UNT Music Library - 1,648 Matching Results

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Juego de marionetas

Description: Recording of Ricardo Mandolini's "Juego de Marionetas" ("Puppet play"). The piece is a descriptive approach to the world of small percussion using recorded percussion sounds that have been electronically processed. The fundamental characteristic of the piece is the rigorous eceomy of means. It was composed in 1980 at the Studio of Musikhochschule in Cologne.
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Date: 1980
Duration: 9 minutes 43 seconds
Creator: Mandolini, Ricardo, 1950-
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Una pulce da sabbia

Description: Recording of Roberto Doati's "Una pulce da sabbia" ("A Sand Flea") for tape. This work utilizes a timbre space built on three dimensions: spectral energy distribution, spectral fluctuation, and high frequency energy which precedes the full attack of the tone. The sound synthesis models used are simple waveshaping and FM. The overall structure of the composition is generated by the projection on a two-dimensional space with frequency as the ordinate and time as the abscisa, of an architectural s… more
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Date: 1981/1982
Duration: 8 minutes 07 seconds
Creator: Doati, Roberto
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The vengeance, a ballet

Description: Recording of Robin Julian Heifetz's "The Vengeance," a ballet. It is programmatic in content. As a young boy, the composer accompanied his father – a writer – on research trips to the Indian pueblos of New Mexico where he spent two summers. These experiences made lasting impressions upon him. Years later, while conducing his own research in the cultural anthropology and ethnomusicology of the North American Indians, he discovered shocking documentation published in journals in the U. S. Bureau … more
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Date: 1980
Duration: 22 minutes 03 seconds
Creator: Heifetz, Robin Julian, 1951-
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Mu Song

Description: Recording of Richard Karpen's Mu Song. Karpen used the programs "Music II" sound synthesis language and "Score II" not list preprocessor in the composition of this piece. It was realized at the Center for Computer Music at Brooklyn College, City University of New York.
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Date: 1983
Duration: 18 minutes 59 seconds
Creator: Karpen, Richard, 1957-
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Spattering... A shower

Description: Recording of Robert Rowe's "Spattering... A Shower." This piece of computer music focuses on the organization of sound and the process of adopting the medium of a digital computer to produce music compositions.
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Date: 1981
Duration: 13 minutes
Creator: Rowe, Robert, 1954-
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Pax

Description: Recording of Gottfried Martin's Pax for tape. Includes electronic and natural sounds, including voice, news recordings, and recordings of war sounds.
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Date: 1983
Duration: 18 minutes 03 seconds
Creator: Martin, Gottfried
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Sensors IV

Description: Recording of Alcides Lanza's Sensors IV performed in 1984 by the McGill Concert Choir, conducted by Christopher Reynolds. The tape was realized at the Composer's studio (SHELAN Studio) and McGill University EMS in Montreal, QC, Canada. The piece explores different techniques of vocal wiring, especially the relationship of semantics, languages, and memory. The word "Memory" constitutes the entire text for the piece - using letter sound, recombinations of the word, and adding syllables from other… more
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Date: 1983/1984
Duration: 16 minutes 58 seconds
Creator: Lanza, Alcides
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Les mouvements mousseux

Description: Recording of Tamas Ungvary's "Les mouvements mousseux." This piece was commissioned by Polish Radio. Most of the sounds and sound textures were created in Stockholm in the computer studio of EMS. Singing voices were generated by MUSSE, a vocal synthesizer developed at the Center for Speech Communication Research and Musical Acoustics of the Royal Institute of Technology in Stockholm. The three movements of the composition grow out of the material itself. Both additive synthesis and FM synthesis… more
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Date: 1980
Duration: 13 minutes 33 seconds
Creator: Ungvary, Tamas, 1936-
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Fluctuations

Description: Recording of Arsène Souffriau's Fluctuations for electronic tape. The sound material of the piece consists of electronically synthesized sounds that are then manipulated in fluctuations at these levels: frequencies, harmonic spectra, ring modulations, tension voltage control, filter voltage control, various waveforms and attacks, frequency and voltage conversions, and impulses. Equipment used for the realization of the piece includes MOOG Synthesizer (Concertmate), EMS Synthesizer, EMS Sequence… more
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Date: 1982
Duration: 23 minutes 05 seconds
Creator: Souffriau, Arsène, 1926-
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C.L.B. 512

Description: Recording of Klaus Ager's C.L.B. 512 for clarinet and recording.
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Date: 1986
Duration: 12 minutes 21 seconds
Creator: Ager, Klaus
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Scatters

