which is related to the musical gesture, adding rock elements.</p>2, rue Charles Dubois2024-02-11T11:27:32-06:00https://digital.library.unt.edu/ark:/67531/metadc2280556/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280556/"><img alt="2, rue Charles Dubois" title="2, rue Charles Dubois" src="https://digital.library.unt.edu/ark:/67531/metadc2280556/small/"/></a></p><p>Recording of Etienne Saur's 2, rue Charles Dubois. The title of this piece is the address of the house where Jules Verne lived in Amiens. This work is comprised of 3 movements inspired by one of Verne's novels and was created as part of the open work project for the Synthèse Festival. The composer wrote this piece to explore Verne's fascination with the speed of means of communication.</p>Pièce pour piano et pianiste2024-02-11T11:27:30-06:00https://digital.library.unt.edu/ark:/67531/metadc2280555/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280555/"><img alt="Pièce pour piano et pianiste" title="Pièce pour piano et pianiste" src="https://digital.library.unt.edu/ark:/67531/metadc2280555/small/"/></a></p><p>Recording of Joris de Laet's Pièce pour piano et pianiste. This is a work for piano and tape that was created for the Synthèse Festival as an homage to Jules Verne. Algorithms, composed for fictional pianos, were used to create the conclusive values for the pianist's score.</p>La robotournelle des machineries ou le dernier départ du Nautilus2024-02-11T11:27:26-06:00https://digital.library.unt.edu/ark:/67531/metadc2280554/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280554/"><img alt="La robotournelle des machineries ou le dernier départ du Nautilus" title="La robotournelle des machineries ou le dernier départ du Nautilus" src="https://digital.library.unt.edu/ark:/67531/metadc2280554/small/"/></a></p><p>Recording of Clément Riot's La robotournelle des machineries ou le dernier départ du Nautilus. This is a work for electronics that includes sound samples of guitar. It explores the story of Captain Nemo and the Nautilus.</p>Monster parade + Inue2024-02-11T11:27:25-06:00https://digital.library.unt.edu/ark:/67531/metadc2280553/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280553/"><img alt="Monster parade + Inue" title="Monster parade + Inue" src="https://digital.library.unt.edu/ark:/67531/metadc2280553/small/"/></a></p><p>Recording of Pedro Guajardo Torres' Monster parade + Inue. This is a work for electronics that was inspired by the idea of machines and magic. The composer describes it as a superposition of both terms, the idea of a "monster parade" and of a nature spirit from the Arctic.</p>Voyage inter-sidéral2024-02-11T11:26:57-06:00https://digital.library.unt.edu/ark:/67531/metadc2280552/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280552/"><img alt="Voyage inter-sidéral" title="Voyage inter-sidéral" src="https://digital.library.unt.edu/ark:/67531/metadc2280552/small/"/></a></p><p>Recording of Jean-Louis Belmonte's Voyage inter-sidéral. This is a work for electronics that was created for the Synthèse Festival project as an homage to Jules Verne.</p>Carnets2024-02-11T11:26:54-06:00https://digital.library.unt.edu/ark:/67531/metadc2280550/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280550/"><img alt="Carnets" title="Carnets" src="https://digital.library.unt.edu/ark:/67531/metadc2280550/small/"/></a></p><p>Recording of Jean-François Minjard's Carnets. This work is an homage to the visionary spirit of Jules Verne. The composer describes this piece as being a small notebook, much like the title says, that brings ideas together and fights against forgetting.</p>Arquitectonica: automata 6''2024-02-11T11:26:54-06:00https://digital.library.unt.edu/ark:/67531/metadc2280551/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280551/"><img alt="Arquitectonica: automata 6''" title="Arquitectonica: automata 6''" src="https://digital.library.unt.edu/ark:/67531/metadc2280551/small/"/></a></p><p>Recording of Guillermo Rizzotto's Arquitectonica: automata 6''. This piece is the sixth section of a larger work that explores the automata motion and a machine developing music. It includes rhythm insinuations, motion melodies, and sound material recycled with a lot of returning patterns.</p>Chronique composite2024-02-11T11:26:44-06:00https://digital.library.unt.edu/ark:/67531/metadc2280549/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280549/"><img alt="Chronique composite" title="Chronique composite" src="https://digital.library.unt.edu/ark:/67531/metadc2280549/small/"/></a></p><p>Recording of Jean-Michel Deliers' Chronique composite. This is a work for elecronics that includes the sounds of a motor and talking doll. The composer describes this work as an "awakening of the machines".