UNT Music Library - 61 Matching Results
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- Ensemble: 2009-11-04 – Global Rhythms
- Global rhythms concert presented at the UNT College of Music Recital Hall.
- La mousson
- Recording of Marie-Hélène Bernard's La mousson. This work is meant to represent a Cambodian summer, punctuated by the sounds of rain and children playing outside despite the weather.
- Bitter Orchids
- Recording of Steven Naylor's Bitter Orchids. This work was created with the support of the Nova Scotia Arts Council. The sound materials in this piece were recorded in northern Thailand and have been transformed to create a sonic fabric of memory and consciousness.
- Sing a song
- Recording of Simo Lazarov's Sing a song. This is a work for electronics and includes singing by a Bulgarian Folk group.
- Angels and devils
- Recording of Natasha Barrett's Angels and devils. This piece is one of two shorter acousmatic works underlying a theatre creation called "Agora". This recording is meant to explore the psychology of good versus evil and includes fragments from an old Norse poem: Volundkvadet.
- Le tour du monde en 280 secondes
- Recording of Thomas Gerwin's Le tour du monde en 280 secondes. This is a work for electronics that explores sounds around the world. The composer compares it to the concept of travelling into the future: "a nearly imperceptible floating or gliding from one space to another".
- Ensemble: 2008-11-04 – Concert Choir
- Concert presented at the UNT College of Music Winspear Hall.
- Ensemble: 2008-11-20 – African Percussion Ensemble
- Concert presented at the UNT College of Music Concert Hall.
- Ensemble: 2008-03-04 – Concert Choir and A Cappella Choir
- Concert presented at the UNT College of Music Winspear Performance Hall.
- Ensemble: 2008-04-02 – Advanced Afro-Cuban Ensemble, Brazilian Ensemble, and Latin Jazz Ensemble
- Concert presented at the UNT College of Music Concert Hall.
- Eden
- Recording of Robert Normandeau's Eden. This work is based on the music composed for the play "L'Éden cinéma" by Marguerite Duras. The stage and concert music were composed in parallel as part of the same fiction but corresponding to different purposes. Given Duras' music, which was filled with instruction, the composer of this work responded to this by playing continuous music in the room. In the concert version sound elements are added to represent different facets of Duras' life.