UNT Music Library - 69 Matching Results

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Ludus Sinteticus

Description: Recording of Iván Patachich's Ludus Sinteticus. This composition includes synthetic sounds and contains nine part of form that contrast in atmosphere and construction to each other. Two fundamental structures characterize the composition: a successively built block of clusters and a kind of percussion-rhythmic structure.
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Date: 1977
Duration: 8 minutes 22 seconds
Creator: Patachich, Iván
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Lyric Density I

Description: Recording of James Needles's Lyric Density I. This piece is the first in a series of three works which explore the development of density from a steady-state sound into a more defined lyric and linear statement. In this initial movement, short and abrupt crescendos promote areas of high attack density often veiled by a continuous foreground or background sound.
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Date: 1977
Duration: 2 minutes 54 seconds
Creator: Needles, James
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Maiandros

Description: Recording of Paavo Heininen's Maiandros, Op. 37, for tape. It was commissioned by Finish Radio. It was realized on 23 March 1977.
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Date: 1977
Duration: 13 minutes 13 seconds
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Manipulation II

Description: Recording of Miklos Maros's Manipulation II performed by Ilona Maros. The technique in this work is much like that used in Manipulation I by the same composer, but without the conditionals made possible by the Svensson box. The solo voice appears by itself, with or without treatment. Also, tape delay is used.
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Date: 1977
Duration: 8 minutes 33 seconds
Creator: Maros, Miklós, 1943-
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Merchants

Description: Recording of Mark Schubert's Merchants. This piece is a progression from single isolated events to total unification of all sounds. The method of doing so involved simple mixings of the different sounds (first individually presented), extending the events with loops, rapidly splicing different timbres together, and finally using tape echo, blending all the sounds into a climactic ending.
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Date: 1977
Duration: 11 minutes 25 seconds
Creator: Schubert, Mark
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Mimoïde

Description: Recording of Emmanuel Van Weerst's Mimoïde.
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Date: 1977
Duration: 21 minutes 37 seconds
Creator: Weerst, Emmanuel van
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transcript

Mimoïde

Description: Recording of Emmanuel Van Weerst's Mimoïde. As written by the composer: "It is only rarely that I approach a theme music like "Mimoïde": an intelligent and gentle ocean seeks to please humans by imitating their thoughts, desires, situations, shapes... It lacks virility and misses its intentions. Its final dive becomes a human tragedy: spinning emotions become inexpressible, the artifice of "Mimoïde" becomes sobbing. Note: the intensification of low frequencies. Train the listener in a horizonta… more
Date: 1977
Duration: 21 minutes 37 seconds
Creator: Van Weerst, Emmanuel
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Mountains

Description: The composition Mountains for Bass Clarinet and Magnetic Stripe, written in 1977, is in all likelihood in a new stylistic development of the composer. It is especially the conception of musical duration that has changed. Thus I was surprised to find that the duration of this work - estimated at a few minutes during the work - finally turned out to extend to almost twenty minutes. This can be explained in part by the long haul of most musical events, and by a large number of multilevel rehearsal… more
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Date: 1977
Duration: 18 minutes 04 seconds
Creator: Leeuw, Ton de, 1926-1996
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Muinkkaai 45

Description: Recording of Patrick Fleury's Muinkkaai 45. "Muinkkaai 45" is also the address of the IPEM studios in Ghent (Belgium).
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Date: 1977
Duration: 54 minutes 41 seconds
Creator: Fleury, Patrick, 1951-
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Musica para percusion 1

Description: Recording of Francisco Kröpfl's Musica para percusion 1. This work is for electronics and processed pre-recorded sound.
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Date: 1977
Duration: 16 minutes 37 seconds
Creator: Kröpfl, Francisco, 1931-
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Nocturno

Description: Recording of Ludmila Frajt's Nocturno.
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Date: 1977?
Duration: 9 minutes 12 seconds
Creator: Frajt, Ludmila 1919-1999
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De onbesuijsde steenhoop

