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  Partner: UNT Music Library
Alceste: tragedie opera en trois actes
According to Grove Music, "when Admetus, King of Pherae in Thessaly, is ill and about to die an oracle announces that he will be saved if someone else is willing to die in his stead. His wife Alcestis displays her conjugal devotion by offering herself; she dies and Admetus recovers. Under the influence of tragédie lyrique, Calzabigi enriched his libretto with choruses, ballets and opportunities for impressive scenery." digital.library.unt.edu/ark:/67531/metadc34/
Alexander's Feast or the Power of Musick.
A secular choral work in two parts for four soloists (SSTB) and mixed chorus (SATB) with orchestra acc. (2 oboes, 2 bassoons, 2 trumpets, 3 violins, viola, violoncello, and continuo). The names of the vocal soloists (Mr. [John] Beard, Signora [Anna Maria] Strada, Miss. [Cecilia] Young, and Mr. Erard) are printed at the top of their designated songs. digital.library.unt.edu/ark:/67531/metadc11077/
Alumni, Guest Artist, Faculty, and Student Recital: 2013-03-04 - Filip Fenrych, violin Anastasia Markina, piano
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Guest Artists, Alumni, Faculty, and Students performed at the UNT College of Music Voertman Hall. digital.library.unt.edu/ark:/67531/metadc172130/
Amadis, tragedie en musique
Libretto of the 1684 opera "Amadis," by Philippe Quinolt. The premiere of Amadis was delayed for a year after Lully completed its composition in order to allow the proper mourning period for Marie Thérese, wife of Louis XIV, who died in July of 1683. While still abstaining from theater at court, Louis XIV at last allowed the first public presentation of "Amadis" at the Opéra in Paris on 18 January 1684. It was an immediate public success. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King. digital.library.unt.edu/ark:/67531/metadc39250/
Amadis; tragedie, mise en musique
The premiere of Amadis was delayed for a year after Lully completed its composition in order to allow the proper mourning period for Marie Thérese, wife of Louis XIV, who died in July of 1683. While still abstaining from theater at court, Louis XIV at last allowed the first public presentation of Amadis at the Opéra in Paris on 18 January 1684. It was an immediate public success. digital.library.unt.edu/ark:/67531/metadc51/
Amore fra' gl'impossibili
According to Grove Music, Gigli's 'Amore fra gli impossibili' is an eccentric work where "the pastoral setting is disturbed by mythological references and the addition of the characters Don Chisciotte and Coriandolo, in an ironic and grotesque atmosphere." digital.library.unt.edu/ark:/67531/metadc11793/
Amour au village : opera-comique, en un acte, et en vaudeviles
Libretto for Charles-Simon Favart's 1754 opera L'amour au village. Charles-Simon Favart gained prominence for his parodies of extant operas during the middle of the eighteenth century. His L’amour au village (1754), a typical example of the genre, was based on Carolet’s L’amour paysan (1737). The parody technique consisted of setting new texts to existing melodies and writing new dialogue based on a familiar plot. L’amour au village includes a typical vaudeville finale. In the Virtual Rare Book Room’s volume, the melody is included along with the first verse’s text. Because vaudeville finales are strophic (with one repeated melody), the subsequent verses are numbered to indicate each time the melody should begin again. digital.library.unt.edu/ark:/67531/metadc10/
Les amours des dieux : ballet heroique
No Description digital.library.unt.edu/ark:/67531/metadc25/
Andante for the piano forte, op.42
This is a digital copy of "Andante for the piano forte, op.42" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to George Alexander Osborne (1806-1893), an Irish pianist and composer whose concerts in Paris attracted the most fashionable audiences and eminent musicians of the period, among them Chopin and Berlioz. "Andante for the piano forte" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39264/
Arianna e Teseo
