UNT Music Library - 104 Matching Results

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Adieu a Terez

Description: Recording of László Király's Adieu a Terez. The sound materials of the composition were comprised of modulate female voice with diverse electronic mediums.
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Date: 1978
Duration: 12 minutes 14 seconds
Creator: Király, László, 1954-

Aegror

Description: Recording of Alfonso Belfiore's Aegror, a composition for computer made in 12 voices grouped in three channels. Two generating forces are at the basis of the development of the work, where one tends to the stratification (process also identifiable in the structure of the same sound) of the sound materials in massified and crystallized events, the other, contrary presence, tends, in the disintegration of these structures, to the restitution of a perceptible individuality to each layer up to the … more
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Date: 1978
Duration: 57 minutes 45 seconds
Creator: Belfiore, Alfonso

Androgyny

Description: Recording of Barry Truax's Androgyny, a spatial environment with four computer-synthesized soundtracks. The sound construction is based on ideas about an acoustic polarity, namely "harmonic" and "inharmonic," or alternatively, "consonance" and "dissonance." These concepts are not opposed, but instead, are related in ways that show that a continuum exists between them, such as in the middle of the piece when harmonic timbres slowly "pull apart" and become increasingly dissonant at the peak inten… more
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Date: 1978
Duration: 1 hour 6 minutes 49 seconds
Creator: Truax, Barry

Animated Sonic Forms number 3

Description: Recording of Francis John Sacci's Animated Sonic Forms number 3. Animated Sonic Forms number 3 was composed in 3 dimensions. Each tuning fork or timbre is a world apart. One sound created, another was made until two melodies of 12 sounds exist. The accompaniment was made by mixing the sounds heard in the melodies. The melodies are heard in different ways, we use variations, different speeds change the sounds while the melodies are played back and forth. The two little melodies are always played… more
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Date: 1978
Duration: 59 minutes 03 seconds
Creator: Sacci, Frank

Attacca

Description: Recording of Jan W. Morthenson's Attacca.
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Date: 1978
Duration: 19 minutes 57 seconds
Creator: Morthenson, Jan W.

Attacca

Description: Recording of Jan W. Morthenson's Attacca.
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Date: 1978
Duration: 19 minutes 57 seconds
Creator: Morthenson, Jan W., 1940-

Audiospacial

Description: Recording of Vladan Radovanović's Audiospacial. In its original form the work envisages a performance space including concert hall, communicating spaces on the same level, and possibly rooms above and below the hall. Both the electronic sounds and treated as sometimes mobile, sometimes stationary sound sources. The choir is required to move about the performance space according to trajectories coordinated with the time evolution of the score. A version for tape alone (and the corresponding scor… more
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Date: 1978
Duration: 16 minutes 14 seconds
Creator: Radovanović, Vladan, 1932-

Audiospacial

Description: Recording of Vladan Radovanović's Audiospacial. The electronic material of the piece consists of real or quasi-simulated vocal or instrumental sounds. The vocal material, on the other hand, sometimes tends towards the electronic sound. The electronic part was realized by combining the two processes. For some sections, the score was established and carried out strictly. Others were improvised using the digital memory of the sequencer. If the electronic part is frozen by the choice of the sound e… more
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Date: 1978
Duration: 16 minutes 14 seconds
Creator: Radovanović, Vladan

Candomblet

Description: Recording of Rodolfo Caesar's Candomblet. This piece was created through manipulation of the Candomblet record synthesizer. The choice of sound material follows purely musical criteria; there is no nationalist intention. Piece uses music originally made for dance.
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Date: 1978/1981
Duration: 8 minutes 29 seconds
Creator: Caesar, Rodolfo

Complies, Pour un Lendemain de Fête

Description: Recording of Frank Royon Le Mée's Complies, Pour un Lendemain de Fête. Extracts from the three great hours of the office for a day after a holiday. For voice, processing device, tape, analog synthesizers. The vocal sequences have been developed and are sung by the composer. For compline, techniques used, song with harmonic (2 voices), Tibetan song.
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Date: 1978
Duration: 17 minutes 21 seconds
Creator: Royon Le Mée, Frank, 1953-1993

Computer Dances

Description: Recording of Theresa Rampazzi's Computer Dances. This work is the result of Rampazzi's tone research applied to rhythms at different speeds. The signals at the beginning are slow moving in order to let the transformations of tone modulations to be perceived. Only towards the end the signals become shorter and very articulated; the number of which reach voices or "dancers" superimposed. The work is formed of 6 sections.
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Date: 1978
Duration: 54 minutes 49 seconds
Creator: Rampazzi, Teresa

Contemplation II

Description: Recording of Jarmo Sermilä's Contemplation II for alto saxaphone and pre-recorded electronics. Premiered on 3 July 1979 at Hämeenlinna by Pekka Savijoki.
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Date: 1978
Duration: 11 minutes 31 seconds
Creator: Sermilä, Jarmo, 1939-

