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  Partner: UNT Music Library
 Resource Type: Musical Score/Notation
Nouvelles Poesies Morales sur Les Plus Beaux Airs de la Musique Francoise et Italienne avec la Basse.: Fables Choisies Dans le gout de M. De La Fontaine, Sur des Vaudevilles & petits Airs aisés à chanter, avec leur Basse & une Basse en Musette.  Recueil I.  6 liv. broché.

Nouvelles Poesies Morales sur Les Plus Beaux Airs de la Musique Francoise et Italienne avec la Basse.: Fables Choisies Dans le gout de M. De La Fontaine, Sur des Vaudevilles & petits Airs aisés à chanter, avec leur Basse & une Basse en Musette. Recueil I. 6 liv. broché.

Date: 1737
Creator: La Fontaine, Jean de, 1621-1695
Description: This score is a collection of poetry and set to music including moral fables (marked on the table of contents with an asterisk). Each piece has words written with musical lines in treble, bass, or a combination of both. Includes a preface ('Avis.') and table of contents for the movements prior to page 1 for each of the seven collections ('recueil'). The pagination restarts for each collection and for the fables which fall at the end of each section.
Contributing Partner: UNT Music Library
Proserpine : tragedie mise en musique

Proserpine : tragedie mise en musique

Date: 1707
Creator: Lully, Jean Baptiste, 1632-1687
Description: With Proserpine, composer Jean-Baptiste Lully returned to his collaboration with librettist Philippe Quinault, which had been interrupted when the poet was banned from Court for offending Madame de Montespan (the king's mistress) with unflattering references in Isis. By 1679, Quinault had been restored to favor. Proserpine was first performed at St. Germain-en-Laye in February of 1680. Though seventeenth-century audiences were familiar with the story of Proserpine being carried off into Hades from numerous ballets and stage plays, Quinault returned to the source in Ovid's Metamorphoses to embellish the plot. In addition to details drawn from Ovid, Quinault added some of his own, making Proserpine among the most convoluted of Lully's operas. While the prologue alludes to King Louis XIV in the guise of Jupiter, the play itself refers specifically to the king's recent victories over the Spanish and Dutch when Jupiter battles and defeats the giants. Robert Isherwood notes that Jupiter's trip to Phrygia may represent Louis' inspection of Flanders after its defeat in 1679.
Contributing Partner: UNT Music Library
Iphigénie en Tauride. Tragédie lirique en quatre actes

Iphigénie en Tauride. Tragédie lirique en quatre actes

Date: 1781
Creator: Piccinni, Niccolò, 1728-1800
Description: The contrast between Piccinni and Gluck can perhaps best be illustrated with Iphigénie en Tauride, as Piccinni’s opera appeared just two years after Gluck’s work on the same subject. In fact, supporters of Piccinni (“Piccinnistes”) hoped that the Italian composer would demonstrate the superiority of his style with Iphigénie, and scholars have used these settings to illustrate the difference between the two composers.
Contributing Partner: UNT Music Library
Proserpine; tragedie

Proserpine; tragedie

Date: 1680
Creator: Lully, Jean Baptiste, 1632-1687
Description: With Proserpine, composer Jean-Baptiste Lully returned to his collaboration with librettist Philippe Quinault, which had been interrupted when the poet was banned from Court for offending Madame de Montespan (the king's mistress) with unflattering references in Isis. By 1679, Quinault had been restored to favor. Proserpine was first performed at St. Germain-en-Laye in February of 1680. Though seventeenth-century audiences were familiar with the story of Proserpine being carried off into Hades from numerous ballets and stage plays, Quinault returned to the source in Ovid's Metamorphoses to embellish the plot. In addition to details drawn from Ovid, Quinault added some of his own, making Proserpine among the most convoluted of Lully's operas. While the prologue alludes to King Louis XIV in the guise of Jupiter, the play itself refers specifically to the king's recent victories over the Spanish and Dutch when Jupiter battles and defeats the giants. Robert Isherwood notes that Jupiter's trip to Phrygia may represent Louis' inspection of Flanders after its defeat in 1679.
Contributing Partner: UNT Music Library
Renaud : tragedie lyrique en trois actes

