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Estebanillo: zarzuela en tres actos, en verso

Estebanillo: zarzuela en tres actos, en verso

Date: 1855
Creator: Vega, Ventura de la, 1807-1865.
Description: Libretto of the three-act zarzuela "Estebanillo" by Ventura de la Vega. The plot is an adaptation of the ca. 1634 Spanish comedy, "Fortuna te dé Dios, hijo" (May God give you good luck, son), by the playwright Tirso de Molina's. The zarzuela is also known by the title "Estebanillo Peralta." It was premiered in 1855 at the Teatro del Circo (built in 1834 and destroyed by fire in 1876).
Contributing Partner: UNT Music Library
Jeannot et Colin

Jeannot et Colin

Date: 1857
Creator: Etienne, Charles Guillaume, 1777-1845.
Description: This is a ca. 1857 copy of the libretto of Jeannot et Colin, an opera by Charles Etienne with music by Nicolo Isouard. The opera premiered in Paris at the theater of the Opéra-Comique on 17 October 1814. The expressive melodies of the opera as well as its performers ensured its success. The opera was staged again on 14 October 1857. The first page of the library's copy contain the names of the performers that participated in both productions.
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Tractatus de musica

Tractatus de musica

Date: 1875
Creator: Tinctoris, Johannes, d. 1511.
Description: The present volume is a 1875 compendium of various Latin music treatises by Johannes Tinctoris gathered from manuscript sources from Brussels, Bologna and Gand. The present edition, edited by Charles Coussemaker, comprises ten of the twelve surviving manuscripts of Tinctoris's theoretical works. According to Oxford Music, these were written in the first few years of his employment at Ferrante's court and demonstrate Tinctoris's intellectual and pedagogical mastery of music theory. They also demonstrate his acquaintance with contemporaneous composers of the early Renaissance Burgundian composers like Antoine Busnoys, as well as with the music of Franco-Flemish composers such as Johannes Ockeghem. Below is a table of content listing the titles of each treatise and a brief description of the concepts they treat. Treatises and Description: "Expositio manus" - this treatise is divided in 10 chapters consisting of: definitions, places, clefs, voicing, properties, deductions, mutations, conjunctions, conclusion; "Liber de natura et proprietate tonorum" - this treatise is divided in 51 chapters containing: definitions and name of tones, concerning the species diatessaron and diapente, formation of first throughout the eighth tone, authentic and plagal modes, ascending and descending perfect/imperfect tones; "Tractatius de notis et pausi" - this treatise is divided in two books. ...
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Dictionary of Music and Musicians, Volume 1

Dictionary of Music and Musicians, Volume 1

Date: 1879
Creator: Grove, George, Sir, 1820-1900.
Description: This is a copy of the first volume of "Dictionary of Music and Musicians," edited by Sir George Grove. This volume, published in 1879, is an encyclopedic work that contains the biographies of well-known composers as well as articles contributed by various authors on music topics, concepts and definitions starting alphabetically from: "A" (i.e., the sixth note in the scale of C major) to "I" (impromptu). The names of contributing authors appear in a list on pp.[vii]-viii), signed "Bedford Street, Covent Garden, April 1, 1879." The titles of volumes I and II, indicate that the dictionary was issued in three volumes. However, the titles of the third and fourth volumes changed that statement to indicate that the publication of the dictionary was in four volumes.
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Dictionary of Music and Musicians, Volume 2

Dictionary of Music and Musicians, Volume 2

Date: 1880
Creator: Grove, George, Sir, 1820-1900.
Description: This is a copy of the second volume of "Dictionary of Music and Musicians," edited by Sir George Grove. This volume, published in 1880, is an encyclopedic work that contains the biographies of well-known composers as well as articles contributed by various authors on music topics, concepts and definitions starting alphabetically from: "I" (improperia) to "P" (plain song). The names of contributing authors appear in a list on pp.[v]-vii, signed "Bedford Street, Covent Garden, October 1, 1880." The titles of volumes I and II, indicate that the dictionary was issued in three volumes. However, the titles of the third and fourth volumes changed that statement to indicate that the publication of the dictionary was in four volumes.
Contributing Partner: UNT Music Library
Dictionary of Music and Musicians, Volume 3

