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Bound II

Description: Recording of Michèl Koenders' Bound II. This work was created to be played on 4 tracks from 4 separate speakers. This composition was originally composed for the sculptress, Robin Kolleman, and was part of an exhibition called "Gathering". This exhibition consisted of 5 human-shaped sculptures that each contained a small speaker playing one of the tracks from the piece. Therefore, a central theme in this work is voice and voice manipulation. After the exhibition there was a total make-over of t… more
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Date: 2000/2002
Duration: 20 minutes 24 seconds
Creator: Koenders, Michèl, 1961-

Chant d'amour sans paroles

Description: Recording of Kazuko Narita's Chant d'amour sans paroles. This piece is made up of purely electroacoustic material and is meant to be played across several loudspeakers.
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Date: 2000
Duration: 15 minutes 58 seconds
Creator: Narita, Kazuko, 1957-

Circulation

Description: Recording of Junghae Lee's Circulation. This work was inspired by the solar eclipse in 1999 and consists of continuous repetitions of musical ideas. The energetic gesture at the beginning of the piece dissolves over time and is shattered into fragments. In the end, all that remains is a hint of sound.
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Date: 2000
Duration: 8 minutes 57 seconds
Creator: Lee, Junghae, 1964-

Cities' drift

Description: Recording of Werner Cee's Cities' drift. The composer describes this work as an area where electroacoustic and choral music meet and interact. Many of the sound materials used in this work were derived from recordings taken during concerts of the "Kamer" choir, including the singing as well as noises before and after the performances.
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Date: 2000
Duration: 10 minutes 02 seconds
Creator: Cee, Werner, 1953-

Ciudades desiertas

Description: Recording of Edgardo Hugo Martinez's Ciudades desiertas. The title of this work translates to "Deserted cities" and is a sonic image that reflects the solitude of what could be habitants of a future city.
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Date: 2000
Duration: 5 minutes 10 seconds
Creator: Martinez, Edgardo Hugo

Cloy

Description: Recording of Silvia Matheus' Cloy. This work was inspired by the sounds people make that can create judgement from others. The foreground of the composition is the sound of laughter from a woman to bring forward the issues of desire, irony, and female agency to the attention of the listener. The composer took inspiration from the philosophers Aristotle and George Lewis.
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Date: 2000
Duration: 5 minutes 15 seconds
Creator: Matheus, Silvia

Concordance

Description: Recording of Anton Rovner's Concordance. The composer states that in this work the ANS synthesizer attempts to explore the phenomenon of sound and probe its inner structures. The composition has a meditative, introvertive mood but at times switches to a contrasting dynamic.
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Date: 2000
Duration: 5 minutes 14 seconds
Creator: Rovner, Anton

Currents

Description: Recording of Marek Zoffaj's Currents. The piece Currents explores the area between pitch, timbre and rhythm. Thinking about those three fundamental perceptual poles of music as a interlocked and interdependent sources of musical process was the basic idea at the beginning of composition. Later, using of several models of clarinet gestures and sequences as well as rhythm patterns transformed into different spectral fields, this idea concluded into compositional process and musical form.
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Date: 2000
Duration: 10 minutes 52 seconds
Creator: Zoffaj, Marek

Day trip

Description: Recording of John Gibson's Day trip. This piece is a soundscape of a park in New York's Chinatown and includes processed layers of recorded sounds as well as synthetic reinterpretations. In this work the pitches are meant to color the real-world sounds and create musical meaning that doesn't exist in the wild.
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Date: 2000
Duration: 8 minutes 50 seconds
Creator: Gibson, John, 1960-

Deep Sea

Description: Recording of Michele Biasutti's Deep Sea. The work is a sound trip in the sea’s depths. The aim is transforming the sea sound events, proposing other ways of listening. Starting with the sea sound events, the piece would stimulate human abilities to discover imaginary sea soundscapes, with tracks that people can find in collective memory. The water sounds have a great symbolic value, since all humankind experienced living in the amniotic liquid. The water elements were used to enter in the coll… more
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Date: 2000
Duration: 9 minutes 43 seconds
Creator: Biasutti, Michele, 1963-

Deepfield

Description: Recording of Mathew Adkins' Deepfield. This work was commissioned by the Césaré Musical Creation Studio at the Reims Planetarium and premiered there in 2000. The sounds in this work come from rocks of various sizes and gas cylinders, creating a sonar exploration of deep space and worlds unknown, inspired by the discoveries made with the Hubble telescope.
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Date: 2000
Duration: 13 minutes 36 seconds
Creator: Adkins, Monty

Delete "e" unit

Description: Recording of Thomas Cahill-Jones' Delete "e" unit. The ideas behind this piece were rooted in transformations of sound and the juxtaposition of them, which resulted in landscapes of the real, unreal, and surreal.
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Date: 2000
Duration: 10 minutes 07 seconds
Creator: Cahill-Jones, Thomas