Renaud : tragedie lyrique en trois actes

Date: 1783
Creator: Sacchini, Antonio, 1730-1786
Description: Sacchini’s first opera for the French stage was Renaud. Although he had the support of Marie Antoinette, Sacchini quickly learned that foreign (especially Italian) composers in Paris faced difficulties. The premiere of Renaud was intentionally delayed in an attempt to highlight Sacchini’s privilege with the queen, and the opera did not enjoy immediate success, even from Piccinni’s supporters. However, Renaud went on to be performed frequently, appearing as late as 1815.
Contributing Partner: UNT Music Library
Romeo et Juliette, opera en trois actes, en prose

Romeo et Juliette, opera en trois actes, en prose

Date: 1793
Creator: Steibelt, Daniel, 1765-1823.
Description: This is the score of Daniel Steibelt's first opera "Roméo et Juliette" composed in 1793 to a libretto by Vicomte Alexandre de Ségur. According to Grove Music, Steibelt submitted this opera to the Académie Royale de Musique, but it was rejected. The work was performed as opéra comique at the Théâtre Feydeau on 9 October 1793, after Steibelt replaced the original recitatives with spoken dialog. The opera is in three acts and the orchestral forces comprise: woodwinds (flutes (2), oboes (2), clarinets (2), and bassoon (2)), brass instruments (horns in E-flat (2), trumpets in C (2), and trombones (3)), timpani in C, and strings (violins, viola, violoncello, and bass). On the t.p., the publisher advertised Steibelt's arrangement for the piano of arias and overture of this opera.
Contributing Partner: UNT Music Library
Thesée; tragedie, mise en musique

Thesée; tragedie, mise en musique

Date: 1688
Creator: Lully, Jean Baptiste, 1632-1687
Description: Thesée, which premiered at the court theater at St. Germain-en-laye on January 11, 1675, was Jean-Baptiste Lully's third tragédie lyrique created in collaboration with librettist Philippe Quinault. As in most of his libretti for Lully, Quinault combines a plot based on a classical source (an episode from Ovid's Metamorphoses) with references to contemporary events. The Prologue alludes to Louis XIV's personal leadership in the military engagements in the Alsace (along the French/German border). The juxtaposition of Venus' entreaties for pleasure with Mars' call to arms reflects a period of unease during which the French armies were in retreat from the armies of the Elector of Brandenburg. This resulted in the unique joining of songs of love with songs of war and victory.
Contributing Partner: UNT Music Library
Le devin du village

Le devin du village

Date: 1785
Creator: Rousseau, Jean-Jacques, 1712-1778
Description: As with many French operas, Rousseau’s Le devin du village was first staged for the court, appearing at Fountainebleau on 18 October 1752. The work was then performed at the Paris Opéra on 1 March 1753. The historical importance of this short intermè is closely tied to its role in the famous Querelle de bouffons, a debate about the merits of French serious opera in comparison to Italian comic opera (especially Pergolesi’s La serva padrona).
Contributing Partner: UNT Music Library
Iphigenie en Aulide; tragédie. Opera en trois actes

Iphigenie en Aulide; tragédie. Opera en trois actes

Date: 1811
Creator: Gluck, Christoph Willibald, Ritter von, 1714-1787
Description: Although he did not have a production planned, Gluck composed the music for Iphigénie en Aulide for Paris, with the intention (along with Roullet) of establishing himself at the Opéra. He initially had difficulties convincing the Academy of Music to arrange for the production, but with the support of Marie Antoinette, the opera was finally realized in 1773. Gluck revised Iphigénie for performances in 1775. The most significant change was the addition of Diana as a character, whose appearance serves as the deus ex machina of the plot. He also altered and expanded the divertissements.
Contributing Partner: UNT Music Library
Panurge dans l'Isle des Lanternes : comédie lirique en trois actes

Panurge dans l'Isle des Lanternes : comédie lirique en trois actes

Date: 1785
Creator: Grétry, André Ernest Modeste, 1741-1813
Description: None
Contributing Partner: UNT Music Library