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Student Recital: 2010-03-28 - Brent Schooley, tuba and Eli Westerfield, tuba
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Recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89168/
Student Recital: 2010-03-28 - Sean Nelson, alto, tenor, bass and contrabass trombones
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree. digital.library.unt.edu/ark:/67531/metadc89167/
Student Recital: 2010-06-25 - Brittany Primavera, flute and piccolo
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Student recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89396/
Student Recital: 2010-10-07 - Kathryn Vorel, marimba
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Recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89421/
Student Recital: 2010-10-14 - Brandon Nelson, percussion
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Recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89431/
Student Recital: 2010-10-22 - Jeffery Kyle Hutchins, alto and tenor saxophones
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Recital presented at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc89443/
Student Recital: 2010-10-23 - Rob True, clarinet and Katie Thompson, bassoon
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Recital presented at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc89446/
Student Recital: 2010-10-26 - Mihaela Čuljak, cello
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Recital presented at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc89450/
Student Recital: 2010-10-31 - Woon-Tyen (Tammy) Lim, clarinet
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Recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89462/
Student Recital: 2010-21-10 - Gina Grant, clarinet and Zach Scheer, percussion
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Recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89068/
Student Recital: 2011-03-04 - David Pike, oboe
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Student recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89101/
Student Recital: 2011-03-25 - Lindsey Johnson, soprano
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Student recital presented at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc89155/
Student Recital: 2011-03-27 - Rebecca Sigman, mezzo-soprano
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Student recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89165/
Student Recital: 2011-03-31 - Dajeong Kim, collaborative piano
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Student recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89182/
Student Recital: 2011-04-17 - A Chamber Music Recital
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Student chamber music recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89279/
Student Recital: 2011-04-18 - Mikyung Lim, piano
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Student recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc89288/
Student Recital: 2011-07-07 - Eli Westerfield, tuba
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Recital performed at UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc171570/
Student Recital: 2011-10-09 - Elizabeth Knight Studio Recital
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Studio recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc171642/
Student Recital: 2011-10-23 - Natalie Lorch, oboe
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Student recital presented at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc171683/
Student Recital: 2011-12-01 - D.S.C.H. Quartet
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Student recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc171879/
Student Recital: 2012-02-03 - Trombone Studio
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A Student Recital by the Trombone Studio at the UNT College of Music in Voertman Hall. digital.library.unt.edu/ark:/67531/metadc173896/
Student Recital: 2012-02-08 - Julia Bushkova Violin Studio Showcase
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A student recital preformed at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc174252/
Student Recital: 2012-02-23 - Trombone Studio
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A student recital at the UNT College of music Voertman Hall digital.library.unt.edu/ark:/67531/metadc173909/
Student Recital: 2012-03-25 - Chad Willis Jazz Orchestra
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A student recital performed at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc173940/
Student Recital: 2012-03-28 - Musica Da Camera and Chiesa II
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A student recital performed at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc173949/
Student Recital: 2012-07-28 - E. Justin Simone, collaborative piano and Laurissa Backlin, soprano
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Related field recital presented at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc174201/
Student Recital: 2012-08-04 - E. Justin Simone, collaborative piano and Karin Asselstine, soprano