This is a ca. 1764 copy of the libretto of the opera seria "Arianna e Teseo" by Pietro Pariati. From 1699 until 1714, Pariati worked in Venice as collaborator with the poet and librettist Apostolo Zeno. In 1714, Pariati moved to Vienna and from 1718 until 1729 worked as poet in the court of emperor Charles VI. He was replaced by Metastasio. Pariati wrote "Arianna e Teseo" during the first years of his appointment in Vienna. He added to the Greek mythology story new subplots and two characters, the lovers Alceste and Laodice. Giuseppe Pasqua set Pariati's libretto in music for the 1764 carnival season in Turin. The story unfolds in the island of Crete where several young Athenian men are brought to be ritually sacrificed, and Athenian maidens are to be delivered as victims to a minotaur that lives in a labyrinth. Among the Athenians is Arianna, the daughter of Minos (Minosse), King of Crete, who was abducted as a child by King Aegeus, and Teseo, Aegeus's son. Teseo is determined to kill the minotaur in order to save Arianna's friend Laodice, but Arianna believes that he loves her friend. In spite of her doubts, she hands over to Teseo the secret how to kill the minotaur and vanquish Tauride, King Mino's champion, which she overheard from Minos. The work ends with Teseo's victory over the minotaur and his reconciliation with Arianna. The library's copy of "Arianna e Teseo" is bound with the following librettos: "Ifigenia in Aulide" by Vittorio Amedeo Cigna-Santi; "Catone in Utica" by Pietro Metastasio; "Sofonisba" by Mattia Verazi; and "Le piacevoli poesie" by Gasparo Gozzi. digital.library.unt.edu/ark:/67531/metadc39293/
Armide
Armide, which premiered at the Paris Opéra February 15, 1686, was the last tragédie lyrique on which Jean-Baptiste Lully collaborated with his favorite librettist, Philippe Quinault. Quinault retired from the stage after Armide, and Lully died a year later on March 22, 1687. From its first performance, Armide was considered their masterpiece. Armide is unusual among Lully and Quinault's tragédies lyriques in that it concentrates on the psychological development of a single character; the reflective style of this late work may be regarded as an early presentiment of trends toward individualism in art. digital.library.unt.edu/ark:/67531/metadc53/
Armide: drame héroïque
Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment. digital.library.unt.edu/ark:/67531/metadc67/
Armide: Drame héroique, mis en musique
Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment. digital.library.unt.edu/ark:/67531/metadc45/
Armide: Drame héroique, mis en musique
Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment. digital.library.unt.edu/ark:/67531/metadc56/
Armide : tragedie mise en musique
No Description digital.library.unt.edu/ark:/67531/metadc52/
Artaxerxes. An English opera.
1763 English libretto for Thomas Arne's opera Artaxerxes. Thomas Arne most likely wrote his own libretto for Artaxerxes, which enjoyed a successful run at Covent Garden beginning on 2 February 1762. Artaxerxes follows the structure of Metastasio’s Italian libretto on the same subject; no other English-language opera has been recognized as following the principles of Metastasian opera seria. digital.library.unt.edu/ark:/67531/metadc1/
[Arthur Godfrey and Gene Hall on The Talent Scout Show]
Photographs of Arthur Godfrey and Gene Hall sitting together during NBC's "The Talent Scout Show" that have been attached to a sheet of white paper. The first five photos features the two middle aged men in dark suits, with Godfrey sitting to the left of the bespectacled Hall. Curtains are visible behind the two. A desk microphone sits between them. On the second page, below the two photos of Hall and Godfrey, there is a photo composed of four pictures. The the top two feature Godfrey and Hall again, while the bottom two feature George Mosse playing a clarinet (left) and George Mosse, Gene Murray playing a trumpet, and Phil Elliot playing a trombone. These three men are wearing striped black and white shirts. digital.library.unt.edu/ark:/67531/metadc181766/
Arthur Godfrey Show - 1957
Photographs of George Mosse (clarinet), Gene Murray (trumpet), and Phil Elliot (trombone) performing on the Arthur Godfrey Show while wearing striped shirts. The top left and bottom right photos show the three men playing together in front of a piano. The top right photo features Murray alone playing the clarinet. The photo on the bottom left contains four images. The top two images on this split photo show Arthur Godfrey (left) and Gene Hall (right) speaking together at a desk with a small microphone between them. The two photos underneath show two more images of Mosse, Murray, and Elliot performing together. digital.library.unt.edu/ark:/67531/metadc181747/
Arthur Godfrey Talent Scouts - 1957