Desde el Jardín del Tiempo

Description: Recording of Rubén Hinojosa Chapel's Desde el Jardín del Tiempo. This work was created as an homage to John Lennon and the mark that his music has left on more than a generation of young people. It was created from samples of piano by digital sound editing and processing. It premiered at the "VIII Festival Internacional de Música Electroacústica Primavera en La Habana".
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Date: 2000
Duration: 5 minutes 45 seconds
Creator: Hinojosa Chapel, Rubén

Diablorence

Description: Recording of Pierre Mariétan's Diablorence. This work was inspired by the story of Orpheus and Eurydice and portrays the orchestra as the main character of the work. The soloists and the sound engineer process the entire sound world with the goal of being heard as music and only music. The orchestra performing this work is the Orchestre Philharmonique De Radio France, conducted by Laurent Cuniot. The composer also credits Frédéric Antoine as being responsible for the "noises" in the piece.
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Date: 2000/2002
Duration: 33 minutes 59 seconds
Creator: Mariétan, Pierre, 1935-

Dinamicas Expansivas

Description: Recording of Fabián Esteban Luna's Dinamicas Expansivas. This work consists of two sound materials: a series of objects falling onto a hard ground and other sounds that originate in acoustic-instrumentals. The electronics were created with multiple computer softwares: Csound, SoundHack, and Pro Tools.
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Date: 2000
Duration: 5 minutes 55 seconds
Creator: Luna, Fabián Esteban

DMXnébula

Description: Recording of Roxanne Turcotte's DMXnébula. This is a work for electroacoustics that was created to accompany a visual performance. A spherical inflatable structure with lighting and multi-track music was designed for an outdoor event and is meant to represent a gigantic planet. The music on eight tracks is synchronized to the automated lighting and is broadcast continuously over a multi-channel sound system. This piece was commissioned by the Festival Montréal. The themes of this work are: open… more
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Date: 2000/2002
Duration: 7 minutes 23 seconds
Creator: Turcotte, Roxanne

Dreamlike Shudder in an Airstream

Description: Recording of Stephan Dunkelman's Dreamlike Shudder in an Airstream. This is a work for electronics that has been composed for 8 tracks. It premiered in March 2000 during a concert produced by ARTem. The composer gives thanks to Charo, Axel, and Wim for their help in creating the work.
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Date: 2000
Duration: 2 hours 19 minutes 25 seconds
Creator: Dunkelman, Stephan, 1956-

Earth Ascending

Description: Recording of Elainie Lillios' Earth Ascending. This work uses traditional electro-acoustic techniques to create a complex sonic work blending the use of voice and sound processing, consisting of three movements.
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Date: 2000
Duration: 15 minutes 13 seconds
Creator: Lillios, Elainie, 1968-

Eight Directions

Description: Recording of Sylvi MacCormac's Eight Directions. This work includes instrumentation from congas, violin, flute, bouzouki, marimba, gong, penny whistle, and bagpipe. The sounds of thunder, rain, and birds are also included and were recorded in Italy.
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Date: 2000
Duration: 8 minutes 15 seconds
Creator: MacCormac, Sylvi

El Ejército de la Noche

Description: Recording of Fernando Laub's El Ejército de la Noche. The composer describes this work as two faces of the same phenomenon, where dogs can hear things we can't and we use them to guide our perception and sharpen it. This work explores the mysteries hidden in the night.
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Date: 2000
Duration: 6 minutes 59 seconds
Creator: Laub, Fernando

Ensayo general

Description: Recording of Hugo Druetta's Ensayo general. This is a work for electronics.
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Date: 2000
Duration: 7 minutes 30 seconds
Creator: Druetta, Hugo Víctor, 1965-

Esprit

Description: Recording of Valentin Lazarov's Esprit. The composer describes this work as "musical brain surgery" where the human brain is at the center of the musical process and the source of signals, impressions, and sounds. The composer created a dynamic sound atmosphere by stretching and reversing phrases as well as changing the pitch of certain sounds.
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Date: 2000
Duration: 8 minutes 35 seconds
Creator: Lazarov, Valentin

Ethereality

Description: Recording of Adrian Moore's Ethereality. This is an 8-track tape made for electronics.
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Date: 2000
Duration: 2 hours 15 minutes 49 seconds
Creator: Moore, Adrian, 1969-

Everything is sound

Description: Recording of Simo Lazarov's Everything is sound. The composer's note simply states: "Everything around is sounds…and has a composer!" This piece utilizes quoted material and samples including J.S. Bach's Toccata and Fugue in D Minor, sung Bulgarian folk music, dog barks, and sweeping orchestral chords.
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Date: 2000
Duration: 4 minutes 32 seconds
Creator: Lazarov, Simo, 1948-
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