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Facutly Recital: 1998-11-13 - Jeffrey Snider, baritone and Harold Heiberg, piano
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A faculty recital performed at the UNT College of Music Concert Hall. digital.library.unt.edu/ark:/67531/metadc174082/
Facutly Recital: 2008-02-07 - Jennifer Lane, mezzo-soprano
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Recital performed at the UNT College of Music Organ Recital Hall. digital.library.unt.edu/ark:/67531/metadc67402/
Facutly Recital: 2008-02-08 - Eugene Osadchy, cello
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Recital performed at the UNT College of Music Recital Hall. digital.library.unt.edu/ark:/67531/metadc67405/
Facutly Recital: 2008-03-05 - Steven Harlos, piano
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Recital performed at the UNT College of Music Winspear Performance Hall. digital.library.unt.edu/ark:/67531/metadc67431/
Fantaisie pour le piano sur un air de Bellini
This is a digital copy of the "Fantaisie pour le piano sur un air de Bellini" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the composer Frédéric Chopin. "Fantaisie pour le piano sur un air de Bellini" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39268/
Fantaisie sur L'elisire d'amore, op. 32
This is a digital copy of the "Fantaisie sur L'elisire d'amore, op. 32" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the composer the Italian composer Gaspare Spontini (1774-1851). "Fantaisie sur L'elisire d'amore" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39269/
Fantaisie sur Les Hirondelles
This is a digital copy of "Fantaisie sur Les Hirondelles" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was inspired by the bird song "Les hirondelles" (i.e., The swallows) by the French composer Félicien David (1810-1876). "Fantaisie sur Les Hirondelles" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39267/
Fantaisie sur Norma, [op.40]
This is a digital copy of the "Fantaisie sur Norma, [op.40]" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Fantaisie sur Norma" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39270/
La favola di Orfeo
Libretto of the opera "La favola di Orfeo" in several verse forms. Poliziano's version of the legend of Orfeo differs from the story in Monteverdi or Gluck's operas. In Poliziano's ending, Orpheus is torn to pieces by the maenads (or Bacchantes). This copy includes Bernardino Baldi's eclogue "Celeo e l'Orto," a culinary poem that describes the production of polenta. digital.library.unt.edu/ark:/67531/metadc39258/
La fede ne' tradimenti
This is a 1689 copy of Girolamo Gigli's three-act libretto for the opera "La Fede ne' tradimenti," set to music by Giuseppe Fabbrini for the 1689 Carnival season at the Collegio Tolomei in Siena, Italy. digital.library.unt.edu/ark:/67531/metadc25954/
Fileuse : parodie d'Omphale
When Vadé’s first opera comique, La fileuse, appeared at the Foire St Germain on 8 March 1752, the tragic opera that it parodied—Destouches’s Omphale (1701)—had recently been criticized by Friedrich Melchior Grimm in his “Lettre sur Omphale.” Soon after this attack on “bad taste” in French music, the Querelle des Bouffons heated up, with debates about the merits of Italian comic opera versus French serious opera. Many mid-eighteenth-century French comic parodies were based on familiar serious operas, but following the Querelle des Bouffons, lyrical Italianate melodies were incorporated into the opera comique genre. Vadé’s La fileuse follows the older model of reworking existing tunes to new texts, including a vaudeville finale; later in his career, he composed some original airs. digital.library.unt.edu/ark:/67531/metadc79/
Finta pazza, drama.
Although Sacrati’s La finta pazza (1641) was immensely popular and influential, the opera has received little discussion in modern scholarship, due in large part to the absence of the music (even the number of extant copies of librettos is very small). Since Lorenzo Bianconi discovery of a score that was used for traveling productions, the opera has received increasing attention. digital.library.unt.edu/ark:/67531/metadc44/
[First Kenton Orchestra concert at Carnegie Hall]
Photograph of Stan Kenton fans at the band's first Carnegie Hall concert, which began at 12 midnight. The concert sold out within hours. digital.library.unt.edu/ark:/67531/metadc9687/
Five-Front Group on the Steve Allen Tonight Show
Photographs of the Five Front jazz combo band on the Steve Allen Show. In the top photograph, nine men stand in a line. Gene Hall is the fifth man from the left, and he is wearing a dark suit and glasses. Steve Allen stands next to him on the right, wearing a gingham shirt, ribbon necktie, and slacks that have been tucked into cowboy boots. The bottom photograph shows the band members performing on a mat atop a dirt floor. Most of the suited young men are seated behind music stands. Onlookers can be seen milling about in the background behind a white fence. digital.library.unt.edu/ark:/67531/metadc181718/
Foreign Program List 1966
Typed list of foreign performances on Music USA in 1966. digital.library.unt.edu/ark:/67531/metadc110/
Forza del sangue, e della pietà; drama per musica
1686 libretto for Giuseppe Fabrini's opera La forza del sangue, e della pietà. The music for all of Giuseppe Fabrini’s operas, including La forza del sangue e della pietà, is lost. However, the libretti by Gerolamo Gigli, have been preserved for these dramas that were performed at the Collegio Tolomei in Siena. La forza del sangue e della pietà translates as “The Force of Blood and Pity.” digital.library.unt.edu/ark:/67531/metadc9/
[Frank Foster, April 6, 1982: Part 1]
