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- Panta rhei
- Recording of Jürgen Bräuninger's Panta Rhei. This piece is connected for one female dancer who is connected to a synthesizer via a cable ("Umbilical cord"). "Panta Rhei" ("everything flows") refers to the Greek myth of the Three Fates (Clotho, Lachesis and Atropos). The cable represents the string of life which the performer can not escape. This dependency forces her to react to the sound events with reach her through the cable.
- Tanz-Trypticon
- Recording of Jürgen Bräuninger's Tans-Trypticon.
- Chacoel (Musik für den frühen Abend)
- Recording of Martin Rudolf Schwarzenlander-Fischer's "Chacoel (Musik für den frühen Abend)" for tape.
- The waste land
- Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."
- Andere die Welt, sie braucht es
- Recording of Wilhelm Zobl's Andere die Welt, sie braucht es.
- Abominable A
- Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps, rhythms, and intonations. To these are added other sequences in French, German, and English. The work is divided into fifteen sections, each of which has a different criterion for processing the timbre, rhythm, and space. It was realized at the Electronic Laboratory for Experimental Music at the Conservatory "G. Rossini" in Pesaro from 1978 to 1980.
- Le grand silence d'un seul oiseau
- Recording of Will Eisma's "Le grand silence d'un seul oiseau" ("The great silence of a single bird") for tape. During World War II, a network of 40,000 km of trenches crossed South Flanders and the North of France. Still today, there remains part of these trenches as a long underground tunnel somewhere around Metz and Verdun. The composition represents an imaginary underground journey from Calais to the Swiss border, through the infernal moles, in the gloomy and frightening obscurity of this absurd war. The poem of Ab Van Eyk tells of these horrors: "Someone walks forward, slowly spitting out his lungs, while a bird pass near me, the gas ......... The night shows fiery angels, among the lights of the "no man's land "; until the twilight silence arrives, the great silence of a only bird, just before sunrise raspberry color." The piece was composed and realized in the studio Five Roses in April 1981.
- Sicher sein...
- Recording of Max E. Keller's Sicher sein... This piece confronts newspaper articles on the subject of redundancies, read by the orator, with the advertising slogan "Sicher sein, Bankverein."
- Hymnen
- Recording of Max E. Keller's Hymnen ("Hymns"). This is the Radio Version of the piece which was broadcasted in 1979. This piece confronts the authentic account of a Chilean's experience of torture by the Chilean fascists by means of a collage of national anthems. Hymns and anthems from countries that directly supported the fascist coup (or indirectly benefited from it) are used as base material. At first, only fragments of hymns are presented, then they are processed as a whole, and finally they are put together into a new anthem. This demonstrates their interchangeability in their music and lyrics (therefore, they are used without text). The idealistic glorifications tilt in the face of reality in stark mockery. This is further articulated by the fact that between the individual texts of the collage, the Chilean hymn sings and unprocessed re-sounds. The chivalric song of the French Revolution is the cipher and historical source of all the promises of freedom, equality and fraternity that the hymns give, but history has not fulfilled to this day.
- Moulin diabolique
- Recording of Eugeniusz Rudnik's Moulin Diabolique" ("Devilish Mill"). The work consists of six sequence that have their own dramatic, musical, and architectural meaning independent of the piece as a whole. The piece is based on military orders in different languages, as well as the sounds emitted by human groups (soldiers), which constitute the answer itself or accompany the answer that is required. The composer processes the sounds of the orders to deepen the grotesque and lugubrious character that these orders contain.
- Play bach
- Recording of Mayako Kubo's Play bach for eight channel tape. Play Bach is mainly based on two elements: first, there is no fixed form and no fixed duration because the composition consists in a mobile-system; second, the sound material uses only the tones B (Si-flat), A (La), C (Do), and H (Si) in different octaves performed by three instruments and with the letters B, A, C, and H spoken with human voice. Because the eight tracks are combined using a mobile system, each performance presents different combinations and thus a different performance each time.
- Son recif
- Recording of Jacqueline Ozanne's "Son recif" for voice and tape. This piece comes from a work on the myth of the sirens and includes texts written on this theme in their original languages. As the singer/speaker repeats the story, it is crossed by the sounds of these languages, by songs that cannot continue, as well as successive states of emotion. The electroacoustic tape plays a constant dramatic role: sometimes worrisome, sometimes reassuring, sometimes enveloping presences, it continually influences the interpreter in their vocal and dramatic production. The performance includes a video projection.
- Mr Frankenstein's Babies
- Recording of Klaus Röder's Mr Frankenstein's Babies for tape. The sound material consists only of voice sounds recorded by Röder himself. The sounds were worked out in an envelope shape and then copies upon the other so that there was a "chorus" sound.
- Pax
- Recording of Gottfried Martin's Pax for tape. Includes electronic and natural sounds, including voice, news recordings, and recordings of war sounds.
- Chanson
- Recording of Dieter Kaufmann's Chanson.
- Hommage aux grands faux penseurs
- Recording of Sven-Erik Bäck's Hommage aux grands faux penseurs.
