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[Fair to Midland setlist]: Concert setlist for the band Fair to Midland, hand-written in black marker on lined notebook paper.
[Fair to Midland setlist, San Antonio set]: Setlist from a San Antonio concert by the band Fair to Midland on an unknown date. The set is listed as intro, kyla cries cologne, vice/versa, (the rain in spain), a seafarers knot, jericho, (dot), and dance of the *manatee.
Fantaisie sur L'elisire d'amore, op. 32: Musical score containing the piano piece for "Fantaisie sur L'elisire d'amore," part of opus 32 by Leopold von Meyer.
Fantaisie sur Les Hirondelles: Musical score containing the piano part for "Fantaisie sur Les Hirondelles" by Leopold von Meyer.
Fantaisie sur Norma, [op.40]: Musical score containing the piano piece for "Fantaisie sur Norma," part of opus 40 by Leopold von Meyer.
Fantasie in Fugenform für Orgel: Fair copy score of a fantasia in the form of a fugue for organ.
Feast upon Bob: Recording of Lars Gunnar Bodin's Feast upon Bob. For electronics.
[Fig. 2 Spectrograms #1]: Spectrograms demonstrating the difference between instrumental and synthetically generated notes, taken from the article Generating Instrumental Music by the Computer.
[Fig. 2 Spectrograms #2]: Spectrograms demonstrating the difference between instrumental and synthetically generated notes, taken from the article Generating Instrumental Music by the Computer.
La fileuse: parodie d'Omphale: "A parody in one act on André Cardinal Destouches' opera, Omphale."
Filmmusik: Recording of Oskar Sala's Filmmusik. This is a work for electronics and is separated into 8 untitled movements.
First movement of untitled piece for string quartet: Autograph sketch for the first movement of a piece for string quartet with many dynamics written in red pencil.
Fives stages: Recording of Karel Odstrčil's Five stages. For brass instruments, pre-recorded sound, and electronics.
Fleeting images: Recording of Adrian Moore's Fleeting images. This piece utilizes musical spatialization and electronic techniques.
Fonction grise: Recording of Gottfried Michael Koenig's Fonction grise.
Forma del respiro: Recording of Michelangelo Lupone's Forma del respiro. The composer transformed the sound of the word "respiro" (breath) until the metamorphosis of the sound itself which refers to the action to blow. Starting from the word and treating rhythm and timbre as elements of musical variation allowed the composer to highlight the complexity of the components of sound, the smallest (grains). The possibility of reaching the depth of the cells (until one can no longer distinguish them from a cell of noise), suggested to the composer the structure and the processes of sound synthesis. The realization used the Fly 30 sound synthesis and processing system.
Fra pensieri quel pensiero: Autograph sketch of song in Box B, Folder 4, Item 1 in this collection
Fra pensieri quel pensiero: Autograph score of Italian art song for flute or violin, alto, and piano.
From the Tripod: Recording of Ton Bruynèl's From the Tripod. "Give me the strength and courage to contemplate this world without disgust." Baudelaire We hear this quote at the end of Ton Bruynèl's work as a mechanical bird passes and bells ring. This program music musically traces a kind of history of the West commented upon by a group of women, from Grace to American society. "From the Tripod" is a piece for loudspeakers, women, and listeners.
Frozen Mirrors: Recording of Stephen Montague's Frozen Mirrors.
Die Fugen des "Wohltempierten Klaviers" von Joh. Seb. Bach: Blank analysis chart resembling that used in Box A, Folder 7, Item 2 in this collection.
Die Fugen des "Wohltempierten Klaviers" von Joh. Seb. Bach: Envelope addressed to Oppel with harmonic analysis on reverse.
Fugue and Choral Fantasy: Recording of Otto Luening's Fugue and Choral Fantasy.
[Full-Length Portrait of Stan Kenton]: Photograph of Stan Kenton wearing a suit, striped tie and handkerchief, standing in front of a blank wall with one hand in his pocket.
Fünf Stücke für Klavier, Op. 21: Five pieces for piano, by Reinhard Oppel.
Furioso: Bass Part: Double bass part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Bassoon Part: Bassoon part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Cello Part: Cello part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Clarinet 1 in Bb Part: First (1st) clarinet part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Clarinet 2 in Bb Part: Second (2nd) clarinet part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Cornets in A Part: Cornet part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Horns in F Part: Horn part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Oboe Part: Oboe part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Organ Part: Organ part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Piano Part: Reduced score/piano part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Piccolo Part: Piccolo part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Trombone Part: Trombone part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Tympani in E & B, Triangle & Cymbals Part: Percussion part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Viola Part: Viola part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Violin 1 Part: First (1st) violin part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furioso: Violin 2 Part: Second (2nd) violin part for music intended to accompany a silent film, "For Scenes depicting Riots, Fights, Tumultuous Crowds etc."
Furjün: Recording of Jürg Lindenberg's Furjün. The composer describes this work as a sound painting whose sound materials come from recordings of the voice, guitar, rain, and drums.
Gedrucktes: Typed lists of Reinhard Oppel's arrangements and compositions. The first list gives vocal works; the second, instrumental works.
El gloton de pepperland: Recording of Ariel Martínez's El gloton de pepperland.
Goom sounds: Recording of Jouko Suonio's Goom sounds.
Grafitti: Recording of René Cesar's Grafitti.
Grand galop de bravoure: This is a digital copy of "Grand galop de bravoure" by Leopold von Meyer. This piece was issued as the fourth of four pieces published under the title "Repertoire de Léopold de Meyer." The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Grand galop de bravoure" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure.
Grand septuor, op. 20: An arrangement for 2 pianos, 4 hands, of Beethoven's Grand Septuor, op. 20, which was originally for clarinet, bassoon, horn, violin, viola, cello and double-bass. Parts are on facing pages; UNT's copy lacks the title page and page 2 (the first page of the lower piano part).
Grande étude de bataille, for the piano forte, op. 35: This is a digital copy of the "Grande étude de bataille for the piano forte, op. 35" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the Bohemian pianist and composer Ignaz Moscheles (1794-1870). "Grande étude de bataille for the piano forte" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure.
Grande fantaisie orientale, op. 38: This is a digital copy of the "Grande fantaisie orientale, op.38" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Grande fantaisie orientale" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: fantaisie pour le piano forte, op.43; Marche marocaine Machmudier: air guerrier national [sic] des turcs [sic]; Grande march [sic] triomphale D'Isly, op.30; Hortense: notturno for the piano forte; Andante for the piano forte, op.42; Bajazeth: air nationale des turques; Grande etude de bataille, op.35; Quatre morceaux pour le piano forte: no.1 Le depart et le retour (deux noturnes); no.2 Airs russes, op.20; no.3 Valses brillantes; no.4 Grand gallop de bravoure.

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