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Jazz Lecture Series presentation by Frank Foster on April 6, 1982 at 9:30AM at the UNT College of Music. This includes lecture and performance by Frank Foster, saxophone, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12858/
[Frank Foster Lecture, April 6, 1982: Parts 2 and 3]
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Jazz Lecture Series presentation by Frank Foster on April 6, 1982 at 12:30PM at the UNT College of Music. This includes lecture and performance by Frank Foster, saxophone, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12860/
[Frank Todd, Gene Hall, Art Davis, Phil Manning, and Bill Harrison Performing Together]
Photograph of Frank Todd, Gene Hall, Art Davis, Phil Manning, and Bill Harrison performing together on stage. Frank Todd stands behind two microphones to the far left. He's wearing black-rimmed glasses and plucking a double bass. Gene Hall stands next to Todd, wearing spectacles and a lighter colored suit while playing a clarinet. Art Davis plays a trumpet while standing in front of an unattended drum set and a piano player. Phil Manning and Bill Harrison stand close to each other on the right side of the photo, will Manning wearing glasses and playing a saxophone while Harrison plays a trombone. digital.library.unt.edu/ark:/67531/metadc181703/
[Frank Wess Lecture, April 12, 1988: Part 1]
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Jazz Lecture Series presentation by Frank Wess on April 12, 1988 at 2:00PM at the UNT College of Music. Includes lecture and performance by Frank Wess, saxophone, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12975/
[Frank Wess Lecture, April 12, 1988: Parts 2 and 3]
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Jazz Lecture Series presentation by Frank Wess on April 12, 1988 at 9:30AM at the UNT College of Music. Includes lecture and performance by Frank Wess, saxophone, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12974/
[Free Flight Lecture, April 10, 1984: Part 1]
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Jazz Lecture Series presentation by Free Flight (Musical group) on April 10, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by members of Free Flight, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12898/
[Free Flight Lecture, April 10, 1984: Parts 2 and 3]
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Jazz Lecture Series presentation by Free Flight (Musical group) on April 10, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by members of Free Flight, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12899/
[Full-Length Portrait of Stan Kenton]
Photograph of Stan Kenton wearing a suit, striped tie and handkerchief, standing in front of a blank wall with one hand in his pocket. digital.library.unt.edu/ark:/67531/metadc11096/
[Gene Bertoncini Lecture, March 10, 1987: Part 3]
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Jazz Lecture Series presentation by Gene Bertoncini on March 10, 1987 at 2:00PM at the UNT College of Music. Includes lecture and performance by Gene Bertoncini, guitar, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12949/
[Gene Bertoncini, March 10, 1987: Parts 1 and 2]
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Jazz Lecture Series presentation by Gene Bertoncini on March 10, 1987 at 9:30AM at the UNT College of Music. Includes lecture and performance by Gene Bertoncini, guitar, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12947/
La Geneviefa
This is a ca. 1685 copy of the three-act libretto of "La Geneviefa" by Girolamo Gigli. The work was dedicated to Prince Francesco Maria of Toscana. The Sienese composer Giuseppe Fabbrini set the libretto to music for an opera staged at the theater of the Collegio Tolomei in Siena. Although the music of the opera is lost, the remark, "Il Sign. Giuseppe Fabrini, che ha data l'anima al verso con l'armonia della musica ..." in the preface of the libretto confirms Fabbrini's setting it to music. Concerning Fabbrini's operas, the Grove Music states that, "His operas to librettos by Gigli were all written for the college theatre which opened in 1685." The opera "La Genefieva" premiered that same year in February. digital.library.unt.edu/ark:/67531/metadc25956/
The gentle shepherd, a pastoral comedy
This is a copy of the libretto of the pastoral opera, "The gentle shepherd" by Allan Ramsey. It includes an engrave image bearing the inscription "Alan Ramsey Scotus," and "A. Ramsey, ad viv. del." (translatable as, drawing of the living subject) at the bottom left. It also bears the disclaimer and engraving signature, "Published according to Act of Parliament by D. Allan Edin, July 12, 1788" at the bottom right. The libretto includes twelve numbered plates depict various scenes from scenes of each act and include corresponding portions of text or dialog, melodies with figured bass, and a 15-page glossary at the end. digital.library.unt.edu/ark:/67531/metadc39/
[George Mraz Lecture, April 16, 1985: Part 1]
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Jazz Lecture Series presentation by George Mraz on April 16, 1985 at 9:30AM at the UNT College of Music. Includes lecture and performance by George Mraz, bass, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12922/
[George Mraz Lecture, April 16, 1985: Part 2]
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Jazz Lecture Series presentation by George Mraz on April 16, 1985 at 2:00PM at the UNT College of Music. Includes lecture and performance by George Mraz, bass, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12923/
[George Simon Lecture, February 18, 1986: Part 1]
