UNT Music Library - 12 Matching Results
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- Les deux journées
- Vocal score of Luigi Cherubini's rescue opera "Les deux journées" (also known by the title, The water carrier) to a libretto by Jean-Nicolas Bouilly. The first performance took place in Paris at Théâtre Feydeau on January 16, 1800 followed by 56 performance during that year. Les deux journées remained in the international repertory of operas for most of the 19th century. The piano reduction contains the text in French and German.
- Oeuvres de Haydn - cello
- Cello parts for Haydn's Oeuvres complettes. Copies of English-language description are pasted on the opening end pages.
- Oeuvres de Haydn - violin
- Violin parts for Haydn's Oeuvres complettes
- Rigoletto: Oper
- Piano-vocal score for Verdi's Rigoletto. The libretto, by Francesco Maria Piave, is based on Victor Hugo's Le roi s'amuse.
- Don Juan, oder, Der Steinerne Gast : komische Oper in zwey Aufzügen, volume 1
- By the time of Mozart and Da Ponte’s collaboration on Don Giovanni, the Don Juan legend had been represented in musical entertainments and on the popular stage a number of times. Although it was an unusual topic for Viennese court opera, the retelling of the Don Juan story was immensely appealing for the Italian troupe in Prague. Don Giovanni did eventually make its way to Vienna, but the opera did not meet the same success it had received in Prague.
- Don Juan, oder, Der Steinerne Gast : komische Oper in zwey Aufzügen, volume 2
- By the time of Mozart and Da Ponte’s collaboration on Don Giovanni, the Don Juan legend had been represented in musical entertainments and on the popular stage a number of times. Although it was an unusual topic for Viennese court opera, the retelling of the Don Juan story was immensely appealing for the Italian troupe in Prague. Don Giovanni did eventually make its way to Vienna, but the opera did not meet the same success it had received in Prague.
- Serva padrona : intermezzo
- The intermezzo La serva padrona first appeared between the acts of Pergolesi’s Il prigioniero superbo in 1733. This was the standard way in which to present an intermezzo. The work served as comic relief in the midst of more solemn opera serie, and incorporated elements of the improvisational commedia del’arte tradition. For instance, the few characters are drawn from stock types, such as the servant Serpina.
- Le nozze di Figaro: dramma giocoso in quattro atti, volume 1
- Volume 1 of a score for Mozart's Nozze di Figaro, published between 1806 and 1809. Most recitatives are in Italian only; arias and ensembles include interlinear French translation.
- Le nozze di Figaro: dramma giocoso in quattro atti, volume 2
- Volume 2 of a score for Mozart's Nozze di Figaro, published between 1806 and 1809. Most recitatives are in Italian only; arias and ensembles include interlinear French translation.
- Pasilogie, ou de la musique: considérée comme langue universelle
- 1806 edition of Pasilogie, ou de la musique: considérée comme langue universelle.
- Variations à quatre mains pour le piano-forte sur une theme de Monsieur le Comte de Waldstein
- An edition of Beethoven's Variations on a theme by Count Waldstein, for piano, 4 hands in C major, WoO 67. This copy is from the Allen and Madeleine Forte Memorial Collection of the UNT Music Library, Box 1, Folder 2.
- Grundsätze des Generalbasses als erste Linien zur Composition; Allgemeinfasslicher Unterricht im Generalbass: mit Rücksicht auf den jetzt herrschenden Geschmack in der Komposition, durch treffende Beispiele erläutert
- Two separate works bound together. The Kirnberger work includes 3 Abtheilungen, paged separately, containing musical examples. The 2nd and 3rd Abtheilungen are bound in reverse order.