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- Andere die Welt, sie braucht es
- Recording of Wilhelm Zobl's Andere die Welt, sie braucht es.
- Anlage 2
- Unknown sketch on the back of a typed document about an agreement between the Reich Association of German Musicians and Music Teachers and Heads of the Folk Music Schools.
- Approcci a petrarca
- Recording of Hans Ulrich Humpert's Approcci a petrarca. This work is made up of five sections, which are voice and electronics. The piece features many sounds such as voice, electronics, writing with a pencil, and sound effects.
- Aquapolis
- Recording of Lou Mallozzi's Aquapolis. The sound material is language and ambient recordings. The text is written in English, and has been translated into German and Venetian Italian. There are aquatic sounds, body sounds, and sounds of physical labor. Conceptually, the piece is based on a fictional trans-historical walk through an aquatic city, loosely based on Venice. The piece is in four sections: Preamble, 2000 Years Ago, 200 Years Ago, and This Year.
- Aufführungen
- A list of fourteen performances of Oppel's works.
- Aus ihrem Leben
- Typed statement regarding Emilie Mayer.
- Ausführliche theoretisch-practische Anweisung zum Piano-forte-Spiel, vom ersten Elementar-Unterrichte an, bis zur vollkommensten Ausbildung
- "Detailed theoretical and practical instruction on playing the piano-forte," issued in four parts.
- Ausführliche theoretisch-practische Anweisung zum Piano-forte-Spiel, vom ersten Elementar-Unterrichte an, bis zur vollkommensten Ausbildung
- A piano method book by Johann Nepomuk Hummel, with three parts bound in one volume.
- Bachs Kunst der Fuge
- Oppel's analysis of J.S. Bach's "Die Kunst der Fuge" (The Art of the Fugue). Each leaf of the notebook contains handwriting on recto side only.
- Le bass de auf a bourges du dat
- Recording of Jürgen Bräuninger and Ulrich Süsse's Le bass de auf a bourges du dat. It is a work for saxophone, bass clarinet, and electronics. There are speech snippets which are accompanied by free improv from the saxophone and clarinet, while processed and manipulated recording of these instruments play in the background.
- Beethoven V. Sinfonie
- "Presentation of the musical content according to the manuscript, taking into account the performances and literature." 73 pages of text.
- Berlin views
- Recording of Günter Heinz's Berlin views. This work presents the "sound of the city at the end of the century" and arose in connection with the video project Ç Vortex È of Akademie der Künste Berlin.
- [Binder's Collection: Columbus Public Library, Parts]
- Bound compilation of parts to accompany the volume M218.C67. This collection's contents do not overlap entirely with those of main volume. The library catalog record follows the handwritten numbering in the main volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items. The set of parts also has several short manuscript pieces added at the end; some parts are for both violin or flute, or for flute but playable on violin. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.
- [Binder's Collection: Columbus Public Library, Scores]
- Bound compilation of sheet music for violin and piano, assembled by the Columbus Public Library (now the Columbus Metropolitan Library). This volume consists of scores and piano parts, although its contents do not overlap entirely with those of the accompanying set of violin parts. The library catalog record follows the handwritten numbering in the volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items, such as a set of three between numbered selections 23 and 24. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.
- [Binder's Collection: E. M. Peachey]
- Bound compilation of sheet music from the collection of Thurman Morrison. The contents were assembled by Edith Mills Peachey, and the 57 works in this volume include multiple ballads, quadrilles, polkas, and waltzes, with five different compositions by Henry Russell. Other composers with two works in the collection include Edwin Flood, Charles E. Horn, Louis Antoine Jullien, and Camille Schubert. About half of the works were published or co-published by the Musical Bouquet Office. All titles were published in London, but they cover a geographical scope including the British Isles and continental Europe, along with past and contemporaneous areas of British colonization in North America and India.
- [Binder's Collection: Fannie Schieffelin]
- Bound compilation of sheet music collected by Fannie K. Schieffelin. The volume contains a variety of composers, though Diederich Krug is most prominent as a composer and arranger, along with three works each by Louis Moreau Gottschalk and Felix Mendelssohn-Bartholdy. Many kinds of works are present, though two adjacent compositions are funeral marches. Numerous publishers are present, and are more or less evenly divided between the East Coast of the United States and Europe (particularly Leipzig and present-day Mainz).
- [Binder's Collection: Florence Paulson, Book 2]
- Bound compilation of sheet music, collected by Florence B. Paulson. This volume consists primarily of ballads and love songs, most of which were published in Philadelphia, New York, and Boston.
- [Binder's Collection: Mary Waddington]
- Bound compilation of sheet music from the collection of Thurman Morrison, compiled by Mary Alsop King Waddington, an author who was born in New York, but lived in France beginning in 1871, and was married to French statesman William Henry Waddington. This volume consists largely of excerpts from operatic works, particularly by Gaetano Donizetti, Saverio Mercadante, Gioacchino Rossini, and Giuseppe Verdi. Most works were published in Paris, with a few published in Mayence (present-day Mainz), Vienna, and Boston.
