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Artist Certificate Recital: 2012-11-25 - Ying Cai, piano

Artist Certificate Recital: 2012-11-25 - Ying Cai, piano

Access: Use of this item is restricted to the UNT Community.
Date: November 25, 2012
Creator: Cai, Ying
Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Certificate Recital: 2012-11-27 - Ilia de la Rosa, cello

Artist Certificate Recital: 2012-11-27 - Ilia de la Rosa, cello

Access: Use of this item is restricted to the UNT Community.
Date: November 27, 2012
Creator: de la Rosa, Ilia
Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Certificate Recital: 2013-01-22 - Sera Jung, viola

Artist Certificate Recital: 2013-01-22 - Sera Jung, viola

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Date: January 22, 2013
Creator: Sera Jung & Ioannides, Anatolia
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Certificate Recital: 2013-03-03 - Daniel Nix, double bass

Artist Certificate Recital: 2013-03-03 - Daniel Nix, double bass

Access: Use of this item is restricted to the UNT Community.
Date: March 3, 2013
Creator: Nix, Daniel & Pátkai, Imre
Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Certificate Recital: 2013-03-23 - Uri Nahir, flute

Artist Certificate Recital: 2013-03-23 - Uri Nahir, flute

Access: Use of this item is restricted to the UNT Community.
Date: March 23, 2013
Creator: Nahir, Uri
Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Certificate Recital: 2013-03-28 - Elizabeth Trower, viola

Artist Certificate Recital: 2013-03-28 - Elizabeth Trower, viola

Access: Use of this item is restricted to the UNT Community.
Date: March 28, 2013
Creator: Trower, Elizabeth & Vizcarra, Juan
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Certificate Recital: 2013-03-30 - Hanna Youn, Piano

Artist Certificate Recital: 2013-03-30 - Hanna Youn, Piano

Access: Use of this item is restricted to the UNT Community.
Date: March 30, 2013
Creator: Kim, Ah Young & Youn, Hanna
Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Certificate Recital: 2013-04-25 - Andreas Ioannides, piano

Artist Certificate Recital: 2013-04-25 - Andreas Ioannides, piano

Access: Use of this item is restricted to the UNT Community.
Date: April 25, 2013
Creator: Ioannides, Andreas
Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Recital: 2012-03-31 - Hanna Youn, soprano

Artist Recital: 2012-03-31 - Hanna Youn, soprano

Access: Use of this item is restricted to the UNT Community.
Date: March 31, 2012
Creator: Youn, Hanna
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Recital: 2012-04-01 - Andreas Ioannides, piano

Artist Recital: 2012-04-01 - Andreas Ioannides, piano

Access: Use of this item is restricted to the UNT Community.
Date: April 1, 2012
Creator: Ioannides, Andreas
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Recital: 2012-04-04 - Chao Wang-flute

Artist Recital: 2012-04-04 - Chao Wang-flute

Access: Use of this item is restricted to the UNT Community.
Date: April 4, 2012
Creator: Wand, Chao
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Recital: 2012-04-09 - Sera Jung, viola

Artist Recital: 2012-04-09 - Sera Jung, viola

Access: Use of this item is restricted to the UNT Community.
Date: April 9, 2012
Creator: Jung, Sera
Description: Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Artist Recital: 2013-01-28 - Reuben Allred, piano

Artist Recital: 2013-01-28 - Reuben Allred, piano

Access: Use of this item is restricted to the UNT Community.
Date: January 28, 2013
Creator: Reuben Allred
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.
Contributing Partner: UNT Music Library
Astrée

Astrée

Date: 1691
Creator: La Fontaine, Jean de, 1621-1695.
Description: Libretto of the 1691 opera "Astrée" by Jean de la Fontaine. Pascal Collasse composed the music of the opera which premiered under the title "Astrée et Céladon" on November 25, 1692.
Contributing Partner: UNT Music Library
Atys : tragedie

Atys : tragedie

Date: 1708
Creator: Lully, Jean Baptiste, 1632-1687
Description: Atys, which premiered on 10 January 1676, is the first of the tragédies lyriques of Jean-Baptiste Lully and Philippe Quinault to conclude with a tragic ending. Joyce Newman, in Jean-Baptiste de Lully and his Tragédie Lyriques, summarizes the message of the story in this way: In [Atys], Quinault shows how actions which are not in accord with the noble ideal will bring defeat and punishment. Not only is love in opposition to glory in this opera, but also it is shown that if love is placed more highly than honor, it will bring unhappiness even to one of the immortals.
Contributing Partner: UNT Music Library
Atys : tragédie lyrique en trois actes

