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[Eddie Gomez Lecture, February 24, 1987: Part 1]

Description: Jazz Lecture Series presentation by Eddie Gomez on February 24, 1987 at 9:30AM at the UNT College of Music. Includes lecture and performance by Eddie Gomez, double bass, interspersed with questions from the audience.
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Date: February 24, 1987
Duration: 1 hour 15 minutes 19 seconds
Creator: Gomez, Eddie
transcript

[Gene Bertoncini, March 10, 1987: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Gene Bertoncini on March 10, 1987 at 9:30AM at the UNT College of Music. Includes lecture and performance by Gene Bertoncini, guitar, interspersed with questions from the audience.
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Date: March 10, 1987
Duration: 1 hour 27 minutes 42 seconds
Creator: Bertoncini, Gene
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[Danny Gottlieb Lecture, March 31, 1987: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Danny Gottlieb on March 31, 1987 at 9:30AM at the UNT College of Music. Includes lecture and performance by Danny Gottlieb, drums, interspersed with questions from the audience.
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Date: March 31, 1987
Duration: 1 hour 35 minutes 26 seconds
Creator: Gottlieb, Danny
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[Conte Candoli Lecture, April 7, 1987: Part 1]

Description: Jazz Lecture Series presentation by Conte Candoli on April 7, 1987 at 9:30AM at the UNT College of Music. Includes lecture and performance by Conte Candoli, trumpet, interspersed with questions from the audience.
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Date: April 7, 1987
Duration: 1 hour 19 minutes 58 seconds
Creator: Candoli, Conte, 1927-2001
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[Jerry Bergonzi, April 14, 1987: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Jerry Bergonzi on April 14, 1987 at 9:30AM at the UNT College of Music. Includes lecture and performance by Jerry Bergonzi, saxophone, interspersed with questions from the audience.
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Date: April 14, 1987
Duration: 1 hour 33 minutes 28 seconds
Creator: Bergonzi, Jerry
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[Buddy De Franco Lecture, April 21, 1987: Part 1]

Description: Jazz Lecture Series presentation by Buddy De Franco on April 21, 1987 at 9:30AM at the UNT College of Music. Includes lecture and performance by Buddy DeFranco, clarinet, interspersed with questions from the audience.
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Date: April 21, 1987
Duration: 1 hour 13 minutes 50 seconds
Creator: De Franco, Buddy, 1923-
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[Jim McNeely Lecture, April 28, 1987: Part 1]

Description: Jazz Lecture Series presentation by Jim McNeely on April 28, 1987 at 9:30AM at the UNT College of Music. Includes lecture and performance by Jim McNeely, piano, interspersed with questions from the audience.
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Date: April 28, 1987
Duration: 1 hour 10 minutes 52 seconds
Creator: McNeely, Jim

Storm Song

Description: Storm-song, as the title suggests, is concerned with two very different forms of musical material: 'storm' - tempestuous, dramatic and sometimes violent music with a strong sense of forward movement and goal orientation; and 'song' - a more lyrical, melodic aspect suggesting stasis and rest. These two ideas are developed through opposing musical means. For example, 'storm' is characterised in the tape part mainly by noise-based sounds, whereas 'song' uses more pitched material. Similarly, in … more
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Date: 1987
Duration: 14 minutes 36 seconds
Creator: Lewis, Andrew, 1963-

Caught in an Octogon of Unaccustomed Light

Description: This composition continues the development of a musical language based on the color of unusual acoustic sounds. In this case the predominant use of inharmonic timbres (metal, multiphonics and a non-octave tuning system), creates the language that our musical traditions has for the most part ignored. A series of sections or "windows" based on specific sound sources has the listener "caught" by their interactions. Overall structural integrity is maintained by the reuse of similar gestures, colors… more
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Date: [1987,1988]
Duration: 16 minutes 01 second
Creator: Dolden, Paul, 1956-

The Musician from Saint Merry

Description: An electroacoustic composition inspired by the poem of the same name by Guillaume Appolinaire (some fragments of the text have been used in the composition). Besides the recital, in the composition used the follow elements: vocal sounds of a classical and jazz woman-singer, electrical drums TAMA, drum-computer Roland TR 808, the gong sound; other sounds are originated by the synthesizer. The description of the technical equipment as well as the synthesizer type are adduced in the Application Fo… more
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Date: 1987
Duration: 13 minutes 55 seconds
Creator: Spáčil, Eduard, 1950-

Credo Epochula

Description: "Credo Epochula" was composed with basic elements that are computer-generated percussion, spoken voices produced electronically and naturally. With the exception of some brief notes by Joyce Cary, the text is original.
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Date: 1987
Duration: 10 minutes 30 seconds
Creator: Moore, Adrian, 1969-

Arghanum IV

Description: Arghanum (Gk. organon), arabic name for the byzantine organ. according to Ibn Khurdädhbih, writing in the 9th. c., it had bellows of skin and iron, and the word "arghanum" was interpreted as meaning 1000 voices. Arghanum IV uses a technique based on remembrances, mostly achieved by extracting materials from earlier compositions by lanza. Arghanum IV takes materials from the vocal pieces Penetrations VII and Ekphonesis V [written for and recorded commercially by Meg Sheppard]. The work also uses… more
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Date: 1987
Duration: 16 minutes 59 seconds
Creator: Lanza, Alcides

