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  Partner: UNT Music Library
 Resource Type: Musical Score/Notation
 Language: English
Love in a Village: a Comic Opera As it is Performed at the Theatre Royal in Covent-Garden.  For the Harpsicord, Voice, German Flute, or Violin.

Love in a Village: a Comic Opera As it is Performed at the Theatre Royal in Covent-Garden. For the Harpsicord, Voice, German Flute, or Violin.

Date: 1763
Creator: Arne, Thomas Augustine, 1710-1778 & Bickerstaff, Isaac, 1735-1812
Description: Vocal score for Love in a Village is broken into four labeled sections ('books'), each of which has a separate title page, and includes the music from the comic opera which has figured bass. Some of the music includes underlaid lyrics and the names of the persons who performed the pieces. Table of contents for the entire work is on page [1]. According to Grove Music Online, the opera is the story of a heroine (Rosetta) who runs away from an unhappy marriage.
Contributing Partner: UNT Music Library
Devil to pay: or, The wives metamorphos'd

Devil to pay: or, The wives metamorphos'd

Date: 1732
Creator: Coffey, Charles, d. 1745; Mottley, John, 1692-1750 & Jevon, Thomas, 1652-1688
Description: English libretto to Charles Coffey's ballad opera The devil to pay or, The wives metamorphos'd. The Devil to Pay is an adaptation of Thomas Jevon’s play The Devil of a Wife (1686). Nearly fifty years later, the ballad opera appeared at Drury Lane with Charles Coffey and John Mottley each responsible for half of the three acts. However, a much shorter and more well-received one-act version, edited by Theophilus Cibber, is represented in the printed libretto. Today Coffey is generally the only name widely attached to The Devil to Pay. The opera’s popularity is attested by the frequent performances and a translation into German, which contributed to the development of the Singspiel.
Contributing Partner: UNT Music Library
The encore concerto for piano and orchestra

The encore concerto for piano and orchestra

Date: 1956
Creator: Gillis, Don, 1912-1978.
Description: This is a holograph score of Don Gillis "The Encore Concerto for Piano and Orchestra." Gillis's dedicated this his first piano concerto to his friend Joseph Kahn. The entire score is in loose white onionskin pages and black ink. It is part of the UNT Music Library's Don Gillis Special Collection, which can be accessed at <http://www.library.unt.edu/music/special-collections/gillis/the-don-gillis-collection-1>. Page 96A is an alternative re-orchestrated version that replaces the essentially chordal accompaniment presented in p.96.
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Beggar's opera

Beggar's opera

Date: 1735
Creator: Pepusch, John Christopher, 1667-1752. & Gay, John, 1685-1732.
Description: This is a 1735 fourth ed. of the three-act ballad opera "The beggar's opera" by John Christopher Pepusch and John Gay. It includes the score for the overture (for violins (2), viola, and bass ensemble) and the melodies of each song. The inscription, "Nos haec novimus esse nihil" (transl. as, We know these to be nothing) that appears on the t.p. is an epigram by Marcus Valerius Martialis from his Books of Epigrams. On the back of the t.p. appears the advertisement of these works printed by John Watts: Fifty one new fables in verse; The tunes to the songs in the Beggar's Opera, transposed for the flute; and Gay's opera "Achilles." A table of songs shows the first lines of text for each act. The item includes a list of characters.
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Walkin' by the River

Walkin' by the River

Access: Use of this item is restricted to the UNT Community.
Date: July 16, 1957
Creator: Carlisle, Una Mae, 1915-1956. & Sour, Robert, 1905-
Description: This is a manuscript score of Joseph [Joe] A. Coccia's arrangement for jazz ensemble of the song "Walkin' by the River," by Una Mae Carlisle. It includes chord symbols and sections of the music, dynamics and solo entrances were marked using red pencil. On the back of the last page of the manuscript, there are suggested performance instructions and an alternative ending addressed to Stan [Kenton]. Each page of the manuscript bears the inscription "Stan Kenton Orch."
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Achilles. An opera.

Achilles. An opera.