Description: Recording of Kees Van Prooijen's De onbesuijsde steenhoop. "De onbesuijsde steenhoop" was completed on March 30, 1977. The overall structure of the piece can be described as an introduction followed by variations on a theme. The introduction that occupies more than half of the work is composed in a free style, my first subject of interest being how the computer manufactures the sound and how this sound is perceived. The variations are the result of an analysis-synthesis process executed by the … more
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Date: 1977
Duration: 7 minutes 37 seconds
Creator: Van Prooijen, Kees
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De Onbesuijsde Steenhoop

Description: Recording of Kees Van Prooijen's De Onbesuijsde Steenhoop. The overall structure of this piece can be described as an introduction following variations on a theme. The introduction which comprises more than half of the work is composed in a free style. The first subject of interest being how the computer makes sound and how sound is perceived. The variations are the result of a synthetic analysis process performed by the computer.
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Date: 1977
Duration: 7 minutes 37 seconds
Creator: Prooijen, Kees van
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Par La Fenêtre Entrouverte

Description: Recording of Bruno D'auzon's Par La Fenêtre Entrouverte. This piece, varying in articulation, draws its basic materials from the four types of sound sources generally used in electroacoustic composition (concert sounds, electronic sounds, musical instruments, human voice). The initial sampling however remains intentionally restricted within each of these categories (concrete: sustained percussions on a resonating body; electronic: three fixed frequencies, a glissando; instrument: string, isolat… more
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Date: 1977/1978
Duration: 6 minutes 14 seconds
Creator: Auzon, Bruno d', 1948-
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transcript

Par la fenêtre entrouverte

Description: Recording of Bruno d'Auzon's Par la fenêtre entrouverte, “After which I watched through the open window that the number of clouds does not come to exceed what I can grip in the loop of my arms.” This piece, of model variation articulation, draws its basic materials in the four types of sound sources generally used in the electroacoustic composition (concert sounds, electronic sounds, musical instruments, human voice). The initial sampling, however, remains voluntarily restricted within each of … more
Date: 1977/1978
Duration: 6 minutes 14 seconds
Creator: Auzon, Bruno d', 1948-
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Pluriversum

Description: Recording of Lucien Goethals's Pluriversum. Work was produced at IPEM, using 2 sequencers. The materials were sinusoidal, square and triangular waves, and the transformations were filtering, transpositions, frequency modulation, manual editing. Quarter-tone composition, constructed from a single basic figure of 24 sounds, whose multiple transformations are organized in 49 sequences, divided into 3 sound layers. The variable superposition of the 3 layers can give rise to a considerable number of… more
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Date: 1977
Duration: 57 minutes 07 seconds
Creator: Goethals, Lucien
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Pour bande et instruments divers

Description: Recording of Bogusław Schäffer's "Pour bande et instruments divers" ("For tape and various instruments")
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Date: 1977
Duration: 14 minutes 31 seconds
Creator: Schäffer, Bogusław
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Presque rien n°2

Description: Recording of Luc Ferrari's Presque rien n°2. The composer describes this piece as a narration but without storytelling; instead, insinuating the passing of time through events. The intention to tell a story is there, but remains vague.
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Date: 1977
Duration: 21 minutes 13 seconds
Creator: Ferrari, Luc
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Prolegomena

Description: Realized at the Institute for Psychoacoustics and Electronic Music (IPEM) in Ghent.
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Date: [1977..1987]
Duration: 15 minutes 54 seconds
Creator: Schwarzenlander, Martin, 1955-
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Ready made '77

Description: Recording of Eugeniusz Rudnik's Ready made '77. Produced at the Polish Radio in 1977.
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Date: 1977
Duration: 7 minutes 31 seconds
Creator: Rudnik, Eugeniusz
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Ready Made '77

Description: Recording of Eugeniusz Rudnik's Ready Made '77.
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Date: 1977
Duration: 7 minutes 31 seconds
Creator: Rudnik, Eugeniusz
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Rothko

Description: Recording of Peter Beyls's Rothko. "The most important tool that the artist shapes through his constant practice is the belief in the ability to produce miracles when they are needed.” – Mark Rothko, “Possibilities” 1947 The 3 parts that constitute the work have a different macro-structure. They have a fundamental common interest in the color of sound. The work evolves from an extra-musical point of view: my interest for painters of colorful American plans, in particular Newman and Rothko. Bot… more
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Date: 1977
Duration: 28 minutes 12 seconds
Creator: Beyls, P. (Peter), 1950-
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