Description: Recording of John Celona's Scatters. It was produced using DISTRA, a real-time movement computer performance program created by the composer for a New England Digital Synthesizer.
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Date: 1982
Duration: 11 minutes 07 seconds
Creator: Celona, John, 1947-
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Piezas cortas

Description: Recording of Antonio Russek's "Piezas cortas" ("Short pieces") for tape. Russek calls this piece a "Políptico" or polyptych, which is an "arrangement of four or more panels (as of a painting) usually hinged and folding together" (https://www.merriam-webster.com/dictionary/polyptych). The piece was realized with mixed techniques that were created through Russek's musical studies. It was premiered at the Ciclo de Compositores Mexicanos (Mexican Composers' Cycle) in 1981.
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Date: 1980
Duration: 16 minutes 16 seconds
Creator: Russek, Antonio, 1954-
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The Song of Ainur

Description: Recording of Jouko Suonio's The Song of Ainur. Composed at the Experimental Music Studio of Finnish broadcasting Company "Yle."
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Date: 1983
Duration: 16 minutes 26 seconds
Creator: Suonio, Jouko
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Rain

Description: Recording of Ton Bruynel's Rain for two live pianos (four pianists) and two soundtracks (through loudspeakers). The sonority of a rainshower was a model for this piece. The sounds of rain were recorded on tapes and electronically remade for vibrating strings. The noises of the rain were also used to trigger voltage-controlled apparatus. The product becomes the sound of an indoor rainshower.
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Date: 1982
Duration: 9 minutes 28 seconds
Creator: Bruynèl, Ton
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Conversations

Description: Recording of Werner Kaegi's Conversations: Partie 1: In Memoriam.
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Date: 1982
Duration: 12 minutes 02 seconds
Creator: Kaegi, Werner
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Gioco di velocità

Description: Recording of Roberto Doati's Gioco di velocità. All sound material in the piece was syntheitically created by Doati. The macrostructure of the piece is made up by seven different curves which correspond to the graphic representation on a two-dimensional space with frequency as the ordinate and time as the abscissa, of the variations of as many circumference arcs. This macrostructure determines the formal parameters (repetition series, action time, duration, number of voices, movement in the tim… more
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Date: 1980/1981
Duration: 6 minutes 55 seconds
Creator: Doati, Roberto
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L'approche de la lumière

Description: Recording of Daniel Arfib's L'approche de la lumière ("The Approach of the Light"). The piece functions as much as a sound experiment on the resonance of the vibrations as of sound as a concert piece. For the entire listening experience, pay particular attention to the quality of the silence before and after the performance.
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Date: 1980
Duration: 16 minutes 18 seconds
Creator: Arfib, Daniel
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From Ipem with Love

Description: Recording of Frank Nuyts's From Ipem with Love for tape. The piece consists of three movements: the first movement acts as a game between articulated/static sound and silence; the second movement, a transition, uses silences that are evoked by sounding layers of sound; the third movement is an evocation of a carillon, in which silence and noise dominate more and more. It was realized in 1980 at the Institute for Psychoacoustics and Electronic Music studio using Synthi 100.
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Date: 1980
Duration: 10 minutes 49 seconds
Creator: Nuyts, Frank, 1957-
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The fly

Description: Recording of Takehisa Kosugi's The fly for tape.
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Date: 1981
Duration: 13 minutes 05 seconds
Creator: Kosugi, Takehisa, 1938-
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Brumes

Description: Recording of Roland Yvanez's "Brumes" for solo magnetic tape. The title translates to "Mists." The piece evokes the relationship between water and air on the surface of the ocean.
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Date: 1983
Duration: 16 minutes 15 seconds
Creator: Yvanez, Roland
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950 for Bob

Description: Recording of Terry Setter's 950 for Bob. He describes this style of composition as "focusless music," which is structured in such a way that the listener always hears an undifferentiated sound continuum, making the smallest changes noticeable. The title refers to the length of the piece (950 seconds) and to Robert Ericksson, to whom the piece is dedicated.
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Date: 1980
Duration: 15 minutes 53 seconds
Creator: Setter, Terry
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Passages

Description: Recording of Simon Waters's Passages. Initially, Passages expresses a diliberately restricted sound area, expanding gradually, and then deepening and broadening suddenly after about six minutes. Sounds from the opening section recur spasmodically within the broader context and are eventually heard when the piece contracts again at the end.
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Date: 1980
Duration: 14 minutes 55 seconds
Creator: Waters, Simon, 1957-
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Des nombres et des mots

Description: Recording of Louis Chretiennot's "Des nombres et des mots." The piece begins with a man reciting numbers 1-10 in French; after the first reading, electronic manipulation is added.
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Date: 1983
Duration: 13 minutes 43 seconds
Creator: Chrétiennot, Louis 1954-
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