Date: 1733
Creator: Gay, John, 1685-1732
Description: John Gay is credited with inventing the ballad opera, a genre that blends spoken plays and previously composed songs to new texts. Although The Beggar’s Opera (1728) was his most successful endeavor, he continued to compose English musical dramas. Achilles was finally performed in 1733, one year after Gay died. In this story, Achilles appears as a girl named Pyrrha, unknown to most of the inhabitants of the island of Scyros, in order to circumvent a prediction that he will die in battle. Deidamia (the king’s daughter) knows the secret, however, because she is carrying the disguised man’s child. After Achilles’s identity is revealed, he and Deidamia are able to wed. Then, in a fateful twist of irony, Achilles plans to join the Greeks in the Trojan War.
Contributing Partner: UNT Music Library
Daisy: Opera in Two Acts

Daisy: Opera in Two Acts

Access: Use of this item is restricted to the UNT Community.
Date: September 15, 1973
Creator: Smith, Julia, 1905-1989
Description: This is the original conductor's score for the opera "Daisy" including the vocal parts as well as instrumental lines for flute, oboe, clarinet, bassoon, horns, trumpets, bass trombone, timpani and percussion, harp and piano, violin, viola, cello, and string bass. The introductory pages at the start of the score include acknowledgements and synopsis by Professor Kenneth L. Ballenger, the cast of characters and scene list (5 scenes). There is an index to the scenes for each act following their title pages (before page 1 for Act I and before page 262 for Act II).
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Thomas and Sally

Thomas and Sally

Date: 1782
Creator: Arne, Thomas Augustine, 1710-1778 & Bickerstaff, Isaac, 1735-1812
Description: 1782 vocal score of Thomas Arne's opera Thomas and Sally, or the Sailors return. Dramatic pastoral in two acts by Thomas Augustine Arne to a libretto by Isaac Bickerstaff; London, Covent Garden, 28 November 1760. Thomas and Sally can claim to be the first all-sung English comic opera. It is noteworthy as well for the introduction of clarinets into the orchestra (Grove Music Online).
Contributing Partner: UNT Music Library
Artaxerxes. An English opera.

Artaxerxes. An English opera.

Date: 1763
Creator: Arne, Thomas Augustine, 1710-1778
Description: 1763 English libretto for Thomas Arne's opera Artaxerxes. Thomas Arne most likely wrote his own libretto for Artaxerxes, which enjoyed a successful run at Covent Garden beginning on 2 February 1762. Artaxerxes follows the structure of Metastasio’s Italian libretto on the same subject; no other English-language opera has been recognized as following the principles of Metastasian opera seria.
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Esther, a sacred oratorio in score

Esther, a sacred oratorio in score

Date: 1794
Creator: Handel, George Frideric, 1685-1759.
Description: This is a ca. 1794 score of "Esther," a sacred oratorio by Handel. According to the Grove Dictionary of Music, the English libretto of the oratorio was probably a collaborative work between John Arbuthnot and Alexander Pope with additional words by Samuel Humphreys. The engraved frontispiece that precedes the t.p. bears the title "Apotheosis of Handel," and the inscription, "The portrait from an original picture of Hudson's in the possession of Dr. Arnold. Designed by Rebecca [Biagio]. Engraved by [James] Heath. Published the 26th of May 1787, being the anniversary of the commemoration of Handel." A table of contents appears on p. 185 with incipits of first lines of text of recitatives and aria. The performance medium includes: oboes (2), flute, bassoon (2), trumpet, strings (violins, viola, violoncello, and bass), harp, soloists (S) and mixed chorus (SATB), and basso continuo. The choral number that appears in the appendix on p.183, contains a note, "This chorus comes in page 122."
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Hortense

Hortense

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the nocturne "Hortense" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to Loise Dulcken (1811-1850), a German pianist famous for her pianistic prowess, the musical soirées she sponsored, which gathered prominent musicians, painters and literary figures, and for having taught piano to Queen Victoria. The nocturne Hortense is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande ...
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Esther, a sacred oratorio in score