- [Binder's Collection: Minnie Greene, Book 1]
- Bound compilation of sheet music. The dates of publication range between 1840 and 1880, and most of the publishers' imprints were located in New York or Philadelphia, along with several other locations. Discard stamps from the Columbus, Ohio public library, and a stamp for R.B. McAdow, Music Dealer in the same city suggest the compiler's residence was also there; the name Minnie S. Greene is written in pencil on the first page of music. Page 127 of the scan, or 114 of the music, is also inscribed "Presented to Minnie Greene."
- [Binder's Collection: Minnie Greene, Book 2]
- Bound compilation of sheet music. The dates of publication range between 1852 and 1879, and most of the publishers' imprints were located in New York, Philadelphia, and Boston, with others from Cleveland and New Orleans. Several items have the name of Minnie S. Greene on the first page, and some have the location of the Southern Home School in Baltimore, or Patapsco [Ins. or Tns.]. A wide variety of composers and lyricists appear in the volume, with multiple entries from Virginia Gabriel, Luigi Arditi, Fabio Campana, Charles Gounod, John Hullah, and Harrison Millard.
- [Binder's Collection: Mrs. Bright]
- Bound compilation of sheet music compiled by Mrs. Bright. Almost all selections in the volume were published in London, with songs in English, German, and Italian. Six out of the forty-six titles in the volume are by Henry R. Bishop, with several works by J. Augustine Wade and Peter von Winter as well, among others.
- [Binder's Collection: Oliver Brett]
- Bound compilation of sheet music collected by Oliver Sylvain Baliol Brett, 3rd Viscount Esher. The front cover is monogrammed O.S.B., with a bookplate reading "Ex libris Oliver Brett" on the front inside cover. Nearly all items contain a primary or secondary publishing location imprint in London. The collection is unusual for its inclusion of arrangements for banjo. The titles are generally in alphabetical order, beginning with the letter "K," which suggests the existence of a prior volume. Many titles are taken from larger works of musical theater. This item contains a substantial number of selections that include racial slurs and stereotyping.
- [Binder's Collection: S. L. Schieffelin]
- Bound compilation of sheet music compiled by S. L. Schieffelin. As is the case with the other Schieffelin binder's collections, this volume emphasizes variations and derivative works based on other compositions, and particularly operas. Works in this volume are entirely from the 1830s, with many by Henri Herz, Carl Czerny, and Franz Hünten, and include material frequently sourced from Giacomo Meyerbeer, Gioachino Rossini, and Gaetano Donizetti. Most works were published in Mayence (present-day Mainz) and Anvers (better known as Antwerp) or Leipzig, and publishers Fils de B. Schott and C.F. Peters are the most prominent in this volume.
- [Binder's Collection: Schieffelin, Book 1]
- Bound compilation of sheet music with the surname Schieffelin attached. Nearly all works in this volume are derivative works by Henri Herz, with two by Jacques Herz. The titles are largely fantasies or variations on works by other composers (including four by Gaetano Donizetti), with a particular emphasis on operas. A majority of works were published in Mayence (present-day Mainz), and some in Anvers (better known as Antwerp), Paris, Bonn, and New York. B. Schott or Fils de B. Schott published or co-published most titles, and works in this volume range in date from 1825 through 1855. The stamp of music seller C. Breusing on works throughout the volume provides insights on how the works were acquired.
- [Binder's Collection: Works by Brahms]
- Bound compilation of sheet music consisting of six works by Johannes Brahms: Variationen über ein Thema von Paganini (1); Clavierstücke, op. 76: Heft 2 (2); Fantasien für Pianoforte (3); Drei Intermezzi, für Pianoforte, Op. 117 (4); Klavierstücke, op. 118 (5); and Klavierstücke, op. 119 (6).
- Binger Manner-Gesang-Verein
- "Binger Men's Singing Society. Sunday, 19th of December, 1920, 8 pm in the Binger Festival Hall - First Society Concert. Conducted by Music Director Joseph Knettel. Contributors: Martha Bommer (of Wiesbaden), soprano; Chamber virtuoso Ernst Lindner (of Wiesbaden), violin (members of the Wiesbaden State Theater); Wendelin Kamp (of Kempten), baritone. The proceeds go to needy children."
- Binger Männergesangverein und Frauenchor
- "Binger Men's Singing Society and Women's Chorus. Choir Director & Music Director: Josef Knettel. Program order of the ceremony in the Bingen city hall on the 10th of October, 1954 at 10: 15 am, on the ocassion of the 50th anniversary of the directorship of Music Director Josf Knettel." Program includes "Der Erfolg" by Knettel.
- Blatt 2 Dr. Reinhard Oppel Kompositionen
- Typewritten list of Oppel's works: one list for vocal ensemble music; another, for piano music.