Dictionary of Music and Musicians, Volume 3

Date: 1883
Creator: Grove, George, Sir, 1820-1900.
Description: This is a copy of the third volume of "Dictionary of Music and Musicians," edited by Sir George Grove. This volume, published in 1883, is an encyclopedic work that contains the biographies of well-known composers as well as articles contributed by various authors on music topics, concepts and definitions starting alphabetically from: "P" (Planché, James Robinson) to "S" (the title of the Medieval rota, "Sume is icumen in"). The names of contributing authors appear in a list on pp.[v]-vii, signed "29 Bedford Street, Covent Garden, July, 1883." The titles of volumes I and II, indicate that the dictionary was issued in three volumes. However, the titles of the third and fourth volumes changed that statement to indicate that the publication of the dictionary was in four volumes.
Contributing Partner: UNT Music Library
Dictionary of Music and Musicians, Volume 4

Dictionary of Music and Musicians, Volume 4

Date: 1890
Creator: Grove, George, 1820-1900
Description: This is a copy of the fourth volume of "Dictionary of Music and Musicians," edited by Sir George Grove. This volume, published in 1890, is an encyclopedic work that contains the biographies of well-known composers as well as articles contributed by various authors on music topics, concepts and definitions starting alphabetically from: "S" (continuation of the article about the Medieval rota, "Sume is icumen in" that appears on vol. 3) to "Z" (starting with the singer, Zur Mühlen, Raimund von). The names of contributing authors appear in a list on pp.[vi]-xi. The titles of volumes I and II, indicate that the dictionary was issued in three volumes. However, the titles of the third and fourth volumes changed that statement to indicate that the publication of the dictionary was in four volumes.
Contributing Partner: UNT Music Library
Coronis

Coronis

Date: 1891
Creator: Chappuzeau de Baugé, Daniel-Paul.
Description: Libretto of the 1691 "Coronis," a French lyrical genre called pastorale-heroïque, representing the love of nobles or gods often disguised as shepherds (or shepherdesses) in Arcadian settings. Daniel-Paul Chappuzeau de Baugé wrote the libretto and Teobaldo de Gatti composed its music.
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Prélude à l'après-midi d'un faune

Prélude à l'après-midi d'un faune

Date: 1895
Creator: Debussy, Claude, 1862-1918
Description: This is the orchestral score of Debussy's Prélude à l'après-midi d'un faune. The copy was presented to Edouard Colonne with the inscription by the composer on the title page, "à Monsieur E. Colonne en hommage d'infinie gratitude artistique, Claude Debussy, Oct. 1895." The score contains performance markings in pen, pencil and crayon; possibly by Colonne. In original green wrapper. Preserved in green cloth-and-marbled-paper chemise with matching slipcase.
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1er quatuor, pour deux violons, alto et basse, oeuvre 5

1er quatuor, pour deux violons, alto et basse, oeuvre 5

Date: 182u
Creator: Dancla, Charles, 1817-1907.
Description: Musical score containing the four parts of Charles Dancla's first string quartet, op.5 in F minor, written for two violins, with alto and bass.
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7e. quatuor, pour deux violons, alto et violoncelle, oeuv.80

7e. quatuor, pour deux violons, alto et violoncelle, oeuv.80

Date: 186u
Creator: Dancla, Charles, 1817-1907.
Description: This is a digital copy of the four parts of Charles Dancla's seventh string quartet, op.80 in D minor. Charles Dancla was the most prominent member of a family of musicians and a virtuoso violinist, composer and teacher. In 1828, he was admitted to the Paris Conservatory of Music, where he won the first prize in 1833. At the Conservatory, he studied violin with Paul Guérin and Pierre Baillot. Dancla played solo violin with the orchestra of the théâtre Royal de l'Opera Comique and with the Société des Concerts. In ca. 1860, he was appointed professor of violin at the Paris Conservatory and retired from that post in 1892. He wrote 14 string quartets intended for professional or amateur players (opp. 5, 7 ,18, 41, 48, 56, 80, 87, 101, 113, 125, 142, 160, and 195a) and three easy string quartets (op. 208).
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Airs russes: fantaisie for the piano forte, op.43

Airs russes: fantaisie for the piano forte, op.43

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Music score for Airs russes: fantaisie, written for the piano forte, part of opus 43 by Leopold von Meyer.
Contributing Partner: UNT Music Library
Airs russes, [op.20]

Airs russes, [op.20]

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score for "Airs russes" written for piano by Leopold von Meyer, as part of opus 20. This piece was issued as the second of four pieces published under the title "Repertoire de Léopold de Meyer."
Contributing Partner: UNT Music Library
Andante for the piano forte, op.42

Andante for the piano forte, op.42

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score of "Andante for the piano forte", part of opus 42 by Leopold von Meyer.
Contributing Partner: UNT Music Library
Bajazeth