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Jazz Lecture Series presentation by George Simon on February 18, 1986 at 9:30AM at the UNT College of Music. Includes lecture by George Simon, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12925/
[George Simon Lecture, February 18, 1986: Part 2]
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Jazz Lecture Series presentation by George Simon on February 18, 1986 at 2:00PM at the UNT College of Music. Includes lecture by George Simon, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12926/
Geust Artist Recital: 1988-12-01 - Ricardo Cobo, classical guitar
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Guest guitar recital performed at the UNT College of Music Concert Hall. digital.library.unt.edu/ark:/67531/metadc176387/
Giulio Cesare : opera in tre atti
This is a [ca. 1743] score of "Giulio Cesare," an Italian opera seria in three acts by Handel. The performance forces include: flute, oboe, horns (in A and D), strings (violin, viola, violoncello, bass), continuo (theorbo and viola da gamba), harp, chorus of mixed voices (soprano, alto, tenor, bass), and soloist singers. A list of solo arias and duets of each act appears on p.170 followed by a list containing the names of the subscribers on pp.[171-172]. Two mythological figures [possibly, the god Apollo and the Muse Erato] and musical instruments signed by the London engraver [John] Strongitharm of Pall Mall appear on the title page. The name of each character appear at the top of p.3 with the names of the actual performers inscribed with pencil. The names of the casting coincide with those listed in the Oxford Dictionary of Music (online, 2009): "the castratos Senesino, Gaetano Berenstadt and Giuseppe Bigonzi (Caesar, Ptolemy and Nirenus), Francesca Cuzzoni (Cleopatra), Margherita Durastanti (Sextus), Anastasia Robinson (Cornelia), Giuseppe Boschi (Achillas) and John Lagarde or Laguerre (Curius)." digital.library.unt.edu/ark:/67531/metadc25950/
Graduate Artist Certificate: 2012-10-27 - Hanna Youn, soprano
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc171697/
Graduate Artist Certificate Recital: 2009-09-19 - Janice Fehlauer, piano
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree. digital.library.unt.edu/ark:/67531/metadc171981/
Graduate Artist Certificate Recital: 2011-11-10 - Reynaldo Patiño, baroque violin
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Recital presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc171745/
Graduate Artist Certificate Recital: 2011-11-15 - Sera Jung, viola
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc171782/
Graduate Artist Certificate Recital: 2011-11-19 - Hanna Youn, soprano
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Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc171815/
Graduate Artist Certificate Recital: 2012-01-31 - Reuben Allred , piano
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc173893/
Graduate Artist Certificate Recital: 2012-04-18 - Ilyas Duissen, violin
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Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc174004/
Graduate Artist Certificate Recital: 2012-09-25 - Andreas Ioannides, piano
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Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc171618/
[Grady Tate Lecture, May 4, 1982: Part 1]
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Jazz Lecture Series presentation by Grady Tate on May 4, 1982 at 9:30AM at the UNT College of Music. This includes lecture and performance by Grady Tate, drums, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12865/
[Grady Tate Lecture, May 4, 1982: Part 2]
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Jazz Lecture Series presentation by Grady Tate on May 4, 1982 at 9:30AM at the UNT College of Music. This includes a lecture and performance by Grady Tate, drums, interspersed with questions from the audience. digital.library.unt.edu/ark:/67531/metadc12867/
Grand galop de bravoure
This is a digital copy of "Grand galop de bravoure" by Leopold von Meyer. This piece was issued as the fourth of four pieces published under the title "Repertoire de Léopold de Meyer." The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Grand galop de bravoure" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39280/
Grande étude de bataille, for the piano forte, op. 35
This is a digital copy of the "Grande étude de bataille for the piano forte, op. 35" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the Bohemian pianist and composer Ignaz Moscheles (1794-1870). "Grande étude de bataille for the piano forte" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39271/
Grande fantaisie orientale, op. 38
This is a digital copy of the "Grande fantaisie orientale, op.38" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Grande fantaisie orientale" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39272/
Grande marche triomphale d'Isly, op.30
This is a digital copy of the "Grande marche triomphale d'Isly, op.30" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Grande marche triomphale d'Isly" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. The march was dedicated to the Marshall Thomas Robert Bugeaud, Duke of Isly (1784-1849). These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39273/
[Group Photograph of Dee Barton and Others]
The photograph is of Gabe Baltazar, Pat Senatore, Ray Starling, Marvin Stamm, Jerry McKenzie, and Dee Barton. Both Stamm and Barton are North Texas State alumni. Barton switched from jazz trombone to the drums after McKenzie left the band. digital.library.unt.edu/ark:/67531/metadc11384/
[Group Photograph of Gene Roland and Others]
The photograph is of Gene Roland, Keith La Motte, Dwight Carver, Carl Saunders at the "Adventures in Blue" recording session. digital.library.unt.edu/ark:/67531/metadc11378/