Photographs of Arthur Godfrey and Gene Hall sitting together during NBC's "The Talent Scout Show" that have been attached to a sheet of white paper. The first five photos features the two middle aged men in dark suits, with Godfrey sitting to the left of the bespectacled Hall. Curtains are visible behind the two. A desk microphone sits between them. digital.library.unt.edu/ark:/67531/metadc181713/
Artist Certificate Recital: 2005-11-22 - Yuri Gye, percussion
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc177110/
Artist Certificate Recital: 2007-02-12 - Raquel Bastos, viola
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc174099/
Artist Certificate Recital: 2007-04-21 - Emily Aquin, violin
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc174147/
Artist Certificate Recital: 2007-04-24 - Karolina Radovani, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc174157/
Artist Certificate Recital: 2007-04-26 - Raquel Moreira Bastos, viola
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc174162/
Artist Certificate Recital: 2007-06-07 - Rosalyn Hart, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance digital.library.unt.edu/ark:/67531/metadc6360/
Artist Certificate Recital: 2007-11-13 - Karolina Radovani, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52414/
Artist Certificate Recital: 2007-11-14 - Anastasia Markina, piano
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52417/
Artist Certificate Recital: 2007-11-15 - Hyun Sun Oh, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52422/
Artist Certificate Recital: 2007-11-15 - Jinhee Jung, flute
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52420/
Artist Certificate Recital: 2007-11-20 - Rosalyn Hart, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52436/
Artist Certificate Recital: 2008-01-30 - Emily Aquin, violin
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc67395/
Artist Certificate Recital: 2008-04-01 - Jinhee Jun, flute
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc67472/
Artist Certificate Recital: 2008-04-11 - Benjamin Polk, trombone
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Recital presented at the UNT College of Music COncert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc67505/
Artist Certificate Recital: 2008-04-19 - Anastasia Markina, piano
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc67544/
Artist Certificate Recital: 2008-04-20 - Emily Aquin, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc67547/
Artist Certificate Recital: 2008-04-21 - Karolina Radovani, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc67557/
Artist Certificate Recital: 2008-04-25 - Mi Jin Ok, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc67573/
Artist Certificate Recital: 2008-06-26 - Rosalyn Hart, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc67588/
Artist Certificate Recital: 2008-10-27 - Hiromi Kamiya, marimba
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree. digital.library.unt.edu/ark:/67531/metadc52495/
Artist Certificate Recital: 2008-11-05 - Jinhee Jung, flute
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52511/
Artist Certificate Recital: 2008-11-14 - Arsentiy Kharitonov, piano
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52531/
Artist Certificate Recital: 2008-11-15 - Jennifer Iles, clarinet
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52533/
Artist Certificate Recital: 2008-11-16 - Wing Sun Ku, viola
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52539/
Artist Certificate Recital: 2008-11-24 - Karolina Radovani, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc52574/
Artist Certificate Recital: 2009-02-10 - Mauricio Oliveros, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc174216/
Artist Certificate Recital: 2009-04-11 - Christopher Dickhaus, alto and tenor saxophones
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc86297/
Artist Certificate Recital: 2009-04-17 - Arsentiy Kharitonov, piano
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc86317/
Artist Certificate Recital: 2009-04-24 - Mi Jin Ok, violin
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc86340/
Artist Certificate Recital: 2009-04-25 - Christian Bester, baritone
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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc86342/
Artist Certificate Recital: 2009-04-26 - Nataliya (Natasha) Sukhina, piano
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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance. digital.library.unt.edu/ark:/67531/metadc86350/