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Analysis of Bach C-minor prelude
Schenkerian analysis of a prelude by J.S. Bach. No BWV catalog number is given.
Andante for the piano forte, op. 42
Musical score of "Andante for the piano forte", part of opus 42 by Leopold von Meyer.
Anna Bolena
Piano-vocal score for selections from Gaetano Donizetti's Anna Bolena, with libretto by Felice Romani.
The Ann's confession
Recording of Stanislav Kreitchi's The Ann's confession.
Anthem
Recording of George Brunner's Anthem. This is a work for electronics.
L'Arbre et Coetera
Recording of Alain Savouret's L'Arbre et Coetera.
L'ascension d'Euclide
Recording of Horacio Vaggione's L'ascension d'Euclide.
L'Atalipa: dramma per musica
Libretto for L'Atalipa by Girolamo Gigli.
Atlantis
Recording of George Brunner's Atlantis. This is a work for electronics.
Atlantis: She Stood Weeping
Recording of George Brunner's Atlantis: She Stood Weeping. This is a work for electronics.
Au matin
Christian Clozier, at the invitation of the Experimental Studio of Polish Radio, went to Warsaw in April 1987 to work on the realization of this piece which he finished on his return to the GMEB (final mix). He had developed in Warsaw the electronic materials of the work and had modeled and developed them in pre-structured sequences that constituted the story of "In the morning". The play is in four parts: first the introduction followed by a movement of a dense and dynamic sound gestation on the establishment of a quiet and expressive part although of great intensity. The last movement is built and articulated by sequencing and mixing sequences in the field of timbres, heights and temporal energy.
Aufführungen
A list of fourteen performances of Oppel's works.
Aurora
Recording of Leo Nilsson's Aurora.
Aus ihrem Leben
Typed statement regarding Emilie Mayer.
Ausführliche theoretisch-practische Anweisung zum Piano-forte-Spiel, vom ersten Elementar-Unterrichte an, bis zur vollkommensten Ausbildung
"Detailed theoretical and practical instruction on playing the piano-forte," issued in four parts.
Autodafé
Recording of André-Luc Desjardins' Autodafé. This work is a rhythmic piece with soprano saxophone improv, percussion, and electronics.
Ave Maria
Voice and piano with score and separate vocal part. "In memory of my father."
Ave Maria Stella
Recording of Jozef Malovec's Ave Maria Stella. Ave Maria Stella has been sung in monasteries from the Middle Ages to the present day. The lyrical poems have undergone various musical adaptations from the Gregorian choirs to popular songs, by numerous anonymous authors. The lyrical poem has a philosophical and spiritual orientation. This electroacoustic composition is inspired by the Ave Maria Stella made using electroacoustic sound transformations, embellished with quotes from different versions of this song.
Ayayayaya
Recording of Mesias Maiguashca's Ayayayaya.
[Baboon, Record Player poster]
Poster advertising a concert by Baboon and Record Player on May 13th of an unknown year, at 317 Bryan Street, Denton, Texas. Poster features an illustration of two red figures' faces, one having three eyes and the other having one eye, with their green tongues extended and touching. Event details are printed below the image in red text on a black background.
Bachs Kunst der Fuge
Oppel's analysis of J.S. Bach's "Die Kunst der Fuge" (The Art of the Fugue). Each leaf of the notebook contains handwriting on recto side only.
Bajazeth
Musical score containing the piano part for "Bajazeth: air national [sic] des turques pour le piano forte" by Leopold von Meyer.
Ballade
Recording of Ivan Patachich's Ballade. This work strives to adapt popular music electronically; its basis is a popular tchango ballad. The sound material of the piece includes the spoken text in prose and sung of the ballad, as well as the concrete sounds characterizing the ballad (sounds of carts, cries of pain, floods of water, etc.). All the parameters of form, rhythm, dynamics, as well as synthetic sounds are given by the indicated numeral series and by the derivatives. It consists of eight formal parts (movements). The structure is two voices, stereophonic.
Beethoven V. Sinfonie
"Presentation of the musical content according to the manuscript, taking into account the performances and literature." 73 pages of text.
Belshazzar : a sacred Oratorio in Score
A sacred oratorio in three acts for soloists and mixed chorus (SATB) with orchestra acc. (2 oboes, 2 violins, viola, and basso continuo). A contents index is given on p. 219. According to the Grove Dictionary of Music and Musicians, Handel composed this oratorio from 23 August - 23 October 1744. Charles Jennens wrote the libretto on the Biblical story of the downfall of the King of Babylon with details taken from "Cyropaedia" (a political romance about the education of an ideal ruler) by Herodotus and Xenophon's.
Ben Grauer interviews Willis Conover
Recording of the raw audio of an interview with Willis Conover by Ben Grauer. Grauer mentions that Conover has hosted his program on the Voice of America for the past 20 years, placing the date around 1975. This interview is about Conover's book Lovecraft at Last. There are frequent interjections from someone off-microphone. This audio was used in an episode of the VOA program "New York, New York with Ben Grauer."