Cordamix

Description: Recording of Herman Rechberger's Cordamix. In this piece, Rechberger combines musical styles of stringed instruments from a variety of cultures, historical eras, and styles to create a sound palate that jumps to and from audibly different places and times.
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Date: 1978
Duration: 6 minutes 04 seconds
Creator: Rechberger, Herman

Curare II

Description: Recording of Rodolfo Caesar's Curare II. The piece is a revision of a work begun during the course at the GRM in 1975. It was finished in Rio de Janeiro. The piece uses three families of acoustic sounds: guitar and Jew's harp being two of these. Curare is a double-purpose substance used by the Amazonian Indians for combat; it is a deadly poison, and yet it also serves as an effective hallucinogen at feasts. The double aspects, the ambiguous atmosphere of certain passages, the evidence of others… more
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Date: 1978
Duration: 8 minutes
Creator: Caesar, Rodolfo, 1950-

Diastasis 3

Description: Recording of Claude Colon's Diastasis 3.
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Date: 1978
Duration: 16 minutes 31 seconds
Creator: Colon, Claude
transcript

Diastasis 3

Description: Recording of Claude Colon's Diastasis 3.
Date: 1978
Duration: 16 minutes 31 seconds
Creator: Colon, Claude

Dreamsong

Description: Recording of Michael Mac Nabb's Dreamsong. It features a mixture of synthesized, digitally recorded and digitally processed sounds. These sound, along with the precision control of digital processing and mixing, result in an expressive sonic continuum ranging from unaltered real sounds to those which are totally imaginary. The melodic and harmonic structure provides the framework for continuous timbral and textural transformations. The work was done using digital synthesis, processing, and soun… more
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Date: 1978
Duration: 9 minutes 19 seconds
Creator: McNabb, Michael, 1952-

Dustiny

Description: Recording of Herbert Brun's Dustiny, an electronic composition.
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Date: 1978
Duration: 5 minutes 45 seconds
Creator: Brün, Herbert, 1918-2000

El encanto del cisne

Description: Recording of Eduardo Kusnir's "El encanto del cisne."
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Date: 1978
Duration: 16 minutes 12 seconds
Creator: Kusnir, Eduardo, 1939-

Fantasie for Horns

Description: Recording of Hildegard Westerkamp's Fanstasie for Horns. The sound sources for this piece are taken from the acoustic environment. They are Canadian trainhorns, foghorns from both the Pacific and Atlantic coasts of Canada, factory and boat horns from Vancouver, and surroundings-horns that Canadians hear in daily life. Additional sound sources are an alphorn and a creek. Most of the material is taken from the World Soundscape Project's environmental tape collection at Simon Fraser University in … more
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Date: 1978
Duration: 12 minutes 50 seconds
Creator: Westerkamp, Hildegard, 1946-
transcript

Fantasie for Horns I

Description: Recording of Hildegard Westerkamp's Fantasie for Horns I. The sound sources for this piece are taken from the acoustic environment. They are: Canadian trainhorns, foghorns from both the Pacific and Atlantic coasts of Canada, factory and boathorns from Vancouver and surroundings-horns that Canadians hear in daily life. Additional sound sources are an alphorn and a creek. Listening to the various horns in the collection intrigues the listener because of the way their sounds are shaped and modulat… more
Date: 1978
Duration: 12 minutes 50 seconds
Creator: Westerkamp, Hildegard

Fantasy Quintet

Description: "Fantasy quintet" for piano and computer was composed in 1977-78 for pianist Dwight Peltzer, on a commission from the National Endowment for the Art. The work is cast in three movements, with cadenza-like material appearing in the middle of the first movement and near the end of the final movement. It was my intention from the beginning to compose a work that would allow the performer to play with some degree of freedom and in a vituoso style. Throughout most of the work computer is limited to … more
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Date: 1978
Duration: 59 minutes 32 seconds
Creator: Morrill, Dexter

Fontecilla mix II

Description: Recording of Andrés Lewin Richter's Fontecilla mix II. The piece is a reduction and organization of a 90-minute piece created to be MUZAK type background music -- mainly as climate manipulation rather than a sound poem -- for Chilean painter Ernesto Fontecilla's painting exhibition at Barcelona Galeria Trece in 1977. All material is electronic in origin.
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Date: 1978
Duration: 22 minutes 12 seconds
Creator: Lewin Richter, Andrés, 1937-

För Anders Lundberg : Mardröm 29 30 10

Description: Recording of Robin Heifetz's För Anders Lundberg : Mardröm 29 30 10. This composition is a musical analogy with an event that occurred in the composer when he arrived in Sweden. He was arrested, which had a very big impact on him. The policeman's name was Aders Lundberg; Mardröm means nightmare, October 29 30.
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Date: 1978
Duration: 12 minutes 22 seconds
Creator: Heifetz, Robin Julian, 1951-
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