Program for Regents Faculty Lecture by Dr. Timothy Jackson, Associate Professor of Music Theory, College of Music on "The 'New Teaching' 1928-1935 and 2001-: the Reinhard Oppel Memorial Collection at UNT and Schenkerian Analysis in the New Millennium." Program includes a WebCT Demonstration by Jennifer Sadoff, doctoral student, teaching fellow, and winner of the Toulouse Doctoral Fellowship and scholarships from the Jewish Federations of Chicago and Dallas. Other participants include Melissa Hall, piano, and Heejung Kang, performing Liebeslied ("Love Song") by Oppel, Schliesse mir die Augen Beide ("Close Both My Eyes") by Paul Kletzki, Über ein Stündlein ("In a Short While") by Oppel, Fugue by Hans Weisse for Heinrich Schenker, and Klavierstuck ("Piano Piece") Op. 4, No. 1 by Heinrich Schenker.
Three songs for two voices (soprano and alto) with piano accompaniment. 1. Tanzlied (O.J. Bierbaum); 2. Halte still (Adolf Bartels); 3. Keen Greff is so breet (Klaus Groth).
Music score for four toccata and fugue sets by J.S. Bach with foreword by F. K. Griepenkerl. Edition contains no BWV attributions. Plate number 2696(210).
Manuscript piano/vocal score for three songs from "Siebenten Ring" by Stefan George. Lied I appears in two keys: B-flat major and B major. Lieder V and VI also appear in F major and G major, respectively.
Manuscript piano/vocal score for three songs from "Siebenten Ring" by Stefan George. Lied I appears in two keys: B-flat major and C major although the first version does not resemble Lied I from Box A, Folder 19, Item 1 in this collection. Lieder V and VI also appear in G major and A-flat major, respectively.
"Antiquarian bookshop and autograph shop [of] Heinrich Hinterberger." A catalog of Heinrich Schenker's library. The catalog is divided into three parts: I. Music; II. Musical Rarities; III. Theater, Ballet, Dance.
First page of a mirror canon for four voices and brief sketches in Oppel's handwriting. The third word in the title is difficult to discern but the first word, "Spiegel," translates to "mirror."
Essay entitled "On Beethoven's Relationship with Mozart and Ph. Em. Bach." Text uses incipits from the eponymous composers' works and counterpoint examples to illustrate Oppel's prose arguments.
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