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Flautando

Description: Recording of Rainer Bürck's Flautando. For flute and computer. Voice-to-Midi interface makes it possible to transform the playing of the performer into Midi data. These Midi data are being processed on four independent layers, then controlled by a sampler. There is a variety of different processing: pitches and velocity, delay, a played note can trigger many other notes etc. Each of the processing parameters can either be exactly determined, or it can be defined as a specific random interval wi… more
Date: 1997/1998
Duration: 11 minutes 05 seconds
Creator: Bürck, Rainer
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Mariposa clavada que medita su vuelo

Description: Recording of Nicolas Verin's Mariposa clavada que medita su vuelo. For flute, tape, and electronics. The title is a verse from the Ode to Salvador Dali by Federico Garcia Lorca. There is no contradiction, but a complementarity, between the internal micro-mobility of the sound material, its expansion, and a smooth and deployed curve, a free and wide flight.
Date: 1996
Duration: 17 minutes 20 seconds
Creator: Vérin, Nicolas
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Continuities II

Description: Recording of Butch Rovan's Continuities II. "Continuities II" represents together with "Continuities I", a long essay exploring interactive electronics using gestural controllers. The piece was conceived as an extended response to a short poem, A.R. Ammons, the poem moves into the background as a structural framework for the piece. Here the clarinet accesses a real-time sound world solely through movement of the clarinet, as the gestures of clarinet performance become a new language of timbral … more
Date: 1997
Duration: 18 minutes 22 seconds
Creator: Rovan, Butch
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15° harmonico

Description: Recording of Rodrigo Cicchelli Velloso's 15° harmonico. For harmonica, piano, and tape. This piece develops a series of variations of the initial piano sequence. Most of the sounds in the electronic part are taken from the samples of the piano itself, but a flute and various percussion instruments have also been used. These sounds have been reworked using different filtering techniques, to impose a harmonic relationship commonality between instrumental and electronic writing.
Date: 1995/1997
Duration: 10 minutes 16 seconds
Creator: Velloso, Rodrigo Cicchelli
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CellOrganics

Description: Recording of Nicolay Apollyon's CellOrganics. For Cello and ISPW. This work uses the timbre of the solo cello extended through computer signal processing and synthesis. The instrument generates the electronic sounds in real time under the soloist's direct control, offering a wide range of sonic possibilities. The signal processing and synthesis include live sampling, real-time granulation and spatialization. The computer tracks the pitch and amplitude envelopes of the input signal of the cello.
Date: 1996
Duration: 16 minutes 54 seconds
Creator: Apollyon, Nicolay, 1945-
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Comme une feuille tombe...

Description: Recording of Jean-Louis Poliart's Comme une feuille tombe... This work was the starting point of a double compositional approach which takes the form of a duet for oboe and bass clarinet on the one hand, and the present electroacoustic piece on the other. This work is freely inspired by the text, combining the notions of stasis, mobility, reflection, confusion and oblivion.
Date: 1997/1998
Duration: 11 minutes 27 seconds
Creator: Poliart, Jean-Louis
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Triquetraflux

Description: Recording of Garnet Willis' Triquetraflux. This work is a sound installation consisting of a system of three electromagnetic conispheric harps operating under computer control. In its most basic form, the work has been conceptualized as an acoustic sound generating organism; consisting of three conispheric harps is constructed to create a chaotic feedback system that produces sound. This piece is the fact that the sound you hear is interpreted and produced in real time.
Date: 1998
Duration: 50 minutes 13 seconds
Creator: Willis, Garnet
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A C 2

Description: Recording of Fumitake Ohnaka's A C 2. All of the sounds within this piece were modulated by A-Life algorithm. The sounds consist of: comb filtered noise, FM synthesis, sine waves, samples humans voice, piano tone, and nature sound. Then, these sounds were re-synthesized using Csound techniques, convolution, granular synthesis, and phase vocoder.
Date: 1997
Duration: 7 minutes 58 seconds
Creator: Ohnaka, Fumitake
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Points of departure

Description: Recording of Chin-Chin Chen's Points of departure. For vibraphone and tape, realized using Ensoniq SQ-2, SQ-R, and YAMAHA TX81Z. This work maintains the identity of the soloist vibraphone, and creates the ambiguity between the live vibe and the ghost vibe to some degree in some sections. The whole piece is clearly divided into 6 sections. The live vibe sometimes stands in the limelight (cadenza) and sometimes merges into the tape.
Date: 1996
Duration: 8 minutes 36 seconds
Creator: Chen, Chin-Chin
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Drinking Alone Under the Moon

Description: Recording of Yu-Chung Teseng's Drinking alone under the moon. For clarinet and computer music on tape. Inspired by Li Po's poem in the same title, paints a landscape of a man, the poet, drinking amid the flowers under the bright moonshine. To depict the drinking gesture and movement, a spatial notation, combined with other elements such as pitch bending effect, whispering sounds, and pre-recorded bottle sounds. Computer music material is drawn from the instrument with some electronically genera… more
Date: 1998
Duration: 7 minutes 34 seconds
Creator: Tseng, Yu-Chung, 1960-
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Ambon-Ulan-Alon