- Brief von F. Salzer
- "Letter from F. Salzer telling Reinhard Oppel about the death of Heinrich Schenker on 14 February 1935 in Vienna Sanatorium - found in Salzer Books about polyphony."
- Brunneninschriff
- Autograph sketch of a cappella SATB choral work
- Candide: Unterwegs - en cheminn en el camino - Away
- Recording of Hans Ulrich Humpert's Candide: Unterwegs - en cheminn en el camino - Away. This piece includes periods of overlapping voices, with voices speaking in French, German, English, and Spanish; sometimes these overlaps consist of two voices in different languages, sometimes more.
- Capriccio für großes Orchester, Op. 24
- "Capriccio for Large Orchestra" published in Leipzig by Breitkopf & Härtel with plate number 30452.
- Cello Arie bei Hilsdorf-Bingen
- Autograph score of an alternate version of the piece in Box B, Folder 3, Item 9 in this collection. This item has many penciled marginalia.
- Chacoel (Musik für den frühen Abend)
- Recording of Martin Rudolf Schwarzenlander-Fischer's "Chacoel (Musik für den frühen Abend)" for tape.
- Chanson
- Recording of Dieter Kaufmann's Chanson.
- Chant pages used as binding
- Liturgical chant pages used as binding for another work with a partially legible German title. Chant appears upside-down on the front cover; the first line, "...nt ga est flos filius" matches the text of Stirps Jesse. It is followed by a doxology (Gloria Patri) including some abbreviated text, and then the text of Veni in hortum meum soror, associated with Matins for the Assumption of Mary. The back cover has an upside-down portion, "dominus in suis virtutibus vincula manuum relaxavit suamque famulam de morte," which is associated with Lauds for the feast of St. Margaret of Antioch. The remainder contains notated chant for Vespers for the feast of St. Michael and All Angels (domine deus noster accipere librum et aperire signacula ejus), and from Matins for the same feast, with the text from Angelorum regi deo jubilemus pariter, then from Introibo in domum tuam domine, and finally the beginning of Stetit angelus juxta aram templi.
- Die chore der andromache
- Recording of Hans Ulrich Humpert's Die chore der andromache. This work is made up of five sections which are made up of electronicly-processed voice and electronics.
- Christ ist erstanden
- Handwritten sketch (piano/vocal score) for Movements III - VIII of Osterhymnae. Full score sketch in Box B, Folder 1, Item 1 in this collection.
- Ciacona für Klavier, Op. 28
- "Fräulein Lulu Andreesen gewidmet."
- La clemenza di Tito: opera seria; W.A. Mozart; aggiustata per il piano-forte del sign, A.E. Müller
- Piano-vocal arrangement of Mozart's La Clemenza di Tito, with German and Italian lyrics.
- Composition Recital: 2017-11-28 – Spectrum
- Spectrum concert performed at the UNT College of Music Voertman Hall.
- La Confession
- This work was created from a story entitled "The Confession" that I wrote in 1989. In Spanish originally, it was translated into Hebrew, French, English and German. Some of these texts in different languages have been integrated into the work. "Confession" records the psychological oscillations - from mental stability to madness or vice versa - that the protagonist goes through. "The Confession" of the human voice, the electronic instruments (synclaiver), the acoustic instruments (harp, trombone, cello, flute, percussion) and the concrete sounds create a semantic interaction with the syntax of the musical language.
- Correspondence between Dr. Carl Loewe and Emilie Mayer
- Letter from Carl Loewe to Emilie Mayer. No address or postmark is visible.
- Correspondence between Dr. Carl Loewe and Emilie Mayer
- Handwritten letter from Loewe to Mayer dated 19th of March, 1859. 1 leaf, with writing on one side.
- Correspondence between Dr. Carl Loewe and Emilie Mayer
- Letter from Carl Loewe to Emilie Mayer. Content of letter on p. 1. Address and postmark on p. 2.
- Deutsches Liederlexikon, Eine Sammlung der besten und beliebtesten Lieder und Gesänge des deutschen Volkes, Mit Begleitung des Pianoforte
- "A collection of the best and most popular songs and songs of the German people, accompanied by the pianoforte."
- Dialogue avec Wittgenstein
- Recording of Dieter Kaufmann's Dialogue avec Wittgenstein. This work is built on fragments of philosophical text spoken in both French and German, as well as various musical segments by composers Beethoven, Brahms, Bruckner, and the composer himself. The work was produces at the ELAK Institute of the University of Vienna Music and had two premieres. The German version in Vienna (1999) and the French version in Bourges (1999).
- An die materie
- Recording of David Prior's An die materie. Written for dancer, choreographers, voice, and electronics. The relationship established between the music and the movement, was carefully considered throughout the collaborators. The piece was inspired by a poem by French Jesuit mystic Pierre Theilhard de Chardin in its German translation.
- Dietrich Buxtehude in handschrift
- Handwritten list of Oppel's works.
- Dirigez la fortune
- No Description Available.