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A related field recital presented at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc174205/
Student Recital: 2012-09-07 - A Gift of Music: A Mosaic in Sound Showcasing College of Music Students and Ensembles
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A student recital presented at the UNT College of Music Winspear Hall. digital.library.unt.edu/ark:/67531/metadc171597/
Student Recital: 2012-10-19 - UNT Trombone Choirs
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Student recital presented at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc171672/
Student Recital: 2012-11-06 - UNT Trombone Choirs
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Student recital presented at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc171732/
Student Recital: Lauren Elledge, viola
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Student recital at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc84732/
Studio Recital: 2012-03-04 - Elizabeth Knight Studio
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A studio recital performed at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc173918/
[Tal Farlow Lecture, May 1, 1984: Part 1]
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Recording of a Jazz Lecture Series presentation by Tal Farlow on May 1, 1984 at 9:00AM at the UNT College of Music. Includes lecture and performance by Tal Farlow, guitar, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12905/
[Tal Farlow Lecture, May 1, 1984: Part 2]
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Recording of a Jazz Lecture Series presentation by Tal Farlow on May 1, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Tal Farlow, guitar, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12906/
Tancrède: tragédie
André Campra’s Tancrède, which premiered on 7 November 1702, is his best-known tragédie en musique, with a run of performances until 1764, and high praise by noteworthy music personalities such as Rameau. While the music critic La Cerf de la Viéville wrote positive comments about Tancrède, he was bothered by the opera’s use of low voices, which defied the tradition of employing castrati parts. Additionally, the role of Clorinda was written for a well-known contralto named Mademoiselle Maupin; although the range is that of a mezzo-soprano, the powerful quality of Maupin’s voice seemed to be a prime consideration for Campra. digital.library.unt.edu/ark:/67531/metadc23/
Tarare : opéra en cinq actes avec un prologue
Antonio Salieri’s French debut Les Danaïdes (1784) led to additional commissions, Les Horaces (1786) and Tarare (1787). Although Les Horaces was not well-received, Tarare was popular both in Paris and Vienna. Beaumarchais supplied the libretto for Tarare, basing his plot on the third volume of the exotic English collection The Tales of the Genii, or The Delightful Lessons of Horam, the Son of Asmar (1764) by James Ridley, (pseudonym for Sir Charles Morell), who claimed the stories were translated from a Persian source. digital.library.unt.edu/ark:/67531/metadc47/
Thesee : tragédie
Thesée, which premiered at the court theater at St. Germain-en-laye on January 11, 1675, was Jean-Baptiste Lully's third tragédie lyrique created in collaboration with librettist Philippe Quinault. As in most of his libretti for Lully, Quinault combines a plot based on a classical source (an episode from Ovid's Metamorphoses) with references to contemporary events. The Prologue alludes to Louis XIV's personal leadership in the military engagements in the Alsace (along the French/German border). The juxtaposition of Venus' entreaties for pleasure with Mars' call to arms reflects a period of unease during which the French armies were in retreat from the armies of the Elector of Brandenburg. This resulted in the unique joining of songs of love with songs of war and victory. digital.library.unt.edu/ark:/67531/metadc76/
Thesée; tragedie, mise en musique
Thesée, which premiered at the court theater at St. Germain-en-laye on January 11, 1675, was Jean-Baptiste Lully's third tragédie lyrique created in collaboration with librettist Philippe Quinault. As in most of his libretti for Lully, Quinault combines a plot based on a classical source (an episode from Ovid's Metamorphoses) with references to contemporary events. The Prologue alludes to Louis XIV's personal leadership in the military engagements in the Alsace (along the French/German border). The juxtaposition of Venus' entreaties for pleasure with Mars' call to arms reflects a period of unease during which the French armies were in retreat from the armies of the Elector of Brandenburg. This resulted in the unique joining of songs of love with songs of war and victory. digital.library.unt.edu/ark:/67531/metadc70/
Thesée; tragedie mise en musique