- Unter dem Pflasterstein liegt der Strand
- Recording of Martin Schwarzenlander's Unter dem Pflasterstein liegt der Strand. The music is interspersed with text about demonstrations in East Germany during the 1970s.
- Maa'ts
- Recording of Bogusław Schäffer's Maa'ts for tape (4-lane). The composition if a collage for voices and electronics. The choir sings in harmonically exact microcompositions.The piece was produced in February 1981 in the studio of the Technical University Berlin.
- Twilights "protokolle für tonband gleichzeitiz gespielt mit window"
- Recordings of Gerhard Stäbler's Twilights "protokolle für tonband gleichzeitiz gespielt mit window" (Ewilights "Protocols for tape played simultaneously with window"). Poems were written by Ernestro Cardenal and other texts were taken out of "NEWSWEEK" issues between Auguest 1 and 8, 1983. Produced at the Computer Center of Stanford University/California.
- Faculty Recital: 2012-09-17 - Jennifer Lane, mezzo-soprano; Paul Leenhouts, recorder; Cynthia Roberts, baroque violin; Allen Whear, baroque cello; Christoph Hammer, harpsichord and organ
- A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.
- Master's Recital: 2013-03-24 - Fiona Gillespie, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Faculty Recital: 2003-03-13 - Linda di Fiore, contralto
- Recital presented at the UNT College of Music Recital Hall.
- Master's Recital: 2013-04-20 - Stephen Carroll, tenor
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Master's Recital: 2011-11-19 - Kongju Choi, mezzo-soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree
- Master's Recital: 2011-11-19 - Charlie Kim, tenor
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree
- Senior Recital: 2013-04-14 - Jamille Lea Brewster, soprano
- A senior recital performed at the UNT College of Music Voertman Hall.
- Faculty Recital: 1999-02-12 - Linda Di Fiore, contralto
- A faculty recital performed at the UNT College of Music Concert Hall.
- Faculty Recital: 1997-01-17 - Linda Di Fiore, contralto
- A faculty and guest artist recital performed at the UNT College of Music Recital Hall.
- Ensemble: 1997-04-09 - UNT Symphony Orchestra and UNT Grand Chorus
- Ensemble concert performed at the UNT College of Music Concert Hall.
- Guest Artist Lecture Recital: 2005-02-09 - Allen Forte, music theorist and Madeleine Forte, piano
- Guest lecture recital performed at the UNT College of Music Recital Hall.
- Master's Recital: 2007-10-05 Dianna Grabowski, mezzo-soprano
- Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.
- Master Recital: 2012-03-03 - Lindsey Rae Johnson, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Faculty Recital: 1989-02-05 - Harold Heiberg, piano, with the UNT Voice Faculty
- A faculty and guest artist recital performed at the UNT College of Music Recital Hall.
- Faculty Recital: 1991-11-16 - David Sundquist, tenor
- Faculty recital performed at the UNT College of Music Concert Hall.
- Faculty Recital: 1990-04-17 - Steven Farish, baritone; Jack Roberts, piano
- Faculty recital performed at the UNT College of Music Recital Hall.
- Master's Recital: 2015-03-22 - Agostina Migoni, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Senior Recital: 2015-04-05 - Lauren Harvey, mezzo-soprano
- A senior recital presented at the UNT College of Music Voertman Hall.
- Master's Recital: 2015-03-26 - Eun Ji Jung, soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Junior Recital: 2015-03-03 - Eleni Kotzabassis, soprano and Claire Choquette, mezzo-soprano
- A junior recital presented at the UNT College of Music Voertman Hall.
- Senior Recital: 2015-04-24 - Baird M. Gehring, baritone
- A senior recital presented at the UNT College of Music Voertman Hall.
- Junior Recital: 2015-03-24 - Andrea Weidemann, soprano and Daniel Myers, baritone
- A junior recital presented at the UNT College of Music Voertman Hall.
- Master's Recital: 2015-03-24 - Jing Xu, collaborative piano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Junior Recital: 2015-04-14 - Mason Jarboe, bass-baritone
- A junior recital presented at the UNT College of Music Voertman Hall.
- Junior Recital: 2015-04-21 - Diego Valdez, tenor and Malcolm Payne, Jr., baritone
- A junior recital presented at the UNT College of Music Voertman Hall.
- Master's Recital: 2015-04-11 - Stephanie Kong, mezzo-soprano
- Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.
- Faculty Recital: 2007-01-29 - Faculty Chamber
- A faculty recital performed at the UNT College of Music Winspear Hall.
- Faculty Recital: 2007-02-23 - Lynn Eustis, soprano and Kevin Jones, piano
- A faculty and guest recital performed at the UNT College of Music Recital Hall.
- Faculty Recital: 2007-03-27 - Liederabend
- A faculty recital performed at the UNT College of Music Winspear Hall.
- Faculty Recital: 2007-02-27 - William Scharnberg, horn and Bret Serrin, piano and James Gillespie, clarinet
- A faculty recital performed at the UNT College of Music Recital Hall.
- Faculty Recital: 2007-02-20 - Elizabeth McNutt, flute and Christopher Deane, percussion
- A faculty and guest artist recital performed at the UNT College of Music Recital Hall.