Atys : tragédie lyrique en trois actes

Date: 1781
Creator: Piccinni, Niccolò, 1728-1800; Quinault, Philippe, 1635-1688 & Marmontel, Jean François, 1723-1799
Description: The story of Atys was first known operatically through Lully’s opera that premiered in 1676 at the court of St Germain-en-Laye. Marmontel adapted Quinault’s libretto and modified it by removing the prologue and divertissements. He also altered the plot; in lieu of Ovid’s metamorphic ending (to which Quinault had adhered), Atys commits suicide.
Contributing Partner: UNT Music Library
Atys : tragédie lyrique en trois actes

Atys : tragédie lyrique en trois actes

Date: 1780
Creator: Piccinni, Niccolò, 1728-1800; Quinault, Philippe, 1635-1688 & Marmontel, Jean François, 1723-1799
Description: The story of Atys was first known operatically through Lully’s opera that premiered in 1676 at the court of St Germain-en-Laye. Marmontel adapted Quinault’s libretto and modified it by removing the prologue and divertissements. He also altered the plot; in lieu of Ovid’s metamorphic ending (to which Quinault had adhered), Atys commits suicide.
Contributing Partner: UNT Music Library
Atys : tragedie mise en musique

Atys : tragedie mise en musique

Date: 1720
Creator: Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Description: Atys, which premiered on 10 January 1676, is the first of the tragédies lyriques of Jean-Baptiste Lully and Philippe Quinault to have a tragic ending. As the Prologue indicates, the tragedie itself is a divertissement to ease the king's mind of his impending duties. Joyce Newman, in Jean-Baptiste de Lully and his Tragédie Lyriques, summarizes the message of the story in this way: "In [Atys], Quinault shows how actions which are not in accord with the noble ideal will bring defeat and punishment. Not only is love in opposition to glory in this opera, but also it is shown that if love is place more highly than honor, it will bring unhappiness even to one of the immortals."
Contributing Partner: UNT Music Library
Atys; tragedie mise en musique

Atys; tragedie mise en musique

Date: 1709
Creator: Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Description: Atys, which premiered on 10 January 1676, is the first of the tragédies lyriques of Jean-Baptiste Lully and Philippe Quinault to have a tragic ending. As the Prologue indicates, the tragedie itself is a divertissement to ease the king's mind of his impending duties. Joyce Newman, in Jean-Baptiste de Lully and his Tragédie Lyriques, summarizes the message of the story in this way: "In [Atys], Quinault shows how actions which are not in accord with the noble ideal will bring defeat and punishment. Not only is love in opposition to glory in this opera, but also it is shown that if love is place more highly than honor, it will bring unhappiness even to one of the immortals."
Contributing Partner: UNT Music Library
Aura Rully with Duke Ellington at the 1972 Newport Jazz Festival

Aura Rully with Duke Ellington at the 1972 Newport Jazz Festival

Date: July 8, 1972
Creator: Conover, Willis
Description: Aura Rully (Urziceanu) performs with Duke Ellington at the 1972 Newport Jazz Festival.
Contributing Partner: UNT Music Library
Bajazeth

Bajazeth

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score containing the piano part for "Bajazeth: air national [sic] des turques pour le piano forte" by Leopold von Meyer.
Contributing Partner: UNT Music Library
Ballet du Temple de la paix

Ballet du Temple de la paix

Date: 1685
Creator: Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Description: The elements that make up the Jean-Baptiste Lully's Ballet du Temple de la Paix have some parallels to the plot of Roland, which premiered in the same year. Both celebrate the expanding influence of France and Louis XIV through the introduction of exotic characters. The flexibility of the ballet de cour format, which was more a progression of loosely related scenes and spectacles than an organized plot, allowed librettist Philippe Quinault more freedom in his elaboration of that theme.
Contributing Partner: UNT Music Library
[Band Performing on Stage]

[Band Performing on Stage]

Date: 1954
Creator: unknown
Description: Photograph of the North Texas State College Laboratory Dance Band performing on stage. They are wearing shirts and ties. From left to right are: a man playing a tuba; a man with his back to the camera playing a piano with its strings exposed; a clarinetist; a banjo player; and trumpeter; a trombonist; and a partially obscured drummer. Handwritten text beneath the photo says "Group simulating old style dixieland - opening number for concert in 1954-"
Contributing Partner: UNT Music Library
Barbe bleue : comédie en prose et en trois actes

Barbe bleue : comédie en prose et en trois actes

Date: 1789
Creator: Grétry, André Ernest Modeste, 1741-1813 & Sedaine, 1719-1797
Description: Although the story of Bluebeard was familiar to French readers from Charles Perrault’s 1698 collection of children’s tales, transferring it to the operatic stage was problematic due in large part to the gruesome nature of the plot. Other violent works had appeared in Paris, but in this instance, the drama was to be performed at the Comédie-Italienne, which typically featured lighter plots than that of Raoul and Isaure. Nevertheless, the opera had a successful run, receiving over a hundred performances in the decade after its premiere. After its initial popularity, Raoul Bluebeard was staged less frequently, but it still made an impression on nineteenth-century composers, particularly Weber.
Contributing Partner: UNT Music Library