De Vez en Vez

Description: For soloist, synthesizers controlled by MIDI and multi-channel audio system. Premiere: Cycle " En Torno a los Sonidos Electrónicos", Museum of Contemporary Art Rufino Tamayo INBA 1988
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Date: 1987
Duration: 8 minutes 10 seconds
Creator: Russek, Antonio, 1954-

The Photograph

Description: The Photograph was conceived in two separate studios with very disparate equipment. It is using vocal, string, and percussion source sounds, as well as keyboard and electric guitar sound. The former from one studio, the latter from the other studio studio. No "real" acoustic instruments were used although they sound like "real instruments or voices. Different methods of sampling were used except for electric guitar. The metaphor for the piece is the photograph because as a photograph is a "capt… more
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Date: 1987
Duration: 12 minutes 51 seconds
Creator: Brunner, George, 1951-

Musique Dessinée

Description: The sounding material of the piece -as its titles indicates- is derived by sketching with an electromagnetic pen, on a graphic tablet of UPIC SYSTEM. The wave-shapes and envelopes come out mainly also by sketching, but wave-shapes and envelops of certain sound structures are determined by microform of human vowels. The work consists of nine formal sections. The work consists of nine formal sections. The lengths of these forms and duration of pauses and sounds are defined by a 60 membered numeri… more
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Date: 1987
Duration: 8 minutes 53 seconds
Creator: Patachich, Iván

Pranâ (Souffle de vie)

Description: Pranâ (breath of life) Where are you from? What are you doing here? Pranâ is a piece that describes the process of arriving on earth. The temporal organization of this coin is managed by the number of gold. The majority of the sound material was obtained by sound recording with microphone. Sampling was the main source of material transformation.
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Date: 1987
Duration: 12 minutes 30 seconds
Creator: Saindon, Denis, 1958-

En el Infinito

Description: In El Infinito - in his presentation actuel - consists of four variations without theme extracted as lunar stones from a trip to the infinite musical possibilities offered by musical techology. Infinite microtonal, infinite timbres, infinite rhythms, nuances, ornaments, ... Each of these variations explores the immanent expressiveness of this material. In this regard, there is no structural calculation, but an intuition, an improvisation guided by the same material when revealing its expressiv… more
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Date: 1987
Duration: 12 minutes 33 seconds
Creator: Asuar, José Vicente, 1933-

Variations on Return

Description: "Variations on return" was completed in the Finnish Radio Experimental Studio in 1987. The name has a double function: Laurson dictated the rhythms to the PDP 11 computer using the 'return' key, and the variation idea is a musical one, since the composer returns to the same material over and over again in different shapes. The basic sound material is an explosive noise produced by Music V. This is manipulated by a filtering programme developed originally at the GRM. After this Laurson has proce… more
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Date: 1987
Duration: 8 minutes 51 seconds
Creator: Laurson, Mikaël, 1951-

Le Voyage au Paradis

Description: The journey to Paradise, 5 images according to the fragments of Robert Musil, based on the voice of Gunda König, is a commission of the INA / GRM of Paris 1987, produced and realized in its studios. - PRIX MAGISTERIUM BOURGES 1988 - "sand / boats / buzz of people / further / arrived / the murmur of a fountain / beautiful the world in the distance like a bland noise / in the center of their hearts / in the center of his / her heart / center of my heart / now, one can dream, the senses are fallin… more
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Date: 1987
Duration: 20 minutes 41 seconds
Creator: Kaufmann, Dieter, 1941-

The Ballade about Wood

Description: The electroacoustic composition "The Ballad about Wood" on fragments of Béla Bartokos' viola concerto was premiered at the Electronic Radio and Television Studio in Budapest in collaboration with engineers Peter Janik and Jan Backstuber. It is based on two elementary sound structures: the structure of the wood and the structure of the polystyrene. These structures are treated analogically, like the fragments borrowed from Bartok. The contrasts and affinities of these structures that seek to ach… more
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Date: 1987
Duration: 11 minutes 12 seconds
Creator: Bázlik, Miroslav

Rumeurs (Place Ransbeck)

Description: A rumor is a sound in the air. Elusive, we seek to capture it, fearing that it may concern us, that it may hold a part of shameful truth. Fleeting, it cannot be caught. As soon as it materializes, it vanishes, leaving only traces in our memories. Here, nothing is certain. Where does this sound come from? What is it made of? The piece endlessly oscillates between pure sound and meaning, without ever resolving to one or the other. The piece is at the limit between texture and image, between mater… more
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Date: 1987
Duration: 12 minutes 26 seconds
Creator: Normandeau, Robert, 1955-

Chronaxie

Description: This work focuses mainly on the study of the various resonance times of percussion instruments, in a continuum idea from the longest resonances to the briefest ones. The rhythm follows a similar curve, starting from non-rhythm to an increasingly fast pace. Everything is built on a single rhythmic cell. The piece is for multiple percussion and tape.
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Date: 1987
Duration: 12 minutes 24 seconds
Creator: Arcuri, Serge, 1954-
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