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Thomas and Sally

Thomas and Sally

Date: 1782
Creator: Arne, Thomas Augustine, 1710-1778 & Bickerstaff, Isaac, 1735-1812
Description: 1782 vocal score of Thomas Arne's opera Thomas and Sally, or the Sailors return. Dramatic pastoral in two acts by Thomas Augustine Arne to a libretto by Isaac Bickerstaff; London, Covent Garden, 28 November 1760. Thomas and Sally can claim to be the first all-sung English comic opera. It is noteworthy as well for the introduction of clarinets into the orchestra (Grove Music Online).
Contributing Partner: UNT Music Library
The Occasional : an Oratorio in Score Composed by Mr. Handel

The Occasional : an Oratorio in Score Composed by Mr. Handel

Date: 1784
Creator: Handel, George Frideric, 1685-1759
Description: A sacred oratorio for mixed chorus (SATB) and orchestra (2 violins, viola, "principale", 2 oboes, 2 trumpets, timpani, and continuo). The score includes a list of subscribers and an index for each of the three sections of the oratorio. The anthem "God save the King" is included on pp. 164-26, each page bearing an additional sequence number from 14-26.
Contributing Partner: UNT Music Library
Handel's songs, selected from his oratorios

Handel's songs, selected from his oratorios

Date: 1785
Creator: Handel, George Frideric, 1685-1759.
Description: This is the third volume of a five-volume anthology featuring arias and songs from various oratorios by G. F. Handel. The vocal score contains musical selections arranged for 1-2 voices with unrealized figured bass intended for harpsichord (continuo), oboe, or flute accompaniment. The English text is printed between the treble and bass, or alto staves. A publisher's note on the t.p. announced the availability of instrumental parts sold separately. The table of content indicates the oratorio from which the arias and songs were taken. The songs are numbered continuously from 161-240 paginated from 334-498.
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Hercules : an oratorio in score

Hercules : an oratorio in score

Date: 1788/1789
Creator: Handel, George Frideric, 1685-1759. & Broughton, Thomas, 1704-1774
Description: The plot of this oratorio centers around Hercules's death by an inadvertent action of his wife Dejanira. Handel set to music the English libretto by Rev. Thomas Broughton's English, based on Sophocles' Trachiniae, and additions from Ovid's Metamorphoses. The performance forces include: soloists (SATB) and mixed chorus with oboes (2) violins (2), viola, Bass (unspecifdied) and continue. The index that appears on p.248 contains the incipits of arias, recitative and choruses for each of the three acts.
Contributing Partner: UNT Music Library
The musick for the Royal fireworks

The musick for the Royal fireworks

Date: 1788
Creator: Handel, George Frideric, 1685-1759.
Description: This is a [ca. 1788] score of one of the arrangements Handel made of his "Music for the Royal Fireworks." The caption title gives indication that this version contains the music as performed in 1749. The Grove Dictionary of Music lists two other arrangements from ca. 1746. The performance forces of this edition include: trumpets (3), horns (3), timpani, oboes (2), bassoon, and strings (violin, viola, violoncello, and contrabass). The plate no. appears in both Roman and Arabic forms: No. XXIV and No. 24.
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Saul : a sacred oratorio, in score

Saul : a sacred oratorio, in score

Date: 1792?
Creator: Handel, George Frideric, 1685-1759.
Description: This is ca. 1792 musical score of Saul, a sacred oratorio by Handel composed in 1738 to the English text by Charles Jennens. The composition year 1740 given in the t.p. might refer to a performance of the oratorio that took place that year. The performance forces include: vocal soloists (SATB), mixed chorus, and orchestra (2 oboes, bassoon, trombones (3), horns (2), strings (violin, viola, violoncello, bass), timpani, organ, harp and continuo). A content index with the incipits of recitatives and arias appears on a separate page at the end of the score.
Contributing Partner: UNT Music Library
Esther, a sacred oratorio in score

Esther, a sacred oratorio in score

Date: 1794
Creator: Handel, George Frideric, 1685-1759.
Description: This is a ca. 1794 score of "Esther," a sacred oratorio by Handel. According to the Grove Dictionary of Music, the English libretto of the oratorio was probably a collaborative work between John Arbuthnot and Alexander Pope with additional words by Samuel Humphreys. The engraved frontispiece that precedes the t.p. bears the title "Apotheosis of Handel," and the inscription, "The portrait from an original picture of Hudson's in the possession of Dr. Arnold. Designed by Rebecca [Biagio]. Engraved by [James] Heath. Published the 26th of May 1787, being the anniversary of the commemoration of Handel." A table of contents appears on p. 185 with incipits of first lines of text of recitatives and aria. The performance medium includes: oboes (2), flute, bassoon (2), trumpet, strings (violins, viola, violoncello, and bass), harp, soloists (S) and mixed chorus (SATB), and basso continuo. The choral number that appears in the appendix on p.183, contains a note, "This chorus comes in page 122."
Contributing Partner: UNT Music Library
Esther, a sacred oratorio in score

Esther, a sacred oratorio in score

Date: 1794
Creator: Handel, George Frideric, 1685-1759.
Description: This is a bound copy of a ca. 1794 score of "Esther," a sacred oratorio by Handel. The cover contains the inscription, "The works of Handel, edited by Dr. Arnold." It does not include the frontispiece preceding the t.p. According to the Grove Dictionary of Music, the English libretto of the oratorio was probably a collaborative work between John Arbuthnot and Alexander Pope with additional words by Samuel Humphreys. A table of contents appears on p. 185 with incipits of first lines of text of recitatives and aria. The performance medium includes: oboes (2), flute, bassoon (2), trumpet, strings (violins, viola, violoncello, and bass), harp, soloists (S) and mixed chorus (SATB), and basso continuo. The choral number that appears in the appendix on p.183, contains a note, "This chorus comes in page 122."
Contributing Partner: UNT Music Library
The gentle shepherd, a pastoral comedy

The gentle shepherd, a pastoral comedy

Date: 1796
Creator: Ramsay, Allan, 1686-1758.
Description: This is a copy of the libretto of the pastoral opera, "The gentle shepherd" by Allan Ramsey. It includes an engrave image bearing the inscription "Alan Ramsey Scotus," and "A. Ramsey, ad viv. del." (translatable as, drawing of the living subject) at the bottom left. It also bears the disclaimer and engraving signature, "Published according to Act of Parliament by D. Allan Edin, July 12, 1788" at the bottom right. The libretto includes twelve numbered plates depict various scenes from scenes of each act and include corresponding portions of text or dialog, melodies with figured bass, and a 15-page glossary at the end.
Contributing Partner: UNT Music Library
Elements of Musical Composition; comprehending the Rules of Thorough Bass, and the Theory of Tuning.

Elements of Musical Composition; comprehending the Rules of Thorough Bass, and the Theory of Tuning.

Date: 1812
Creator: Crotch, William, 1775-1847.
Description: Manual describing musical composition for beginners. The manual is divided in 9 chapters and includes 479 musical examples engraved in 59 pages at the end of the book, as well as four plates with figures (plate no. II appears at the beginning of the book. The musical examples cover the following subjects: scales, intervals (diatonic and chromatic) and their inversion, counterpoint rules, harmonic progressions, use of non-harmonic tones (suspensions, passing notes, appoggiaturas, and upper-lower neighbor. It also includes several examples taken from Handel's "Dettingen Te Deum," "Messiah," and from Haydn's oratorio "Creation," among others.
Contributing Partner: UNT Music Library