You limited your search to:

  Partner: UNT Music Library
 Decade: 1760-1769
 Year: 1767
Buona figliuola : opera comica

Buona figliuola : opera comica

Date: 1767
Creator: Piccinni, Niccolò, 1728-1800; Goldoni, Carlo, 1707-1793 & Richardson, Samuel, 1689-1761
Description: Goldoni turned to Samuel Richardson’s novel Pamela, or Virtue Rewarded (1740) as the inspiration for his La buona figliuola. In 1750, he wrote the play Pamela nubile and then turned it into a libretto for Duni. Although Duni’s La buona figliuola (1756) was a failure, Piccinni’s setting in 1760 was a huge success. The hilarious comedy coupled with Piccinni’s sentimental treatment of Cecchina contributed to the popularity of the opera, which still receives performances to this day. Typical of opera buffe, La buona figliuola features chain-like finales that propel the plot and characters to the end of the act (at that time, sectional finales were new to Rome). Other features of his music that receive praise are the beautiful, Italianate melodies, energetic accompaniments, and the variety of musical treatment throughout the opera.
Contributing Partner: UNT Music Library
Messiah

Messiah

Date: 1767
Creator: Handel, George Frideric, 1685-1759.
Description: This is the score of the first published edition of Handel's sacred oratorio, Messiah to the English text by the librettist Charles Jennens. It includes an engrave lithograph showing a portrait of Handel and musical instruments and mythological figures playing instruments. A list of subscribers before the content index includes the King, Queen [of England], His Royal Highness the Duke of York, His Royal Highness the Duke of Gloucester, His Royal Highness the Duke of Cumberland. The content index includes incipit of recitatives and arias of each part. New pagination starts after the end of the oratorio at page 188 for added music.
Contributing Partner: UNT Music Library