Esther, a sacred oratorio in score

Date: 1794
Creator: Handel, George Frideric, 1685-1759.
Description: This is a bound copy of a ca. 1794 score of "Esther," a sacred oratorio by Handel. The cover contains the inscription, "The works of Handel, edited by Dr. Arnold." It does not include the frontispiece preceding the t.p. According to the Grove Dictionary of Music, the English libretto of the oratorio was probably a collaborative work between John Arbuthnot and Alexander Pope with additional words by Samuel Humphreys. A table of contents appears on p. 185 with incipits of first lines of text of recitatives and aria. The performance medium includes: oboes (2), flute, bassoon (2), trumpet, strings (violins, viola, violoncello, and bass), harp, soloists (S) and mixed chorus (SATB), and basso continuo. The choral number that appears in the appendix on p.183, contains a note, "This chorus comes in page 122."
Contributing Partner: UNT Music Library
Lucrezia Borgia, introduction and brilliant variations, for the piano forte

Lucrezia Borgia, introduction and brilliant variations, for the piano forte

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the "Lucrezia Borgia, introduction and brilliant variations, for the piano forte" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Lucrezia Borgia, introduction and brilliant variations" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. This piece was inspired on the opera "Lucrezia Borgia" (1833) by Gaetano Donizetti to whom von Meyer dedicated the work. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, ...
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Variations brillantes sur la cavatine favorite Aurora sorgerai

Variations brillantes sur la cavatine favorite Aurora sorgerai

Date: 1830?
Creator: Herz, Henri, 1803-1888.
Description: This is a digital copy of the ca. 1830 edition of Henri Herz's Brilliant variations for the piano forte on the cavatina "Aurora che sorcerai" from Rossini's two-act melodrama "La donna del lago," (i.e., The lady of the lake). The library's copy is part of a bound collection of piano music by variopus nineteenth-century composers. The pianist, and Herz's friend, Franz Hünten adapted several passages of the music to suit the range of the contemporaneous piano fortes. A note on the t.p. indicates that "Mrs. [Lucy] Anderson had the distinguished honor of performing this piece before their Majesties at Brighton." Plate no. 476.
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Grande étude de bataille, for the piano forte, op. 35

Grande étude de bataille, for the piano forte, op. 35

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the "Grande étude de bataille for the piano forte, op. 35" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the Bohemian pianist and composer Ignaz Moscheles (1794-1870). "Grande étude de bataille for the piano forte" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien ...
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Airs russes: fantaisie for the piano forte, op.43

Airs russes: fantaisie for the piano forte, op.43

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Music score for Airs russes: fantaisie, written for the piano forte, part of opus 43 by Leopold von Meyer.
Contributing Partner: UNT Music Library
Andante for the piano forte, op.42

Andante for the piano forte, op.42

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score of "Andante for the piano forte", part of opus 42 by Leopold von Meyer.
Contributing Partner: UNT Music Library
Chord Studies for Piano, Book 2

Chord Studies for Piano, Book 2

Date: 1965
Creator: Johnson, Merritt
Description: Six chord studies for piano in D minor, B-flat major, B minor, A minor, E-flat major, and A major.
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Chord Studies for Piano, Book 1

Chord Studies for Piano, Book 1

Date: 1964
Creator: Johnson, Merritt
Description: Six chord studies for piano in C major, G major, F major, A minor, E minor, and D major.
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Chord Studies for Piano, Book 3

Chord Studies for Piano, Book 3

Date: 1966
Creator: Johnson, Merritt
Description: Six chord studies for piano in C minor, F-sharp minor, A-flat major, F minor, E major, and C-sharp minor
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Miniatures for Organ, Op. 8

Miniatures for Organ, Op. 8

Date: 1931
Creator: Johnson, Merritt
Description: Five compositions for solo organ in A-flat major, D major, D-flat major, E-flat major, and A minor.
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Father, In Thy Mysterious Presence: Anthem for Mixed Chorus

Father, In Thy Mysterious Presence: Anthem for Mixed Chorus

Date: 1941
Creator: Johnson, Merritt
Description: SATB anthem with Accomp. ad lib.
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Dream River for Piano

Dream River for Piano

Date: 1956
Creator: Johnson, Merritt
Description: Composition for solo piano
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Compositions for Piano: Legerdemain

Compositions for Piano: Legerdemain

Date: 1948
Creator: Johnson, Merritt
Description: Composition for solo piano
Contributing Partner: UNT Music Library
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