Description: Recording of Marie Pauline Esguerra's Abmon-Ulan-Alon. The title of this piece (Rain-rain-waves) reflects what is to be perceived as aquatic quality. Water and rain is the majority of sound material used in the piece, primarily in the way gestural sound objects, when iterated and developed in different ways, create larger, textural events, which continually shift the listener's focus.
Date: 1989
Duration: 8 minutes 14 seconds
Creator: Esguerra, Marie Pauline
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Compositions ornithologiques

Description: Recording of Bernard Fort's Compositions ornithologiques. For electronics and pre-recorded sound. This work was created using traditional electro-acoustic technique, exploring acoustic spaces and possibilities.
Date: 1996
Duration: 32 minutes 10 seconds
Creator: Fort, Bernard
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Feelings and relationships

Description: Recording of Paul Geladi's Feelings and relationships. This work is made from samples including acoustic and electronic instrument improvisations, which have been electronically processed.
Date: 1997/1998
Duration: 5 minutes 12 seconds
Creator: Geladi, Paul
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Barren lands

Description: Recording of Rajmil Fischman's Barren lands. The structure of this work is modelled on the periodicity of surf, consisting of repeated series of waves of increasing size and power. When the most powerful wave is at peak, the cycle begins again. There is one cycle made of three waves which are preceded by an introduction and followed by an epilogue. Each wave begins with the thinnest of sounds, builds towards a climax and, finally, dissolves.
Date: 1997
Duration: 10 minutes 11 seconds
Creator: Fischman, Rajmil, 1956-
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Azami

Description: Recording of Shinichi Morita's Azami. This work was created by using a collection of sounds, from a sampler, then processing the, to construct this work.
Date: 1998
Duration: 6 minutes 56 seconds
Creator: Morita, Shinʼichi, 1948-
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Affirmation

Description: Recording of Anna Elizabeth Hinkle Turner's Affirmation. This work uses pre-recorded sounds and electroacoustic technique to find new sound possibilities. The composer's utilized; ProTools, SoundEdit 16, StudioVision Pro and SoundHack for the generation and mixing of all sound files.
Date: 1997
Duration: 9 minutes 03 seconds
Creator: Hinkle-Turner, Elizabeth
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Pont de l'Alma de Paris

Description: Recording of Kazuo Uehara's Pont de l'Alma de Paris: I and II. This title is from the name " Pont de l'Alma " of the metro station in Paris. In this piece the composer tries to express the impression of Paris which has the harmony with contemporary culture and the historical culture. Environmental sounds from the town of Paris were used. In the first half, the piece expresses the impression of the town itself. In the second half, the piece expresses inspiration from the works of Fernand Leger.
Date: 1997
Duration: 4 minutes 39 seconds
Creator: Uehara, Kazuo, 1949-
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En cuerdas

Description: Commissioned by the Colombian guitarist Arturo Parra, En Cuerdas is the acousmatic version of a work for guitar and tape. Completely independent from the version for guitar and tape, this piece is to be projected on an orchestra of loudspeakers and is an autonomous work. Its sonic environment however remains that of strings that are plucked, rubbed and struck, made virtual and transformed by computer processes and expanded by the use of "electroacoustic writing".
Date: 1998
Duration: 11 minutes 26 seconds
Creator: Dhomont, Francis, 1926-
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Monólogo (Version 2)

Description: Recording of Guto Caminhoto's Monólogo (Version 2). Monólogo was composed using computer synthesized sounds and natural sounds. The main sound material prepared for this piece is the voice - words spoken and recorded by the composer, and computer synthesized voices with Csound’s FOF unit generator. Other sounds are bells, stones, wood and some more synthesized sounds. It was premiered on June, 13, 1996 at State University of Londrina, Brazil.
Date: 1996
Duration: 7 minutes 19 seconds
Creator: Caminhoto, Guto
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Bandejas

Description: Recording of Guto Caminhoto's Bandejas. The title of this piece comes from the solely sound source used: a group of metal trays (bandejas). The gestural and textural sounds were achieved by using various granulation processes. Bandejas was premiered on 1998 Wave Festival eXstatic Project (Melbourne, Australia).
Date: 1997/1998
Duration: 7 minutes 23 seconds
Creator: Caminhoto, Guto
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Racing unseen

Description: Recording of Natasha Barrett's Racing unseen. Racing unseen is an acousmatic composition in two movements: "Movement one: Racing Wide" and "Movement two: Racing Inside." Text accompanying this piece is as follows: "Racing through, Racing amongst, Into new spaces, Away from old emotions, Racing high, racing low, to escape, to seek, racing into the eddy... racing forever... racing unseen."
Date: 1996
Duration: 20 minutes 50 seconds
Creator: Barrett, Natasha
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Récit pour cordes

Description: Recording of Stéphane Roy's Récit pour cordes. "Récit pour cordes" can be understood as "story for strings" and the composer has this to say alongside the piece: The impatient gesture, the flight, the fall, the detonation followed by nothingness, then the beginning again, the call. Music can be a form of narration, by its content of course the picturesque facts, the lived stories that it sometimes tells, but also by its structure - which puts in scene a network of causal relations between the s… more
Date: 1998
Duration: 9 minutes 56 seconds
Creator: Roy, Stéphane
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Shatter

Description: Recording of Marc Ainger's Shatter. This composition focuses on sounds of machinery and breaking materials.
Date: 1998/2000
Duration: 8 minutes 08 seconds
Creator: Ainger, Marc
Item Type: Refine your search to only Sound
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