Bajazeth

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score containing the piano part for "Bajazeth: air national [sic] des turques pour le piano forte" by Leopold von Meyer.
Contributing Partner: UNT Music Library
Belshazzar : a sacred Oratorio in Score

Belshazzar : a sacred Oratorio in Score

Date: {1744-08-23, 1744-10-23}
Creator: Handel, George Frideric, 1685-1759. & Jennens, Charles, 1700-1773
Description: A sacred oratorio in three acts for soloists and mixed chorus (SATB) with orchestra acc. (2 oboes, 2 violins, viola, and basso continuo). A contents index is given on p. 219. According to the Grove Dictionary of Music and Musicians, Handel composed this oratorio from 23 August - 23 October 1744. Charles Jennens wrote the libretto on the Biblical story of the downfall of the King of Babylon with details taken from "Cyropaedia" (a political romance about the education of an ideal ruler) by Herodotus and Xenophon's.
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Le carnaval de Venise

Le carnaval de Venise

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of "Le carnaval de Venise" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the operatic soprano Eugenie García (née Mayer; 1815-1880), who was the first wife of the famous Spanish baritone Manuel García. "Le carnaval de Venise" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les ...
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Le depart et le retour, deux nocturnes

Le depart et le retour, deux nocturnes

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score containing a piano part for two nocturnes "Le depart" and "Le retour" by Leopold von Meyer. These nocturnes were issued as the first of four pieces published under the title "Repertoire de Léopold de Meyer."
Contributing Partner: UNT Music Library
Les deux comtesses : opera bouffon imité de l'Italien et parodié sous la musique

Les deux comtesses : opera bouffon imité de l'Italien et parodié sous la musique

Date: 178u
Creator: Paisiello, Giovanni, 1740-1816 & Framery, Nicolas Etienne, 1745-1810
Description: Paisiello’s comic operas were some of the most successful of the time. In point of fact, his operas enjoyed 251 performances in Vienna between 1783 and 1792, compared to 63 performances of Mozart’s operas. The intermezzo Le due comtesse, which first appeared in Rome (with an all-male cast) on 3 January 1776, was translated to French and parodied by Nicolas Etienne Framery, who also adapted Paisiello’s Il barbiere di Siviglia for the Parisian stage.
Contributing Partner: UNT Music Library
Fantaisie sur L'elisire d'amore, op. 32

Fantaisie sur L'elisire d'amore, op. 32

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score containing the piano piece for "Fantaisie sur L'elisire d'amore," part of opus 32 by Leopold von Meyer.
Contributing Partner: UNT Music Library
Fantaisie sur Les Hirondelles

Fantaisie sur Les Hirondelles

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score containing the piano part for "Fantaisie sur Les Hirondelles" by Leopold von Meyer.
Contributing Partner: UNT Music Library
Fantaisie sur Norma, [op.40]

Fantaisie sur Norma, [op.40]

Date: 184u
Creator: Meyer, Leopold von, 1816-1883
Description: Musical score containing the piano piece for "Fantaisie sur Norma," part of opus 40 by Leopold von Meyer.
Contributing Partner: UNT Music Library
Grand galop de bravoure

Grand galop de bravoure

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of "Grand galop de bravoure" by Leopold von Meyer. This piece was issued as the fourth of four pieces published under the title "Repertoire de Léopold de Meyer." The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Grand galop de bravoure" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, an etude and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien David; Airs russes: ...
Contributing Partner: UNT Music Library
Grande étude de bataille, for the piano forte, op. 35

Grande étude de bataille, for the piano forte, op. 35

Date: 184u
Creator: Meyer, Leopold von, 1816-1883.
Description: This is a digital copy of the "Grande étude de bataille for the piano forte, op. 35" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to the Bohemian pianist and composer Ignaz Moscheles (1794-1870). "Grande étude de bataille for the piano forte" is part of a bound collection of piano pieces composed by von Meyer that also includes fantasies on famous nineteenth-century operas, variations, national airs, marches, valses, and nocturnes. These are the titles of all the piano pieces by von Meyer in the order in which they appear in the library's collection: Lucrezia Borgia: introduction and brilliant variations for the piano forte; Variations sur un theme de Semiramis de Rossini, op.37; Fantaisie sur L'Elixir d'amore, op.32; Fantaisie sur Norma de Bellini, op. 40; Fantaisie sur un air de Bellini; Le carnaval de Venise, varié pour le piano, op.31; Grande fantaisie orientale sur deux themes arabes, op.38; Fantaisie sur Les Hirondelles de Felicien ...
Contributing Partner: UNT Music Library