Thesée, which premiered at the court theater at St. Germain-en-laye on January 11, 1675, was Jean-Baptiste Lully's third tragédie lyrique created in collaboration with librettist Philippe Quinault. As in most of his libretti for Lully, Quinault combines a plot based on a classical source (an episode from Ovid's Metamorphoses) with references to contemporary events. The Prologue alludes to Louis XIV's personal leadership in the military engagements in the Alsace (along the French/German border). The juxtaposition of Venus' entreaties for pleasure with Mars' call to arms reflects a period of unease during which the French armies were in retreat from the armies of the Elector of Brandenburg. This resulted in the unique joining of songs of love with songs of war and victory. digital.library.unt.edu/ark:/67531/metadc71/
Thetis et Pelée
Libretto of the opera "Thetis et Pelée" by Bernard le Bovier de Fontenelle. In the plot, the Nereid Thetis is wooed by Jupiter and Neptune, as well as by a mortal, Pelée (Peleus). When a storm caused by Neptune disrupts a celebration Jupiter gave in honor of Thetis, an oracle is consulted, which foretells that Thetis's husband will one day be less powerful than his son. Neptune and Jupiter withdraw their claims, and Thetis marries Pelée. Pascal Collasse composed the music of the opera which premiered at the Paris Opéra on January 11, 1689. This copy includes an engraved frontispiece titled, "Thetis et Pelée" by Juan Dolivar (undersigned as J. Dolivart). digital.library.unt.edu/ark:/67531/metadc39289/
Thetis et Pelée; tragédie en musique
Pascal Collasse was one of the few opera composers able to secure successful performances in the years following Lully’s death. Collasse then went on to supply the music for the entire opera, Thétis et Pélée, which was premiered at the Paris Opéra on 11 January 1689. Thétis remained popular throughout Collasse’s lifetime, in spite of its rather weak plot. Owing to its success is primarily the music, including a significant storm scene in Act II. This departure from the Lullian tradition is perhaps Collasse’s most significant contribution to the tradition of French opera. digital.library.unt.edu/ark:/67531/metadc4/
Thomas and Sally
1782 vocal score of Thomas Arne's opera Thomas and Sally, or the Sailors return. Dramatic pastoral in two acts by Thomas Augustine Arne to a libretto by Isaac Bickerstaff; London, Covent Garden, 28 November 1760. Thomas and Sally can claim to be the first all-sung English comic opera. It is noteworthy as well for the introduction of clarinets into the orchestra (Grove Music Online). digital.library.unt.edu/ark:/67531/metadc12/
[Tim Hagans Lecture, February 27, 1990: Part 3]
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Jazz Lecture Series presentation by Tim Hagans on February 72, 1990 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Tim Hagans, trumpet, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12998/
[Tim Hagans Lecture, February 27, 1990: Parts 1 and 2]
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Jazz Lecture Series presentation by Tim Hagans on February 72, 1990 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Tim Hagans, trumpet, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12999/
[Tom Harrell Lecture, March 1, 1983: Part 1]
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Recording of a Jazz Lecture Series presentation by Tom Harrell on March 1, 1983 at 2:00PM at the UNT College of Music. Includes lecture and performance by Tom Harrell, trumpet, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12874/
[Tom Harrell Lecture, March 1, 1983: Part 2]
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Recording of a Jazz Lecture Series presentation by Tom Harrell on March 1, 1983 at 9:30AM at the UNT College of Music. Includes lecture and performance by Tom Harrell, trumpet, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12873/
Tom Jones; comedie lyrique en trois actes
Philidor’s Tom Jones is representative of the continental interest in English literature. Henry Fielding’s homonymous novel served as the foundation for Philidor’s opera, but Philidor pared down the story quite a bit, especially downplaying Tom’s philandering ways. Many secondary characters and situations were also cut, a common technique that librettists employ when adapting prose writings to the stage. Thus, a central plot unfolds in a manner that the audience can follow, and the length remains manageable for an evening’s entertainment. digital.library.unt.edu/ark:/67531/metadc36/
[Tom Scott Lecture, April 13, 1982: Part 1]
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Jazz Lecture Series presentation by Tom Scott on April 13, 1982, 9:30AM at the UNT College of Music. The lecture includes a performance by Tom Scott, tenor saxophone, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12859/
[Tom Scott Lecture, April 13, 1982: Part 2]
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Jazz Lecture Series presentation by Tom Scott on April 13, 1982, 12:30PM at the UNT College of Music. The lecture includes a performance by Tom Scott, tenor saxophone, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12861/
[Tommy Flanagan Lecture, March 22, 1983]
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Recording of a Jazz Lecture Series presentation by Tommy Flanagan on March 22, 1983 at 2:00PM at the UNT College of Music. Includes lecture and performance by Tommy Flanagan, piano. digital.library.unt.edu/ark:/67531/metadc12877/