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Encentamientos

Description: Invited, in 1984, by the Laboratory of Investigation and Musical Production of the Cultural Center of Buenos Aires to realize an electronic work with the digital system, she composed "Encantamientos" whose creation took place in the audition room of this laboratory, December 10, 1984. "Encantamientos" has three movements, the second of which is linked to the first, and the last is separated by a pause. The three movements were composed looking for climates to other sound worlds. First) He who o… more
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Date: 1984
Duration: 28 minutes 16 seconds
Creator: Dianda, Hilda, 1925-
Item Type: Refine your search to only Sound

Enchanted Masks

Description: Recording of Joseph Dorfman's Enchanted Masks. It is a concertante work recorded on tape.
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Date: 1980
Duration: 13 minutes 42 seconds
Creator: Dorfman, Joseph
Item Type: Refine your search to only Sound

Enclaves intérieures

Description: Recording of Paul Steenhuisen's Enclaves intérieures. The pitch material for Enclaves was derives from a single spectral analysis of a suspended cymbal struck with a wooden beater.
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Date: 1990
Duration: 20 minutes 06 seconds
Creator: Steenhuisen, Paul, 1965-
Item Type: Refine your search to only Sound

Encontros brasilieros

Description: Recording of John Winiarz's Encontros Brasilieros. This work is for tape and refers to the different cultures that were intrumental in the development of Brazil. The music from Brazil is evoked through rattles and flute sounds, while bell and harpsichord sonorities are linked with European culture. The sound sources are samples, frequency modulation synthesis, and by using digital recording techniques to manipulate sounds.
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Date: 1991
Duration: 10 minutes 50 seconds
Creator: Winiarz, John, 1952-
Item Type: Refine your search to only Sound

The encore concerto for piano and orchestra

Description: This is a holograph score of Don Gillis "The Encore Concerto for Piano and Orchestra." Gillis's dedicated this his first piano concerto to his friend Joseph Kahn. The entire score is in loose white onionskin pages and black ink. It is part of the UNT Music Library's Don Gillis Special Collection, which can be accessed at <http://www.library.unt.edu/music/special-collections/gillis/the-don-gillis-collection-1>. Page 96A is an alternative re-orchestrated version that replaces the essentially c… more
Date: 1956
Creator: Gillis, Don, 1912-1978
Item Type: Refine your search to only Musical Score/Notation

The End

Description: Recording of Rudolf Pepucha's The End. This work uses only sound material derived from a cello and explores the area between pitch, timbre, and rhythm. The rhythmic and melodic structure of this piece is structured around the idea of death.
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Date: 2004
Duration: 11 minutes 06 seconds
Creator: Pepucha, Rudolf
Item Type: Refine your search to only Sound
open access

Enée et Lavinie

Description: Libretto of the opera "Enée et Lavinie" by Bernard le Bovier de Fontenelle. Pascal Collasse composed the music of the opera which premiered on November 7, 1690. The plot, which Bovier de Fontenelle adapted from Virgil's "Aeneid, Book vii," revolves around the marriage of Enée (i.e., Aeneas) to the Latin bride Lavinia.
Date: 1690
Creator: Fontenelle, M. de (Bernard Le Bovier), 1657-1757
Item Type: Refine your search to only Book

Los enemigos del hombre de conocimiento

Description: Recording of Ricardo Mandolini's Los enemigos del hombre de conocimiento. The piece has four movements: "Miedo" (fear), "Orgullo" (pride), "Claridad" (clarity), "Vejez" (old age). Sounds include: processed pipe blowing: rhythmic patterns, stemming from simple repetitive pulsations; instruments (clarinet, oboe), and sounds of doors slamming, etc. This work is a modular or mobile electroacoustic work with different possible diffusions
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Date: 1996
Duration: 14 minutes
Creator: Mandolini, Ricardo, 1950-
Item Type: Refine your search to only Sound

Energies

Description: "This piece made in 1969 with extremely modest means was integrated in 1972 into a triptych, Assemblages, which accompanied an exhibition of "Volumes éclatés" by the sculptor Michel Anasse. It can be considered the third of my "presentable" studies. “Energies” was part of the material submitted in 1988 for the first "Magisterium" of the Bourges Competition, which was obtained. "
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Date: 1969
Duration: 6 minutes 29 seconds
Creator: Dhomont, Francis, 1926-
Item Type: Refine your search to only Sound

L'Enfer est un petit début ou "la messe des pauvres" (requiem électroacoustique)

Description: Recording of Philippe Blachard's L'Enfer est un petit début ou "la messe des pauvres" (requiem électroacoustique). Rabelais adored nothing so much as liberty and it therefore takes this anniversary to be remembered a little. The sound sources include Rabelaisian quotations and the five parts of a traditional mass, the selected texts being superimposed on a string of adulterated sounds. The sounds consists of many variety, such as, everyday sound object, voice, and synthetic sounds; which provid… more
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Date: 1994
Duration: 21 minutes 23 seconds
Creator: Blanchard, Philippe, 1961-
Item Type: Refine your search to only Sound
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