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Armide

Armide

Date: 1686~
Creator: Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Description: Armide, which premiered at the Paris Opéra February 15, 1686, was the last tragédie lyrique on which Jean-Baptiste Lully collaborated with his favorite librettist, Philippe Quinault. Quinault retired from the stage after Armide, and Lully died a year later on March 22, 1687. From its first performance, Armide was considered their masterpiece. Armide is unusual among Lully and Quinault's tragédies lyriques in that it concentrates on the psychological development of a single character; the reflective style of this late work may be regarded as an early presentiment of trends toward individualism in art.
Contributing Partner: UNT Music Library
Armide:  drame héroïque

Armide: drame héroïque

Date: 1811
Creator: Gluck, Christoph Willibald, Ritter von, 1714-1787 & Quinault, Philippe, 1635-1688
Description: Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment.
Contributing Partner: UNT Music Library
Armide:  Drame héroique, mis en musique

Armide: Drame héroique, mis en musique

Date: 1783
Creator: Gluck, Christoph Willibald, Ritter von, 1714-1787
Description: Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment.
Contributing Partner: UNT Music Library
Armide:  Drame héroique, mis en musique

Armide: Drame héroique, mis en musique

Date: 1783
Creator: Gluck, Christoph Willibald, Ritter von, 1714-1787
Description: Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment.
Contributing Partner: UNT Music Library
Armide : tragedie mise en musique

Armide : tragedie mise en musique

Date: 1686
Creator: Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Description: None
Contributing Partner: UNT Music Library
Artaxerxes. An English opera.

Artaxerxes. An English opera.

Date: 1763
Creator: Arne, Thomas Augustine, 1710-1778
Description: 1763 English libretto for Thomas Arne's opera Artaxerxes. Thomas Arne most likely wrote his own libretto for Artaxerxes, which enjoyed a successful run at Covent Garden beginning on 2 February 1762. Artaxerxes follows the structure of Metastasio’s Italian libretto on the same subject; no other English-language opera has been recognized as following the principles of Metastasian opera seria.
Contributing Partner: UNT Music Library
[Arthur Godfrey and Gene Hall on The Talent Scout Show]

[Arthur Godfrey and Gene Hall on The Talent Scout Show]

Date: 1957
Creator: unknown
Description: Photographs of Arthur Godfrey and Gene Hall sitting together during NBC's "The Talent Scout Show" that have been attached to a sheet of white paper. The first five photos features the two middle aged men in dark suits, with Godfrey sitting to the left of the bespectacled Hall. Curtains are visible behind the two. A desk microphone sits between them. On the second page, below the two photos of Hall and Godfrey, there is a photo composed of four pictures. The the top two feature Godfrey and Hall again, while the bottom two feature George Mosse playing a clarinet (left) and George Mosse, Gene Murray playing a trumpet, and Phil Elliot playing a trombone. These three men are wearing striped black and white shirts.
Contributing Partner: UNT Music Library
Arthur Godfrey Show - 1957

Arthur Godfrey Show - 1957

Date: 1957
Creator: unknown
Description: Photographs of George Mosse (clarinet), Gene Murray (trumpet), and Phil Elliot (trombone) performing on the Arthur Godfrey Show while wearing striped shirts. The top left and bottom right photos show the three men playing together in front of a piano. The top right photo features Murray alone playing the clarinet. The photo on the bottom left contains four images. The top two images on this split photo show Arthur Godfrey (left) and Gene Hall (right) speaking together at a desk with a small microphone between them. The two photos underneath show two more images of Mosse, Murray, and Elliot performing together.
Contributing Partner: UNT Music Library
Arthur Godfrey Talent Scouts - 1957

Arthur Godfrey Talent Scouts - 1957

Date: 1957
Creator: unknown
Description: Photographs of Arthur Godfrey and Gene Hall sitting together during NBC's "The Talent Scout Show" that have been attached to a sheet of white paper. The first five photos features the two middle aged men in dark suits, with Godfrey sitting to the left of the bespectacled Hall. Curtains are visible behind the two. A desk microphone sits between them.
Contributing Partner: UNT Music Library
Artist Certificate Recital: 2005-11-22 - Yuri Gye, percussion

Artist Certificate Recital: 2005-11-22 - Yuri Gye, percussion

Access: Use of this item is restricted to the UNT Community.
Date: November 22, 2005
Creator: Gye, Yuri
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library