Berlin 1757
Page of single staff lines in different keys of phrases in different musical styles, ostensibly from or emulating the eighteenth century.
Berlin Report
You are crazy my child, you have to go to Berlin, where there are crazy people, there is your domain! Come only once to Berlin, then you'll be surprised ... yes, it's Berlin air, air, air, air ... It was like that, huh? Do you think I love you only because I'm dancing with you??? Come, Prince of Prussia, come to Berlin! Cleaner of lamps, he is, my father, at the Municipal Theater of Berlin ... Start! Now! Say so then! Back off, the train will enter the station! The first, the second ... People today, they are all so nervous! Who throws clay there? I just like it, I like it!!! Do not let the engine warm up, say so! That's enough for me, I go first to "Dorle," drink a shot. The Viennese Waltz in Berlin, it exists??? The May 1954 demonstration, airplanes, factory halls, garbage. Do you think I love you only because I dance with you? Eisler: "Der Graben", der Graben (the trenches), der Graben (dig) Go back! I really like Berlin, but I think there is still more to do.
[Binder's Collection - Amalia Genth - M1-S6642-1850z]
Bound compilation of sheet music from a variety of composers. This volume is held by Duke University, and is posted here in conjunction with the Binders Volumes Research Initiative, a project funded by a grant from the National Endowment for the Humanities - Humanities Collections and Reference Resources (PW-290538-23).
[Binder's Collection: Columbus Public Library, Parts]
Bound compilation of parts to accompany the volume M218.C67. This collection's contents do not overlap entirely with those of main volume. The library catalog record follows the handwritten numbering in the main volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items. The set of parts also has several short manuscript pieces added at the end; some parts are for both violin or flute, or for flute but playable on violin. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.
[Binder's Collection: Oliver Brett]
Bound compilation of sheet music collected by Oliver Sylvain Baliol Brett, 3rd Viscount Esher. The front cover is monogrammed O.S.B., with a bookplate reading "Ex libris Oliver Brett" on the front inside cover. Nearly all items contain a primary or secondary publishing location imprint in London. The collection is unusual for its inclusion of arrangements for banjo. The titles are generally in alphabetical order, beginning with the letter "K," which suggests the existence of a prior volume. Many titles are taken from larger works of musical theater. This item contains a substantial number of selections that include racial slurs and stereotyping.
Birth of the vertical
Recording of Stanislav Kreitchy's Birth of the vertical.
Blatt 2 Dr. Reinhard Oppel Kompositionen
Typewritten list of Oppel's works: one list for vocal ensemble music; another, for piano music.
Booke of Common Prayer and The Whole book of Psalmes
A 1611 Booke of Common Prayer, bound with a 1609 book of Psalms with notated settings, "collected into English meeter by Thomas Sternhold."
Bridsday
Recording of Vladimir Shielov's Bridsday.
A Brief History of the University of North Texas Music Library
This paper documents the history of the University of North Texas Music Library from the perspective of librarian Donna Arnold. It covers the stories and contributions of the librarians and staff who have served the UNT music library since its inception in 1940 until present-day.
[Brief resume of work done so far]
Resume detailing the research and lectures completed by Padma Rangachari including a list of publications.
Brightening V or the Prague Autumn
The historic events in my country linked with the fall of the Communism in November 1989 gave us not only new dimension of life and unforgettable memories, but some precious sound material recorded by the alert radio people at the streets during the protest actions and finally during the historic days of the coup-d«etat, too. When I was commissioned in spring 1990 by the Prague Radio to create a new EA piece I decided, full of fresh emotions and memories, to use this (already historic) sound material but to create a strict music form which respects the chronology of historic events the same time. We can listen consequently the protesting demonstrators shouting their short phrases, the police speaker, the politician and his famous speech, the doleful outcries of young people beaten by the police forces and finally the outbursts of euphoria when the resignation of the old regime was announced, the bells of Prague (forbidden to ring during the Communist regime!) and the heart of Europe which began to beat freely again. The piece was premiered at the festival in Bourges in 1990 (and performed there again in 2000 and 2004) and performed in Grenoble, Switzerland, Austria (Vienna-Alte Schmiede), Norway (Oslo), USA and Czechia.
The Brownie Ballet & A Petits Pas: Bass Part
Double bass part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Cello Part
Cello part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Clarinet 1 Part
First (1st) clarinet part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Clarinet 2 Part
Second (2nd) clarinet part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Conductor/Piano Part
Conductor's score/piano part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Cornet Part
Cornet part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Flute Part
Flute part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Horn Part
Horn part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Percussion Part
Percussion part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Trombone Part
Trombone part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Viola Part
Viola part for music intended to accompany a silent film.
The Brownie Ballet & A Petits Pas: Violin 1 Part
First (1st) violin part for music intended to accompany a silent film.
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