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UNT Music Library
- Stan Kenton signing autographs
- Photograph of Stan Kenton signing autographs for an unidentified man and woman. There are other people and curtains visible in the background. digital.library.unt.edu/ark:/67531/metadc9584/
- Stan Kenton with unidentified man
- Photograph of Stan Kenton talking with an unidentified man. There are standing next to several filing cabinets. digital.library.unt.edu/ark:/67531/metadc9598/
- [Stan Kenton with unidentified people]
- Photograph of Stan Kenton with two unidentified men and a woman standing in front of a large-patterned curtain. digital.library.unt.edu/ark:/67531/metadc9617/
- [Stan Kenton's orchestra]
- Photograph of musicians (likely Stan Kenton's orchestra). The players are all men and are seated in rows on risers. They are playing stringed instruments and reading music from low, decorative music stands. digital.library.unt.edu/ark:/67531/metadc9570/
- [Stan Kenton's orchestra]
- Photograph of Stan Kenton on a stage with an orchestra. Kenton is leaning against a piano in the foreground of the image. In the background, rows of string players are seated on risers and a drum set near the piano has the name "Shelly Manne" is near the piano. digital.library.unt.edu/ark:/67531/metadc9571/
- [Stan Kenton's orchestra]
- Photograph of an orchestra (likely Stan Kenton's). In the foreground of the image, several rows of string players are seated on risers and playing music from from decorative music stands. In the background, there are several men including one seated at a raised drum set and one seated at a piano on the floor. digital.library.unt.edu/ark:/67531/metadc9572/
- Thesee : tragédie
- Thesée, which premiered at the court theater at St. Germain-en-laye on January 11, 1675, was Jean-Baptiste Lully's third tragédie lyrique created in collaboration with librettist Philippe Quinault. As in most of his libretti for Lully, Quinault combines a plot based on a classical source (an episode from Ovid's Metamorphoses) with references to contemporary events. The Prologue alludes to Louis XIV's personal leadership in the military engagements in the Alsace (along the French/German border). The juxtaposition of Venus' entreaties for pleasure with Mars' call to arms reflects a period of unease during which the French armies were in retreat from the armies of the Elector of Brandenburg. This resulted in the unique joining of songs of love with songs of war and victory. digital.library.unt.edu/ark:/67531/metadc76/
- [Toscanini and Gillis]
- Photograph of three men identified as Don Gillis (far right), Arturo Toscanini (middle) and an unidentified man on the far left. Gillis is wearing a light-colored suit and the other two men are wearing dark clothing. There appear to be music stands organized behind them. digital.library.unt.edu/ark:/67531/metadc86072/
- Le triomphe de l'amour
- Le Triomphe de l'Amour, a ballet de cour created by composer Jean-Baptiste Lully and librettists Isaac de Benserade and Philippe Quinault, was danced for the first time at Saint-Germain-en-Laye on January 21, 1681. Several setbacks, including the illness of the dauphin and the reluctance of court ladies to attend the ballet, postponed its premiere for nearly three months. Benserade, one of the creators of the ballet de cour, was drawn out of retirement to create verses in celebration of the dauphin's marriage to Marie-Anne-Christine-Victoire of Bavaria. The first public performance at the Palais Royale in Paris took place May 6, 1681. digital.library.unt.edu/ark:/67531/metadc75/
- Valses brillantes
- This is a digital copy of "Valses brillantes" by Leopold von Meyer. This piece was issued as the third of four pieces published under the title "Repertoire de Léopold de Meyer." The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Valses brillantes" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39279/
- Variations sur un thême de Semiramis de Rossini, op.37
- This is a digital copy of "Variations sur un thême de Semiramis de Rossini, op.37" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to madame d'Obrescoff. Variations sur un thême de Semiramis de Rossini, op.37 is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure. digital.library.unt.edu/ark:/67531/metadc39281/