</p>Thématique : Jules Vernes, science, machines...2024-02-11T11:26:33-06:00https://digital.library.unt.edu/ark:/67531/metadc2280548/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280548/"><img alt="Thématique : Jules Vernes, science, machines..." title="Thématique : Jules Vernes, science, machines..." src="https://digital.library.unt.edu/ark:/67531/metadc2280548/small/"/></a></p><p>Recording of Alain Basso's Thématique : Jules Vernes, science, machines.... This is a work for electronics that includes the sounds of machines and boiling water. This piece acts as an homage to Jules Verne and the "steampunk" period; the first industrial revolution.</p>Visionary2024-02-11T11:26:28-06:00https://digital.library.unt.edu/ark:/67531/metadc2280547/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280547/"><img alt="Visionary" title="Visionary" src="https://digital.library.unt.edu/ark:/67531/metadc2280547/small/"/></a></p><p>Recording of Chiharu Mukaiyama's Visionary. This is a work for electronics that includes sound samples of a xylophone.</p>Shadow of scartaris2024-02-11T11:26:14-06:00https://digital.library.unt.edu/ark:/67531/metadc2280546/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280546/"><img alt="Shadow of scartaris" title="Shadow of scartaris" src="https://digital.library.unt.edu/ark:/67531/metadc2280546/small/"/></a></p><p>Recording of Chris De Chiara's Shadow of scartaris. This work is an exploration of a sound world contained within a single sound: a three second sample of birds landing in a marsh at dusk. The title comes from Jules Verne's "Journey to the Center of the Earth" in which Scartaris is said to be the passageway to the center of the Earth.</p>Movimenti futuristi2024-02-11T11:26:04-06:00https://digital.library.unt.edu/ark:/67531/metadc2280545/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280545/"><img alt="Movimenti futuristi" title="Movimenti futuristi" src="https://digital.library.unt.edu/ark:/67531/metadc2280545/small/"/></a></p><p>Recording of Blas Payri's Movimenti futuristi. This is a work for electronics that was created for the Synthèse Festival. It was inspired by Jules Verne and the element of movement/transportation in his writing. This theme is also prominent in the futuristic movements of the early 20th century. This piece finds the use of speed and movement by using the sounds of trains and automobiles.</p>Armonia delle sfere nei silenzi siderali (viaggio al centro del suono celeste)2024-02-11T11:25:58-06:00https://digital.library.unt.edu/ark:/67531/metadc2280543/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280543/"><img alt="Armonia delle sfere nei silenzi siderali (viaggio al centro del suono celeste)" title="Armonia delle sfere nei silenzi siderali (viaggio al centro del suono celeste)" src="https://digital.library.unt.edu/ark:/67531/metadc2280543/small/"/></a></p><p>Recording of Marilinda Santi's Armonia delle sfere nei silenzi siderali (viaggio al centro del suono celeste). This is a work for electronics. When describing the piece, the composer quotes Cicero and his writing of The Dream of Scipio.</p>La complainte du progrès2024-02-11T11:25:58-06:00https://digital.library.unt.edu/ark:/67531/metadc2280544/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280544/"><img alt="La complainte du progrès" title="La complainte du progrès" src="https://digital.library.unt.edu/ark:/67531/metadc2280544/small/"/></a></p><p>Recording of Frédéric Kahn's La complainte du progrès. This is a work for electronics that expresses a worried look at the future. It intimates sound and resonant climates, both dark and uncertain, an immense laboratory of twilight where our various certainties slowly disappear. Overall, the work projects the idea of progress.</p>Facade2024-02-11T11:25:56-06:00https://digital.library.unt.edu/ark:/67531/metadc2280542/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280542/"><img alt="Facade" title="Facade" src="https://digital.library.unt.edu/ark:/67531/metadc2280542/small/"/></a></p><p>Recording of Takayuki Rai's Facade. This is an electronic work for guitar and computer. The live computer system samples the sound of the guitar, performs digital signal processing on it, and reproduces the transformed guitar sound in the hall in real time. In this piece, the acoustic facade is being created in the time domain with guitar and computer transformed guitar sound. This work premiered as an interactive multimedia computer piece at the SonicArt in Tokyo.</p>Cave Songs (re)mix2024-02-11T11:25:54-06:00https://digital.library.unt.edu/ark:/67531/metadc2280541/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280541/"><img alt="Cave Songs (re)mix" title="Cave Songs (re)mix" src="https://digital.library.unt.edu/ark:/67531/metadc2280541/small/"/></a></p><p>Recording of Daniel Matej's Cave Songs (re)mix. This work was concieved mainly as a "next step" from the sound installation, Caves, which the composer had made with Tibor Szemző in 2004. Many of the used and non-used sounds from that installation were used to create this work. The work as a whole contains 5 separate pieces titled: 1. gospel, 2. blues, 3. de profundis, 4. sex, and 5. ho-chi-min. The composer gives thanks to Mr. Richard Sabo for his technical assistance as well as Jan Boleslav Kladivo for the 'artistic accompaniment'.