UNT Music Library - 619 Matching Results
Search Results
Applied Filters
- O Salutaris: Come to me
- To Miss Emma Estella Potts. Publisher number L.B. 147-5. Hounslow N.Y.
- Berge's Book of Gems: for the use of Catholic Schools and Choirs
- No Description Available.
- Regina Coeli: Earth and Heaven Adore Thee
- No. 3. Publisher number B. M. Co. 424-10.
- The New Catholic Hymn Book
- Illegible inscription dated October 16, 1907
- Young People's Catholic Hymn Book
- Imprimatur: John M. Farley, D.D., Archbishop of New York. Nihil obstat: Remigius Lafort, STL. Typo in roman numeral rendering of date makes end of date interval uncertain.
- Young People's Catholic Hymn Book
- No Description Available.
- Doctoris Philosophiae Gradum
- Diploma given to Reinhard Oppel for the degree of Doctor of Philosophy conferred from Ludwig Maximilian University of Munich on March 6, 1911.
- Rosary: Sacred Songs
- Contents are primarily by Louis Berge, with individual titles from William E. Berge, F.H. Cowen, and Rev. F.C. Lenes, L.L.D.
- Messe II
- Handwritten sketch for two movements for Messe II: Gloria and Kyrie
- Berge's Book of Gems: For Catholic Schools and Choirs
- No Description Available.
- Laudate Deo
- Handwritten sketch likely part of Messe II.
- Messe II
- A cappella score for a choral setting of the Mass Ordinary using C clefs (soprano, alto, tenor) for the upper three voices. Movements are composed out of order: Kyrie, Agnus Dei, Benedictus, Sanctus, Gloria, and Credo (incomplete).
- Ave Maria
- Voice and piano with score and separate vocal part. "In memory of my father."
- Ave Maria Stella
- Recording of Jozef Malovec's Ave Maria Stella. Ave Maria Stella has been sung in monasteries from the Middle Ages to the present day. The lyrical poems have undergone various musical adaptations from the Gregorian choirs to popular songs, by numerous anonymous authors. The lyrical poem has a philosophical and spiritual orientation. This electroacoustic composition is inspired by the Ave Maria Stella made using electroacoustic sound transformations, embellished with quotes from different versions of this song.
- In memoriam Ockeghem
- Recording of Ivan Pařík's In memoriam Ockeghem.
- Messa à 4
- This a manuscript copy of two Mass movements, Kyrie and Gloria, gathered from a "Messa à 4." The copyist, Vincenso Marchetti, attributed this mass to the composer Matteo Bisso. The texts of both movements of the Mass are divided in several sections and set musically for an ensemble of mixed choir (S.A.T.B), vocal soloists, strings and basso continuo. Each section reflects changes of tonality, tempo, and musical meter. The composer indicated dynamics, the use of muted strings (e.g., p.[84]) and performance indications such as unison and col parte (e.g., p. [76] and p.[79]). The last section for the Chirie [sic] is set musically as a slow fugue in triple meter.
- Sanctus
- Handwritten sketch of Sanctus from Messe II (found in Box B, Folder 1, Item 6 in this collection).
- Monastery in snowfall
- Recording of Antero Honkanen's "Monastery in snowfall."
- Salve Regina
- Recording of Roland Willmann's Salve Regina. The Gregorian chant Salve Regina was the starting point of this work in which we tried not to alter the original form but to follow it and support it in its formal and expressive course by means of electronic sounds. The use of the initial motif in the end corresponds to the cyclical form of the chant itself. The repetitive formulas, mentioned in the chant, are another structural element that grow in 3 echo plans.
- Anticredos
- Recording of Trevor Wishart's Anticredos performed by Trevor Wishart. It is a live-performance piece for six amplified voices using extended vocal techniques, but no electronic modification of the voices. The piece, commissioned by the English group "Singcircle," takes the word "Credos" and slowly dissolves and changes its sound-constituents through processes of gradual transformation. This recording is a studio version of the piece "sung" entirely by the composer.
- Laus stultitiae
- Recording of Zoltán Pongrácz's "Laus stultitiae" ("Praise of folly") for baritone and tape.
- Pacem mundo
- Recording of Iván Patachich's "Pacem mundo" ("World Peace") for tape. Uses both concrete and electronic sound materials. The piece begins with a vocal ensemble with a soprano soloist that eventually becomes noticeably electronically manipulated. From then on, the piece switches between the vocal ensemble and other electronic sound material.
- Requiem per amanda
- Recording of Teresa Rampazzi's Requiem per amanda. Key musical features include two female voices in an echoing pattern and synthesized sounds.
- Pax
- Recording of Gottfried Martin's Pax for tape. Includes electronic and natural sounds, including voice, news recordings, and recordings of war sounds.
- Ensemble: 1987-02-17 – A Cappella Choir
- Concert performed at the UNT College of Music.
- Ensemble: 1987-12-01 – Women's Chorus
- Women's Chorus performance at UNT College of Music Concert Hall.
- Faculty Recital: 1988-02-02 - Royce Lumpkin, trombone, and Dale Peters, organ
- A faculty recital performed at the UNT College of Music Concert Hall.
- Doctoral Recital: 1988-04-18 – Sam Germany, tenor
- Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
- Ensemble: 1988-06-30 - Summer Choir
- Ensemble concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1988-11-18 – Symphony Orchestra and Grand Chorus
- Ensemble concert performed at the UNT School of Music Concert Hall.
- Ensemble: 1988-11-30 - Women's Chorus
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1988-12-02 - Chapel Choir
- A choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1988-12-02 - The Chapel Choir
- Choir concert performed at the UNT School of Music Concert Hall.
- Chordis Canam
- A recording of Roderik De Man's Chordis Canam. De Man composed Chordis Canam as a tribute to Annelie de Man and to Sies Bleeker. All sounds, except one, were derived from this harpsichord, no other equipment than microphones and tape recorders was used.
- Ensemble: 1989-02-22 - Symphonic Wind Ensemble with the Grand Chorus
- Wind symphony and choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1989-04-26 - Women's Chorus
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1989-04-28 – Men's Chorus
- Ensemble concert performed at UNT School of Music Concert Hall.
- Ensemble: 1989-04-28 - Men's Chorus
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1989-09-22 – Avon Gillespie Memorial Concert
- Ensemble concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1989-11-09 – A Cappella Choir
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1989-11-10 - Men's Chorus
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1989-11-16 - Women's Chorus
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1989-11-28 - Concert Choir
- Choral concert performed at the UNT College of Music.
- Requiem in Memoria Salvador Dalí
- This piece was composed in honour of the death of Salvador Dali, the surrealist painter, who shares my birthday. The piece attempts to musically interpret and transliterate the techniques and aesthetic of surrealism. Digital "samples" (analogous to photo realistic images in painting) are taker out of context and modified or "warped". Use of the traditional Latin requiem text reflects Dali's use of religious imagery. All sounds on this piece are produced by voices, human and animal; including Dali's own voice describing this obsession with death.
- Ensemble: 1990-02-13 – A Capella Choir
- Choral concert performed at UNT College of Music.
- Faculty Recital: 1990-03-23 - Faculty Chamber Recital
- Faculty recital performed at the UNT College of Music Organ Recital Hall.
- Ensemble: 1990-04-05 - UNT Concert choir
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1990-04-19 - UNT Women's Chorus
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1990-06-28 – Summer Choir
- Choral concert performed at the UNT College of Music Concert Hall.
- Ensemble: 1990-09-21 – Avon E. Gillespie Music Education Scholarship Fund
- Choral concert performed at the UNT College of Music Concert Hall.