</p>Udo2024-02-11T11:25:48-06:00https://digital.library.unt.edu/ark:/67531/metadc2280540/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280540/"><img alt="Udo" title="Udo" src="https://digital.library.unt.edu/ark:/67531/metadc2280540/small/"/></a></p><p>Recording of Shinʼichi Morita's Udo. This work is for electronics where the composer uses digital technology to widen the possibility of electroacoustic composition.</p>Mécanique de la noirceur2024-02-11T11:25:31-06:00https://digital.library.unt.edu/ark:/67531/metadc2280539/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280539/"><img alt="Mécanique de la noirceur" title="Mécanique de la noirceur" src="https://digital.library.unt.edu/ark:/67531/metadc2280539/small/"/></a></p><p>Recording of Martin Bédard's Mécanique de la noirceur. This is a work for electronics.</p>Automaticamente2024-02-11T11:25:27-06:00https://digital.library.unt.edu/ark:/67531/metadc2280538/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280538/"><img alt="Automaticamente" title="Automaticamente" src="https://digital.library.unt.edu/ark:/67531/metadc2280538/small/"/></a></p><p>Recording of Riccardo Santoboni's Automaticamente. This is a work for synthetic and concrete sounds that revisits the composer's memories about Jules Verne's worlds. Most sounds in this work belong from pulsar electromagnetic fields, water, voice, bells, and some acoustic instruments of Western tradition. A sample of Bach's Cello Suite no. 1 can be heard.</p>Où as-tu caché l'engin mystérieux ?2024-02-11T11:25:12-06:00https://digital.library.unt.edu/ark:/67531/metadc2280536/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280536/"><img alt="Où as-tu caché l'engin mystérieux ?" title="Où as-tu caché l'engin mystérieux ?" src="https://digital.library.unt.edu/ark:/67531/metadc2280536/small/"/></a></p><p>Recording of Pascale Trudel's Où as-tu caché l'engin mystérieux ?. This is a work for electronics that the composer felt inspired to write based on imaginary adventures taken when reading.</p>XIX-XX-XXI2024-02-11T11:25:12-06:00https://digital.library.unt.edu/ark:/67531/metadc2280537/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280537/"><img alt="XIX-XX-XXI" title="XIX-XX-XXI" src="https://digital.library.unt.edu/ark:/67531/metadc2280537/small/"/></a></p><p>Recording of Raphaël Panis' XIX-XX-XXI. This is a work for electronics that was inspired by several novels by Jules Verne. Several sound creation techniques have been used, from analogue tape to digital processing.</p>A child's dream at "cours 50-Otages2024-02-11T11:25:08-06:00https://digital.library.unt.edu/ark:/67531/metadc2280535/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280535/"><img alt="A child's dream at "cours 50-Otages" title="A child's dream at "cours 50-Otages" src="https://digital.library.unt.edu/ark:/67531/metadc2280535/small/"/></a></p><p>Recording of Dante Cucurullo's A child's dream at "cours 50-Otages. This is a work for electronics that includes static sounds.</p>Módem/Line in2024-02-11T11:25:06-06:00https://digital.library.unt.edu/ark:/67531/metadc2280534/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280534/"><img alt="Módem/Line in" title="Módem/Line in" src="https://digital.library.unt.edu/ark:/67531/metadc2280534/small/"/></a></p><p>Recording of Edgar Guzmán's Módem/Line in. This is a work for electronics that includes an eight-channel schematic for optimal audience listening.</p>Taxonomy2024-02-11T11:24:57-06:00https://digital.library.unt.edu/ark:/67531/metadc2280533/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280533/"><img alt="Taxonomy" title="Taxonomy" src="https://digital.library.unt.edu/ark:/67531/metadc2280533/small/"/></a></p><p>Recording of Daniel Iglesia's Taxonomy. This work uses a combination of synthesis, processed samples, and generative algorithms to create fantastic imaginary sounds of a Jules Verne's machine age. The form loosely resembles a machine running and the use of natural sounds place the material in the physically daunting worlds of Verne's explorations.</p>Balloonarticularity 802024-02-11T11:24:50-06:00https://digital.library.unt.edu/ark:/67531/metadc2280532/<p><a href="https://digital.library.unt.edu/ark:/67531/metadc2280532/"><img alt="Balloonarticularity 80" title="Balloonarticularity 80" src="https://digital.library.unt.edu/ark:/67531/metadc2280532/small/"/></a></p><p>Recording of Andy Birtwistle's Balloonarticularity 80. This work was inspired by Jules Verne and his novel, "Around the World In 80 Days". This piece plays with the possibility of that book being a futuristic novel, rather than a piece of 19th century literature. In this piece, a Victorian traveler journeys into the future of the present, listening for differences in an increasingly homogeneous world. This work for electronics includes balloon sounds the and sounds of counting numbers in French.</p>